Serge Diaghilev/Serge Lifar Collection
Catalog Record: http://lccn.loc.gov/2006568220
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding Aid encoded by Library of Congress Music Division, 2006
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Serge Diaghilev/Serge Lifar Collection1750-1950 (bulk 1890-1929)
Diaghilev, Serge, 1872-1929
Biographical History for: Serge Diaghilev/Serge Lifar Collection1750-1950 (bulk 1890-1929)
Biographical Note Date Event 1872, Mar. 31 Sergei Pavlovich Diaghilev is born in Novgorod province, Russia, the only child of Pavel Pavlovich Diaghilev and Evgeniia Nikolaevna Essipova; Diaghilev's mother died as a result of the birth. Both of his parents were from old gentry landowner families. Pavel Pavlovich, a soldier in the Chevaliers Gardes in the service of the tsar, is transferred to St. Petersburg shortly afterwards 1874 Pavel Pavlovich Diaghilev marries Elena Valerianovna Panaeva, of whom Serge Diaghilev was very fond. Elena was from a musical family and was distantly related to Pëtr Il'ich Tchaikovsky. Through these family connections, Diaghilev is afforded the opportunity as a youth to meet many musicians and composers, among them Tchaikovsky (whom the young Diaghilev referred to as "Uncle Petia") and Modest Musorgsky 1882 Pavel Pavlovich is transferred to the provincial Russian town of Perm. They move into the family estate at nearby Bikbarda, which soon becomes an unofficial town cultural center 1890 Serge Diaghilev enters the university at St. Petersburg to study law, for which he has little enthusiasm. His interest and effort seem to be channeled into music, for he soon begins lessons in singing and composition. After a short period of study with Nikolai Rimsky-Korsakov, who advises him to reconsider a career in composition, Diaghilev begins to turn his attention more and more to art history and criticism 1891 Serge Diaghilev's first European trip takes him to Berlin, Paris, Rome, Venice, Florence and Vienna. The cultural life which he encounters in these cities has a profound effect on his developing artistic sensibility 1895-1896 During subsequent trips Diaghilev begins to purchase paintings which form the basis of a noteworthy collection. His first articles about contemporary art and painters are published. After six years at the university (in a customarily four-year program), Diaghilev completes his law degree 1899 Establishment of a series of ambitious art exhibitions, which meet with tremendous acclaim. Establishment of the review Mir Iskusstva (The World of Art), which includes writings on art, music and literature, as well as highly original graphics material. Appointed assistant to the Director of the Imperial Theaters; he resigns after a dispute with management in 1901 1903 The World of Art ceases publication due to disagreements and dissatisfaction on the part of contributors to the magazine 1905 "The Exhibition of Historical Russian Portraits," comprising over three thousand works, was organized by Diaghilev; the project takes three years and innumerable trips throughout Russia to complete. The Exhibition is held at the Tauride (Tavri-chevskiĭ) Palace in St. Petersburg and meets with an immense success. Similar exhibitions were organized the following year in Paris, Berlin and Venice. Serge Lifar is born in Kiev 1907 First series of Russian music concerts organized in Paris 1908 Concerts are expanded to include opera and ballet; opera productions include the first performances outside Russia of Rimsky-Korsakov's Sadko and Musorgsky's Boris Godunov, the latter achieving almost instantaneous worldwide popularity, and having a significant musical influence on French composers, including Debussy and Ravel 1909, May 19 First appearance of the Ballet Russe in Paris. Its immense success led to a resurgence of the ballet as an art form, especially in France and in Russia, as well as to the development of the field of ballet criticism 1910, June 25 Première of Stravinsky's ballet The Firebird, commissioned by Diaghilev for the Ballet Russe; this was the first of twelve works resulting from the collaboration between Diaghilev and Stravinsky 1911 The Ballet Russe is established at Monte Carlo 1912 Non-Russian artists become more frequently involved in the Ballet Russe productions: commissions are given to artists such as Debussy, Ravel, Hahn and Cocteau 1913, May 29 Première of the groundbreaking Le Sacre de printemps of Stravinsky (choreo-graphed by Nijinsky) which causes an unprecedented and legendary scandal 1917 Collaboration with Pablo Picasso, who designs sets and costumes for Satie's Parade 1923 Meeting with Serge Lifar at Monte Carlo, who, upon the recommendation of his teacher Bronislava Nijinska, was contracted to enter the Ballet Russe. By commissioning Stravinsky's Pulcinella, based on works of the eighteenth century masters Cimarosa, Scarlatti and Pergolesi, Serge Diaghilev influences the rise of neoclassicism in twentieth-century music 1925 Lifar has a principal role in the Ballet Russe production of Dukelsky's Zéphyr et Flore 1929, Aug. 19 Serge Diaghilev dies in Venice from complications resulting from diabetes. Lifar assumes the management of the Paris Opéra Ballet, a position which he holds (excluding the years 1944 through 1946, when he directs the Nouveau Ballet de Monte-Carlo) until 1959. During his tenure there he creates many new ballets, writes several books (including a biography of Diaghilev) and establishes new dance institutions. For his contributions to the art of ballet he is awarded the French Légion d'Honneur 1986 Serge Lifar dies
Scope and Content Note He was neither a painter, nor a dancer, nor had extensive musical training, yet by means of his great organizational and managerial skills, as well as by a keen aesthetic sense and an unerring sense of style, Serge Diaghilev had a profound influence on the course of music, ballet and art in the twentieth century. Diaghilev's musical interests spanned a wide range of styles, as reflected by the variety of musical material contained in this collection. A large part of this material represents musical works considered by Diaghilev for choreographic purposes and eventual production by the Ballet Russe; much of this material consequently bears annotations and performance indications. This collection is comprised in large part of printed music, most of which emanated from the personal music library of Serge Diaghilev. This library was acquired by Lifar, a premier dancer with the Ballet Russe and a protégé of Diaghilev, who was present at the latter's deathbed. In his auto-biography, Ma Vie, Lifar recalls how Diaghilev had died without leaving a will, and that he was prompted to break into Diaghilev's Venice apartment and to smuggle out material from his library in order to prevent its dispersal. The collection is particularly rich in the material of eighteenth-century Italian composers such as Paisiello, Pergolesi, and Cimarosa; nineteenth-century Russians such as Musorgsky, Rimsky-Korsakov, Tchaikovsky, Glinka, Dargomyzhsky and Liadov, as well as by several important collections of Russian folk song, all appearing in rare pre-Revolutionary editions; and nineteenth century French composers such as Chabrier, Gounod, Delibes and Godard. Also included are a significant number of popular works from the early Soviet period; several works for jazz band as well as popular songs from the early years of this century; heavily annotated chorus part books apparently used in the productions of Stravinsky's Les Noces, Rimsky-Korsakov's Snegurochka, and Musorgsky's Khovanshchina; and annotated performing scores of operas of Gounod (particularly La colombe, Philémon et Baucis, and Le médecin malgré lui) and Cimarosa for which Diaghilev commissioned new editions and/or additional musical material by composers such as Respighi, Satie, Milhaud and Auric. Particularly notable holograph material is represented in the collection by scores such as Respighi's recitatives for Cimarosa's Le astuzie femminili; Prokofiev's annotations to the printed score of his ballet Le pas d'acier; and one leaf of Stravinsky's arrangement for pianola of the "Berceuse" section from The Firebird. Among the non-musical material in the collection, particularly notable are three letters of Sergei Prokofiev to Diaghilev; rare editions of books on music, literature and theater; and Diaghilev's personal notebook, used from 1926 until his death in 1929, containing entries in French, Russian and English regarding planned productions, future projects, addresses, etc., made by Diaghilev, Lifar and Boris Kochno. Russian transliterations follow the standard Library of Congress system wherever possible. Modifications, however, were incorporated due to the inaccessibility of certain computer-generated symbols, hence the use of the symbol "ĭ" for the Russian short "i" (i kratkoe) and the omission of ligatures over groupings of letters, such as those used to indicate Russian soft vowels. In addition to printed music, the collection contains music manuscripts, correspondence, libretti and synopses, books and monographs, magazines, and Diaghilev's personal notebook, which the impresario used from 1926 until his death in 1929. Three items purchased during the same auction are housed in the Prints and Photographs Division of the Library of Congress. The approximate dates of the items in this collection range from about 1750, represented by several manuscripts, to about 1950, the date of several ballet scores added to the collection by Lifar. The majority of the material in the collection, however, dates from 1890 to 1929. Kevin LaVine, June 1994
series
I. Printed Music Material, 1750-1950
The series Printed Music Material is arranged into three subseries: General, Collections, and Miscellaneous. This series is represented by printed music and other materials from the personal music library of Serge Diaghilev.
subseries
A. General
file
Albéniz, Isaac
Chants d'Espagne, op. 232, no. 2: Orientale. Barcelona: Dotésio, n.d.
Iberia, v. 1. Paris: Édition mutuelle, 1911.
Iberia, v. 2. Paris: Édition mutuelle, 1907.
Iberia, v. 3. Paris: Édition mutuelle, 1907.
Iberia, v. 4. Paris: Édition mutuelle, 1907.
Zortzico. Paris: Édition mutuelle, n.d.
Aliab'ev, Aleksandr Aleksandrovich
Soloveĭ. Moscow: P. IUrgenson, 1901.
Arkhangel'skiĭ, Aleksandr Andreevich
Chasy, op. 13a. Moscow: Izdanie Studiia, 1910.
Chërtovy kacheli, op. 23, no. 3. Moscow: A. Gutkheĭl', 1910.
Kuranty, op. 23, no. 2. Moscow: Izdanie Studiia, 1910.
Maskarad, op. 34, no. 2: Petit morceau oublié. Moscow: B. Reshke, n.d.
Cello and piano; cello part, piano score; 1 p.; 2 p.
Maskarad, op. 34, no. 3: Danse des vingtièmes années. Moscow: B. Reshke, n.d.
Maskarad, op. 34, no. 4: Kogda pechal' slezoĭ nevol'noĭ (Romans Niny). Moscow: B. Reshke, n.d.
Maskarad, op. 34, no. 5: Valse triste. Moscow: B. Reshke, n.d.
Piesnia o Komarie, op. 26, no. 1. Moscow: B. Reshke, n.d.
Solo voice, chorus and piano; piano-vocal score; 7 p.
Prélude, op. 10, no. 1. Moscow: Izdanie Studiia, 1913.
Raspakhnulos' okno, op. 21a. Moscow: [s.n.], 1910.
Shelkovinka, op. 5c. Moscow: Kruzhka, 1908.
Skazka o kurochkie i zolotom iaichkie, op. 26, no. 2. Moscow: B. Reshke, n.d.
Starinnyĭ val's, op. 23, no. 1. Moscow: [s.n.], 1910.
U mashinki, op. 25, no. 1. Moscow: B. Reshke, 1913.
Udovushka, udovushka moia, op. 26, no. 3. Moscow: B. Reshke, n.d.
Viktoriia regiia, op. 36, no. 1. Moscow: Lira, 1914.
Za nashim, za dvorom, op. 1, no. 3. Moscow: B. Reshke, 1913.
Solo voices (TB), clarinet and tambourine; score; 3 p.
Arne, Thomas
Comus See: I.B. Collections, Box 1 (Item S/62), p. 67
Auber, Daniel François Esprit
L'ambassadrice. Paris: G. Brandus, n.d.
Barcarolle. Paris: RRandus [G. Brandus (?)], n.d.
Il cavallo di bronzo. Milan: E. Sonzogno, 1875.
La circassienne. Paris: Colombier, n.d.
Le domino noir. Paris: G. Brandus, n.d.
Fra Diavolo. Paris: P. Maquet, n.d.
Le lac des fées. Paris: G. Brandus, n.d.
Lestocq. Paris: G. Brandus, n.d.
Marco Spada. Paris: J. Meissonnier, n.d.
Le premier jour de bonheur. Paris: L. Escudier, n.d.
La sirène. Paris: G. Brandus, n.d.
Zerline. Paris: G. Brandus, n.d.
Aubert, Louis
Suite brève, op. 6. Paris: A. Durand, 1912.
Audran, Edmond
La mascotte. [=Krasnoe solnyshko.] Moscow: A. Gutkheĭl', n.d.
Austin, Ernest
Stella-Mary dances, op. 58. London: J.H. Larway, 1919.
Bach, Johann Sebastian
Beliebte Klavierstücke. Leipzig: C.F. Peters, n.d.
Clavierwerke, v. 1, 2 (Suites), v. 3 (Partitas). Leipzig: Steingraber, n.d.
Clavierwerke, v. 4, 7 (Vermische Werke). Leipzig: Steingraber, n.d.
Clavierwerke, v. 5, 6 (Das Wohltemperirte Clavier). Leipzig: Steingraber, n.d.
Klavierwerke: Capriccio; Fantasie; etc. Leipzig: C.F. Peters, n.d.
Klavierwerke: Englische Suiten, nos. 1-3. Leipzig: C.F. Peters, n.d.
Klavierwerke: Englische Suiten, nos. 4-6. Leipzig: C.F. Peters, n.d.
Klavierwerke: Französische Suiten. Leipzig: C.F. Peters, n.d.
Klavierwerke: Partitas, nos. 1-3. Leipzig: C.F. Peters, n.d.
Klavierwerke: Partitas, nos. 4-6. Leipzig: C.F. Peters, n.d.
Klavierwerke: Supplement. Leipzig: C.F. Peters, n.d.
Geistliche Lieder und Arien. Leipzig: Breitkopf & Härtel, n.d.
Arranged by E. Naumann for voice and piano; score; 81 p.
Orchester-Suiten nos. 1-4. Leipzig: C.F. Peters, n.d.
Arranged by M. Reger for two pianos; 96 p.
Der Streit zwischen Phöbus und Pan. Leipzig: C.F. Peters, n.d.
Das Wohltemperiertes Klavier, v. 1. Leipzig: C.F. Peters, n.d.
Das Wohltemperiertes Klavier, v. 2. Leipzig: C.F. Peters, n.d.
Balilla Pratella, Francesco
Musica futurista, op. 30. Bologna: F. Bongiovanni, 1912.
Bantock, Granville
Old English suite. London: Novello, 1909.
The Pierrot of the minute. Leipzig: Breitkopf & Härtel, 1913.
Bartók, Béla
Der holzgeschnitzte Prinz. Vienna: Universal, 1921.
Bax, Arnold
In a vodka shop. London: Augener, 1915.
Beethoven, Ludwig van
Sonates choisies. Paris: Heugel, n.d.
Sonate, op. 27, no. 2. Paris: A. Durand, 1915.
Symphonie pastorale. [Symphony, no. 6, op. 68, C minor.] Paris: A. Durand, n.d.
Arranged for piano, four hands; score; 235 p.
Berger, Rodolphe
Lettre valsée See: I.B. Collections, Box 2 (S/63), p. 67-68
Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68
Vinovaty rozy See: I.B. Collections, Box 3 (S/64), p. 68-69
Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68
Berlioz, Hector
Épisode de la vie d'un artiste, Grande symphonie fantastique. [Symphonie fantas-tique, op. 14.] ["Seconde édition revue et corrigée par F. Liszt."] Leipzig: F.E.C. Leuckart, n.d.
Lelio, oder die Rückkehr ins Leben, op. 14b. Leipzig: Breitkopf & Härtel, 1903.
Bernard, M.
Piesni russkago naroda. Moscow: P. IUrgenson, 1886.
Arranged for voice and piano; score; 157 p.
Berners, Lord
Le carrosse du Saint-Sacrement. London: J. & W. Chester, 1923.
Berzhe, R.
Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68.]
Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68.]
Bessmertnyĭ, Mikhaĭl
Tsyganka Masha, op. 14. Leningrad: Ars, n.d.
Binet, Jean
Le Printemps. [S.l.]: [s.n.], n.d.
Photoreproduced orchestral score; 113 p.
Bizet, Georges
L'Arlésienne. Paris: A. Choudens, n.d.
Chants du Rhin. Paris: Heugel, n.d.
Chasse fantastique. Paris: Heugel, n.d.
Djamileh, op. 24. Paris: A. Choudens, n.d.
Djamileh, op. 24. Milan: E. Sonzogno, 1892.
Don Procopio. Paris: A. Choudens, 1905.
Jeux d'enfants, op. 22. Paris: A. Durand, n.d.
La jolie fille de Perth. Paris: A. Choudens, n.d.
La jolie fille de Perth: [Excerpts ("Les bohémiennes").] Paris: A. Choudens, n.d.
Roma: Suite de concert, no. 3. Paris: A. Choudens, n.d.
Variations chromatiques. Paris: A. Choudens, n.d.
Boccherini, Luigi
Minuetto, A major. [Quintetto, strings, op. 6, no. 2: Minuetto.] Milan: G. Ricordi, n.d.
Arranged by M. Saladino for solo piano; score; 3 p.
Minuetto, G major. Milan: G. Ricordi, n.d.
Quartetti, op. 6, nos. 1-3. Milan: G. Ricordi, 1915.
Quartetti, op. 6, nos. 4-6. Milan: G. Ricordi, 1915.
Quintetto, op. 2, no. 6: Minuetto, A major. Milan: G. Ricordi, n.d.
Siciliana, C minor. Milan: G. Ricordi, n.d.
Sonate, no. 3, G major: Largo, Minuet. Paris: M. Senart, n.d.
Cello and piano; cello part, piano score; 1 p.; 3 p.
Boieldieu, François Adrien
Le calife de Bagdad. Paris: Heugel, n.d.
Bonaterra, Luís
La festa de la rambla. [=La fête de la promenade.] Paris: Éditions espagnoles J. Garzón, n.d.
Parts for: voice, vn I, vc-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt-tbn, perc (1 p. each).
Borisov, B. S.
IA pomniu den'. Moscow: A. Gun, n.d.
Borodin, Aleksandr Porfir'evich
Kniaz' Igor'. [=Prince Igor.] Leipzig: M.P. Belaïeff, 1889.
Kniaz' Igor': Ariia Kniazia Igoria. [=Prince Igor: Prince Igor's aria.] Leipzig: M.P. Belaïeff, n.d.
Arranged for voice and piano; score; 9 p.
Kniaz' Igor'. Leipzig: M.P. Belaïeff, 1888.
Parts for chorus: altos [2] p.; tenors [18] p.; basses [?] p.
More. Moscow: P. IUrgenson, n.d.
Petite suite; Scherzo. Paris: A. Leduc, n.d.
Petite suite. London: Augener, 1914.
Petite suite: Au couvent. Paris: A. Leduc, n.d.
Serenata alla spagnola. Leipzig: M.P. Belaïeff, 1888.
Arranged by T. Jadoul for solo piano; score; 14 p.
Symphonie no. 1, E-flat major. Paris: A. Leduc, n.d.
Symphonie no. 2, B minor. Paris: A. Leduc, n.d.
Bortkevich, Sergeĭ Eduardovich
Tausend und eine Nacht, op. 37. Leipzig: D. Rahter, 1928.
Bosk, A.
Piesnaia skazka. Moscow: C.IA. IAmbor', n.d.
Rose-Mousse See: I.B. Collections, Box 2 (S/63), p. 67-68
Boyce, William
Three pieces. London: Novello, n.d.
Violin and piano; violin part, piano score; 5 p.; 12 p.
The Chaplet See: I.B. Collections, Box 1 (S/62), p. 67
Lyra Brittanica See: I.B. Collections, Box 1 (S/62), p. 67
Solomon See: I.B. Collections, Box 1 (S/62), p. 67
Braga, Gaetano
La serenata. Paris: A. Durand, n.d.
Arranged by J. Rummel for solo piano; score; 7 p.
Brahms, Johannes
Danses hongroises: 5. Allegro. Paris: J. Hamelle, n.d.
Bretón, Tomás
Escenas andaluzas: 2. Polo gitano. Madrid: Unión musical española, n.d.
La verbena de la paloma. Madrid: Dotésio, n.d.
Brown, Lew See: De Sylva, B. G.
Bull, John
Album of selected pieces. London: Novello, n.d.
Byrd, William
Three dances. London: Novello, n.d.
Arranged by G. Bantock for solo piano; score; 12 p.
Caplet, André
La cloche fêlée. Paris: Éditions de la nouvelle revue française, 1924.
Carpenter, John Alden
Krazy Kat. New York: G. Schirmer, 1922.
Arranged by the composer for solo piano; score; 39 p.
Chabrier, Emmanuel
Air de ballet. Paris: Costallat, n.d.
Bourrée fantasque. Paris: Enoch, n.d.
Briséïs. Paris: Enoch, 1897.
Chabrier, Emmanuel and Maurice Le Boucher
Capriccio. Paris: Costallat, 1914.
Une education manquée. Paris: Enoch, n.d.
España. Paris: Enoch & Costallat, n.d.
Arranged by the composer for two pianos; parts; 15 p.; 15 p.
España. Paris: Enoch, 1911.
L'étoile. Paris: Enoch, n.d.
Feuillet d'album. Paris: Enoch, 1897.
Habañera. Paris: Enoch & Costallat, n.d.
Impromptu. Paris: Enoch, n.d.
L'invitation au voyage. Paris: Costallat, 1913.
Voice and piano, with bassoon obbligato; piano score, bassoon part; 12 p.; 1 p.
Joyeuse marche. Paris: Enoch & Costallat, n.d.
Arranged by E. Alder for solo piano; score; 9 p.
Larghetto. Paris: Costallat, 1913.
Arranged for horn or cello and piano; cello part, piano score; 3p.; 12 p.
Pas redoublé. Paris: Costallat, 1913.
Arranged by P. Lacome for solo piano; score; 7 p.
Pièces pittoresques. Paris: Enoch, n.d.
[Dix] pièces pittoresques. Paris: Enoch, n.d.
[Dix] pièces pittoresques: Menuet pompeux. Paris: Enoch & Costallat, n.d.
Recueil de mélodies. Paris: Enoch, n.d.
Le roi malgré lui. Paris: Enoch, n.d.
Le roi malgré lui. [Paris]: Enoch & Costallat, n.d.
Ronde champêtre. Paris: Enoch, 1897.
Ruy Blas. [Sérénade de Ruy Blas.] Paris: Costallat, 1913.
Souvenirs de Munich. Paris: Costallat, 1914.
Suite de valses. Paris: Costallat, 1913.
Tes yeux bleus. Paris: Costallat, 1913.
Trois valses romantiques. Paris: Enoch & Costallat, n.d.
Trois valses romantiques. Paris: Enoch, n.d.
Arranged by A. Cortot for piano, four hands; score; 47 p.
Charpentier, Marc Antoine
Le malade imaginaire. Paris: A. Durand, n.d.
Cherniavskiĭ, A.
Vial'tseva-Kontsert. St. Petersburg: I.G. TSimmerman, n.d.
Chopin, Frédéric
[Works.] [S.l.]: [s.n.], n.d.
Études. Paris: A. Durand, 1915.
Mazurkas. Paris: A. Durand, 1915.
Mazurke. [Composizioni, v. 3: Mazurke.] Milan: G. Ricordi, n.d.
Mazurkas. [Klavierwerke, v. 6: Mazurkas.] See: I.B. Collections, Box 2 (S/63), p. 67-68
Mazurkas. [Sämmtliche Pianoforte-Werke: Mazurkas.] Leipzig: C.F. Peters, n.d.
Nocturnes. Paris: A. Durand, 1915.
Polonaises. Paris: A. Choudens, 1928.
Polonaise, op. 40, no. 1. Braunschweig: H. Litolff, n.d.
Préludes et rondos. Paris: A. Durand, 1915.
Valses. Paris: A. Durand, 1915.
Valse, op. 64, no. 2. Braunschweig: H. Litolff, n.d.
Waltzes. [Complete works for the pianoforte, v. 1: Waltzes.] New York: G. Schirmer, 1915.
Walzer. [Sämmtliche Pianoforte-Werke: Walzer.] Leipzig: C.F. Peters, n.d.
Cimarosa, Domenico
Le astuzie femminili. Paris: L. Escudier, n.d.
Le astuzie femminili. Milan: E. Sonzogno, n.d.
Le astuzie femminili: Le ragazze che son di vent'anni (Act IV). Naples: T. Cottrau, n.d.
Arranged for voice and piano; score; 11 p.
Giannina e Bernardone. Milan: G. Ricordi, n.d.
Il matrimonio segreto. Milan: G. Ricordi, n.d.
Il matrimonio segreto: Sinfonia. Milan: G. Ricordi, n.d.
Arranged for small orchestra by L. Jacob; parts for: piano (condensed score) (13 p.); harmonium (10 p.); vn I (A), vn I (B), vn II (5 p. each); vla (4 p.); vc/cb (8 p.); fl, cl I, cl II, hn I, hn II, tpt, tbn (3 p. each); perc (1 p.).
Cools, Eugène See: de Bozi, Harold and Cools, Eugène
Corelli, Arcangelo
Sonatas, op. 5. ["Opera quinta"] [S.l.]: [s.n.], n.d.
Sonate, op. 5, no. 6: 1. Grave, 2. Allegro. Paris: M. Senart, n.d.
Violin and piano; violin part, piano score; 1 p.; 3 p.
Sonate, op. 5, no. 6: 3. Allegro, 4. Adagio, 5. Allegro. Paris: M. Senart, n.d.
Violin and piano; violin part and piano score; 2 p.; 5 p.
Cottrau, T.
L'addio a Napoli See: I.B. Collections, Box 2 (S/63), p. 67-68
Couperin, François
Concert en sol majeur. [Les goûts réunis: Concert no. 8.] Paris: Éditions musicales transatlantiques, 1959.
Arranged by F. Oubradous for orchestra; miniature score; 45 p.
Pièces de clavecin: v. 1. Paris: A. Durand, n.d.
Pièces de clavecin: v. 2. Paris: A. Durand, n.d.
Pièces de clavecin: v. 3. Paris: A. Durand, n.d.
Pièces de clavecin: v. 4. Paris: A. Durand, n.d.
Crémieux, Octave
Kogda umiraet liubov'. Moscow: IU.G. TSimmerman, n.d.
Voice and piano; vocal part and piano score; 1 p.; 2 p.
Csenki, Imre
Gipsies. London: Hawkes, 1958.
Cueva, Julio
Ajonjoli See: Oréfiche, Armando. Puchunguita
Cui, César
Feuille d'album See: I.B. Collections, Box 3 (S/64), p. 68-69
Dacquin, Louis Claude
[Deux pièces:] Rigaudon, Guitare. Paris: Costallat, n.d.
Darewski, Herman
Whispering. London: H. Darewski, 1920.
Dargomyzhskiĭ, Aleksandr Sergeevich
Au bal. Moscow: A. Gutkheĭl', n.d.
Baba IAga. St. Petersburg: W. Bessel, n.d.
Arranged by the composer for two pianos; score; 25 p.
Bez uma, bez razuma. Moscow: A. Gutkheĭl', 1885.
Bezumno zhazhdat' tvoeĭ vstriechi. Moscow: P. IUrgenson, n.d.
Charuĭ menia, charuĭ! Moscow: P. IUrgenson, n.d.
Chukhonskaia fantaziia. [=Fantaisie sur des airs finlandais.] St. Petersburg: W. Bessel, n.d.
Chukhonskaia fantaziia. [=Fantaisie finoise.] St. Petersburg: W. Bessel, n.d.
Orchestral parts for: vn I (7 p.) [9 copies]; vn II, vla (6 p. each); vc/cb (11 p.); fl I, fl II/picc, ob I, ob II, cl I, cl II, bn I, bn II (4 p. each); hn I, hn II, hn III, hn IV, tpt I, tpt II, tenor tbn, bass tbn, ophicleide, timp (3 p. each); pc (2 p.).
Dievitsy krasavitsy. Moscow: P. IUrgenson, n.d.
Dushechka dievitsa. Moscow: P. IUrgenson, n.d.
IA pomniu, gluboko. Moscow: A. Gutkheĭl', n.d.
IA vse eshchë ego liubliu! Moscow: A. Gutkheĭl', 1888.
IA zatepliu sviechu. Moscow: A. Gutkheĭl', 1899.
Jamais! Moscow: A. Gutkheĭl', 1885.
Kamen' tiazhelyĭ na serdtsie lezhit. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923.
Kamennyĭ gost'. [=The stone guest.] St. Petersburg: V. Bessel', 1872.
Likhoradushka. Moscow: A. Gutkheĭl', 1885.
Liubila, liubliu ia, viek budu liubit'. Moscow: A. Gutkheĭl', 1892.
Malorossiĭskiĭ kozachëk. Moscow: P. IUrgenson, n.d.
Arranged by the composer for piano, four hands; score; 15 p.
Mel'nik. Moscow: A. Gutkheĭl', 1897.
Mne grustno. Moscow: P. IUrgenson, n.d.
Ne skazhu nikomu. Moscow: P. IUrgenson, n.d.
O dieva roza ia v okovakh. Moscow: A. Gutkheĭl', 1885.
O ma charmante. Moscow: A. Gutkheĭl', 1885.
Oĭ vy ulany. Moscow: Proizvodstvennyĭ Podotdel, 1920.
Potsieluĭ. Moscow: A. Gutkheĭl', 1885.
Le rêve de la Esméralda See: Glinka, Mikhaĭl. (editor) Sobranie muzykal'nykh pies, Box 66, Folder 9
Roza l' ty rozochka. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924.
Arranged by the composer for two voices and piano; score; 7 p.
Rusalka. Moscow: A. Gutkheĭl', 1885.
Tituliarnyĭ sovietnik. Moscow: P. IUrgenson, n.d.
Torzhestvo vakkha. St. Petersburg: M. Bernard, n.d.
Tuchki nebesnyia. Moscow: P. IUrgenson, 1896.
Ty khoroshen'kaia. Moscow: P. IUrgenson, 1885.
Ty skoro menia pozabudesh'. Moscow: P. IUrgenson, n.d.
Van'ka-tan'ka. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923.
Van'ka-tan'ka. Moscow: A. Gutkheĭl', 1885.
Vliublen ia, dieva-krasota. Moscow: P. IUrgenson, 1909.
Davidov, Karl IUlevich
I noch', i liubov', i luna, op. 26, no. 1. Moscow: A. Gutkheĭl', 1890.
de Bozi, Harold and Eugène Cools
Ballet nuptial. Paris: M. Eschig, 1934.
Arranged for small orchestra; parts for: piano/conductor (19 p.); vn ("I")(11 p.), vc (8 p.), cb (3 p.).; 19 p.
de Curtis, G. B.
Carmela See: I.B. Collections, Box 2 (S/63), p. 67-68
Debucquoy, T.
Je t'aime toujours! Paris: Édition des bons auteurs, n.d.
Debussy, Claude Achille
La boîte à joujoux. Paris: A. Durand, 1913.
Danses. [Danses sacrées et profanes.] Paris: A. Durand, 1907.
Solo harp part arranged by J. Durand for solo piano; score; 12 p.
L'enfant prodigue: Cortège et air de danse. Paris: A. Durand, 1907.
Arranged by J. Durand for solo piano; score; 7 p.
Estampes: La soirée dans Grenade. Paris: A. Durand, 1903.
Images pour orchestre: 1. Gigues. Paris: A. Durand, 1912.
Arranged by A. Caplet for piano, four hands; score; 15 p.
Images pour orchestre: 2. Ibéria. Paris: A. Durand, 1910.
Arranged by A. Caplet for piano, four hands; score; 41 p.
Arranged by A. Caplet for two pianos; score; 42 p.
Images pour orchestre: 3. Rondes de printemps. Paris: A. Durand, 1910.
Arranged by A. Caplet for piano, four hands; score; 21 p.
Images pour piano, série 1: 3. Mouvement. Paris: A. Durand, 1905.
Images pour piano, série 2: 3. Poissons d'or. Paris: A. Durand, 1908.
L'isle joyeuse. Paris: A. Durand, 1904.
Marche écossaise sur un thème populaire. Paris: E. Fromont, n.d.
Masques. Paris: A. Durand, 1904.
Petite Suite. Paris: A. Durand, 1906.
Arranged by J. Durand for solo piano; score; 23 p.
La plus que lente. Paris: A. Durand, 1910.
Préludes, v. 2: 5. Bruyères. Paris: A. Durand, 1913.
Préludes, v. 2: 7. La terrasse des audiences du clair de lune. Paris: A. Durand, 1913.
Sonate. Paris: A. Durand, 1915.
Cello and piano; cello part, piano score; 7 p.; 15 p.
De Giosa, Nicola
Napoli di carnovale. Milan: G. Ricordi, n.d.
Delibes, Léo
La cour du roi Pétaud. Paris: J. Martin, n.d.
Deux vieilles gardes. Paris: G. Brandus & Dufour, n.d.
L'écossais de Chatou. Paris: G. Brandus & Dufour, n.d.
Le jardinier et son seigneur. Paris: Colombier, n.d.
Jean de Nivelle. Paris: Heugel, n.d.
Kassya. Paris: Heugel, 1893.
Kassya: Danse ruthène et Sumka. Paris: Heugel, 1893.
Kassya: Mazurka. Paris: Heugel, 1893.
Kassya: Trépack. Paris: Heugel, 1893.
Monsieur Griffard. Paris: L. Vieillot, n.d.
L'omelette à la Follembûche. Paris: Heugel, n.d.
Pas de fleurs: Grande valse. [Valse, ou Pas de fleurs(added to Le Corsaireof A. Adam).] Paris: H. Heugel, n.d.
Rigaudon. Paris: H. Heugel, n.d.
Le roi l'a dit. (Three act version.) Paris: H. Heugel, n.d.
Le roi s'amuse: Scène du bal. Paris: Heugel, n.d.
Romances sans paroles: 1. Souvenir lointain. Paris: H. Heugel, n.d.
Romances sans paroles: 2. Romance hongroise. Paris: H. Heugel, n.d.
Six demoiselles à marier. Paris: Heugel, n.d.
Sylvia, ou La nymphe de Diane. Paris: Heugel, 1876.
Delmet, Paul
Charme d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69
L'étoile d'amour See: I.B. Collections, Box 2 (S/63), p. 67-68
De Sylva, B. G.; Lew Brown, and Ray Henderson
You're the cream in my coffee. [from Hold everything!] London: Chappell, 1928.
Dixon, Mort and Allie Wrubel
I see two lovers. ["Fox-trot du film Warner Bros. Sweet Music."] Paris: Éditions Feldman, 1934.
Arranged by F. Pearly for small orchestra; parts for: piano/conductor (includes vocal indications; English lyrics) (4 p.); vn I (3 p.); cb (2 p.); sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).
Donizetti, Gaetano
L'ajo nell'imbarazzo. Milan: G. Ricordi, n.d.
Don Pasquale. Milan: G. Ricordi, n.d.
L'elisir d'amore. Milan: G. Ricordi, n.d.
Dorfman, E. M.
Chat-noir. [S.l.]: E. M. Dorfman, 1925.
Dribinovitsch-Lenski, Henri
Perdue! Constantinople: J. d'Andria, n.d.
Drizo, L'v
Liubov' ėto chary plienitel'noĭ skazki. Petrograd: K. Leopas, n.d.
Dunaevskiĭ, Isaak Osipovich
Kak khorosho na svete zhit'. [S.l.]: [s.n.], 1935.
Dzegelenok, Aleksandr Mikhaĭlovich
Mazurka, op. 5, no. 2. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924.
Eberhard, G.
IAkht-klub See: I.B. Collections, Box 3 (S/64), p. 68-69
Espinosa, L.
Titi. Paris: Éditions espagnoles J. Garzón, n.d.
Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).
Fall, Leo[pold]
Razvedenaia zhena: Val's. [=Die geschiedene Frau: Waltz.] Moscow: S.IA. IAmbor, n.d.
Falla, Manuel de
Pièces espagnoles. Paris: A. Durand, 1909.
Pièces espagnoles: 2. Cubana. Paris: A. Durand, 1909.
El sombrero de tres picos. London: J. & W. Chester, 1921.
Farnaby, Giles
Arranged by G. Bantock for solo piano; score; 26 p.
Fauchey, Paul
Folie d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69
Fauré, Gabriel Urbain
Clair de lune, op. 46, no. 2. Paris: J. Hamelle, 1909.
Arranged by A. Perilhou for solo piano; score; 6 p.
Le papillon et la fleur, op. 1, no. 1. Paris: J. Hamelle, n.d.
Arranged by F. Behr for solo piano; score; 5 p.
Pavane, op. 50. Paris: J. Hamelle, n.d.
Pelléas et Mélisande, op. 80: 1. Prélude; 2. Fileuse; 3. (4.) Molto adagio. Paris: J. Hamelle, n.d.
Arranged by J. Roger-Ducasse for piano, four hands; score; 19 p.
Pelléas et Mélisande, op. 80: 3. Sicilienne. [=op. 78.] Paris: J. Hamelle, 1898.
Valse-caprice, no. 1, op. 30. Paris: J. Hamelle, n.d.
Valse-caprice, no. 2, op. 38. Paris: J. Hamelle, n.d.
Valse-caprice, no. 3, op. 59. Paris: J. Hamelle, n.d.
Valse-caprice, no. 4, op. 62. Paris: J. Hamelle, n.d.
Ferroud, Pierre Octave
Foules. Paris: A. Durand, 1925.
Reduction by the composer for piano, four hands; score; 33 p.
Fields, Buddy and Gerald Marks
I'll be much obliged to you. Paris: Éditions Feldman, 1934.
Arranged by F. Pearly for small orchestra; parts for: piano/conductor (4 p.); vn I, cb, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).
Fioravanti, Valentino
Le cantatrici villane. Paris: Mme. V. Launer, n.d.
Fleck, Fritz
Bathyllus. [S.l.]: [s.n.], n.d.
Flotow, Friedrich von
Alessandro Stradella. Milan: G. Ricordi, n.d.
Fomin, G.
Amerikantsy. Moscow: P. IUrgenson, 1893.
Fragson, Harry
L'amour boiteux See: I.B. Collections, Box 3 (S/64), p. 68-69
Franck, César Auguste
Danse lente. Paris: B. Roudanez, 1919.
Les plaintes d'une poupée. Mainz: B. Schott's Söhne, 1906.
Prélude, fugue et variation, op. 18. Paris: A. Durand, 1910.
Arranged by H. Bauer for solo piano; score; 12 p.
Ruth. Paris: Heugel, n.d.
Frescobaldi, Girolamo
Canzone. Paris: M. Senart, n.d.
Galuppi, Baldassare
Il filosofo di campagna: selections. Milan: Instituto editoriale italiano, 1919.
Arranged by G. F. Malipiero for voice and piano; scores; 31 p.; 27p.; 31 p.; 34 p.; 34 p.
Sonate: 1. Adagio, 2. Allegro. Paris: M. Senart, n.d.
Gambardella, S.
O Marenariello See: I.B. Collections, Box 2 (S/63), p. 67-68
Gastaldon, Stanislao
Musica proibita, op. 5. Milan: Carisch & Jänichen, n.d.
Gaubert, Philippe
Sonia. Paris: Enoch, 1912.
Gay, Byron
Le vamp. Constantinople: J. d'Andria, n.d.
Gillet, Ernest
La lettre de man[s]on See: I.B. Collections, Box 3 (S/64), p. 68-69
Glavatskiĭ, S.
Grëzy bylogo, op. 40. St. Petersburg: IU.G. TSimmerman, n.d.
Glazunov, Aleksandr
Symphony no. 5, op. 55, B-flat major. Leipzig: M.P. Belaïeff, 1896.
Reduction by S. Taneev for piano, four hands; score; 79 p.
Symphony no. 6, op. 58, C minor. Leipzig: M.P. Belaïeff, 1897.
Reduction by S. Rachmaninoff for piano, four hands; score; 67 p.
Symphony no. 7, op. 77, F major. Leipzig: M.P. Belaïeff, 1902.
Reduction by the composer for piano, four hands; score; 79 p.
Glinka, Mikhaĭl
L'alouette. [=Proshchanie s Peterburgom, no. 10: Zhavoronok.] Moscow: A. Gutheil, n.d. See also: Zhavoronok, Box 25, Folder 23.
Arranged by M. Balakirev for solo piano; score; 7 p.
Le baiser. [=IA liubliu! Ty mne tverdila.] Moscow: P. IUrgenson, n.d.
Capriccio brillante sur le thème de la jota aragonesa. Moscow: P. IUrgenson, n.d. See also: La jota aragonesa.
Arranged by M. Balakirev for piano, four hands; score; 27 p.
Caprice brillant sur le thème de la jota aragonesa. Leipzig: M.P. Belaïeff, 1901. See also: La jota aragonesa.
Il desiderio. St. Petersburg: F. Stellovskiĭ, 1861.
Dubrava shumit. Moscow: A. Gutkheĭl', n.d.
Ho perduto, il mio tesoro. Moscow: P. IUrgenson, 1878.
IA liubliu! Ty mne tverdila See: Le baiser
IA pomniu chudnoe mgnoven'e. Moscow: A. Gutkheĭl', n.d.
IA pomniu chudnoe mgnoven'e. Moscow: P. IUrgenson, n.d.
Voice and piano; voice part, piano score; 1 p.; 7 p.
La jota aragonesa. [=Capriccio brillante.] Paris: Enoch, n.d.
Arranged by M. Balakirev for solo piano; score; 17 p.
Kak sladko s toboiu mnie byt'. Moscow: A. Gutkheĭl', n.d.
Voice and piano; voice part, piano score; 1 p.; 3 p.
Kniaz' Kholmskiĭ. [=Prince Kholmskiĭ.] [S.l.]: F. Stellovskiĭ, n.d.
Mi sento il cor traffigere. Moscow: P. IUrgenson, 1878.
Molitva: Bozhe sil, vo dni smiaten'ia. Moscow: P. IUrgenson, 1877.
Mixed vocal trio (STB) and piano; score; 7 p.
Molitva: S nebesi uslyshi. Moscow: P. IUrgenson, 1878.
Mixed vocal quartet (SATB) and piano; score; 9 p.
Ne iskushaĭ menia bez nuzhdy. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1925.
Nochnoĭ smotr. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923.
Nocturne. Moscow: P. Jurgenson, n.d.
Pol'skiĭ. [=Polonez; =Polonaise, E-flat major.] Moscow: P. IUrgenson, 1878.
Mixed chorus (SATB) and piano; piano-vocal score; 9 p.
Poputnaia piesnia. [Proshchanie s Peterburgom, no. 6.] Moscow: P. Jurgenson, n.d.
Pour un moment. [=Odin lish' mig.] Moscow: P. IUrgenson, n.d.
Prière. St. Petersburg: T. [F.] Stellowsky, n.d.
Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta. [no. 1]. Moscow: P. IUrgenson, n.d.
Mixed chorus (SSA) and piano; score; 9 p.
Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta. [no. 2]. Moscow: P. IUrgenson, n.d.
Mixed chorus (SSA) and piano; score; 14 p.
Proshchanie s Peterburgom See: L'alouette, Box 24, Folder 8 See: Zhavoronok, Box 25, Folder 23 See: Poputnaia piesnia, Box 25, Folder 5
Ruslan i Liudmila See: Audran, Edmond
Sobranie muzykal'nykh pies See: Box 66, Folder 9
Souvenir d'une nuit d'été à Madrid. Moscow: P. IUrgenson, n.d.
Arranged by M. Balakirev for piano, four hands; score; 21 p.
Tarantelle. St. Petersburg: M. Bernard, n.d.
Thema con variationi Moscow: P. Jurgenson, n.d.
Thème de l'opéra Faniska de Cherubini See: Sobranie muzykal'nykh pies, Box 66, Folder 9
Thème de Mozart. [=Variations on a theme of Mozart.] Moscow: P. IUrgenson, n.d. See also: Variations sur un thème de Mozart, Box 25, Folder 21
Toska. Moscow: P. IUrgenson, 1878.
Trot de cavalerie, no. 1. Moscow: P. Jurgenson, n.d.
Trot de cavalerie, no. 2. Moscow: P. Jurgenson, n.d.
Tu sei figlia e lodo. Moscow: P. IUrgenson, 1878.
Val's-Fantaziia. Moscow: A. Gutkheĭl', n.d.
Arranged by B. Engelhardt for piano, four hands; 19 p.
Valse See: Sobranie muzykal'nykh pies, Box 66, Folder 9
Valse favorite [B-flat major]. St. Petersburg: F. Stellovskiĭ, n.d.
Valse mélodique [E-flat major]. St. Petersburg: F. Stellovskiĭ, n.d.
Variations sur un thème de Mozart. Moscow: P. Jurgenson, n.d. See also: Thème de Mozart, Box 25, Folder 13
La vie pour le Tsar. [=A Life for the Tsar.] Leipzig: M.P. Belaïeff, n.d.
Zhavoronok. [Proshchanie s Peterburgom, no. 10; =L'alouette.] Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. See also: L'alouett, Box 24, Folder 8
Gluck, Christoph Willibald
Orphée. Braunschweig: H. Litolff, n.d.
Arranged by L. Köhler for solo piano; score; 60 p.
Orpheus. Leipzig: C.F. Peters, n.d.
Godard, Benjamin
Air de ballet. Paris: L. Grus, n.d.
Aubade, op. 133. Paris: J. Hamelle, n.d.
Violin and piano; violin part, piano score; 5 p.; 11 p.
Berceuse d'enfant. Paris: A. Choudens, 1896.
Bohémienne, op. 40. Paris: A. Durand, n.d.
Brésilienne, op. 51. Paris: L. Grus, n.d.
Carillon. [Paris]: [L. Grus], n.d.
Les champs. Paris: L. Grus, n.d.
Chemin faisant: En courant, op. 53, no. 1. Paris: L. Grus, n.d.
Chemin faisant: En pleurant, op. 53, no. 2. Paris: L. Grus, n.d.
Chemin faisant: En chantant, op. 53, no. 3. Paris: L. Grus, n.d.
Chemin faisant: En riant, op. 53, no. 5. Paris: L. Grus, n.d.
Chemin faisant: En valsant, op. 53, no. 6. Paris: L. Grus, n.d.
Conte de fée, op. 62. Paris: A. Durand, n.d.
Les contes de Perrault, op. 6. Paris: A. Durand, n.d.
Contes de la veillée, op. 67. Paris: A. Durand, n.d.
Danse fantastique. Paris: A. Choudens, 1896.
Six fables de La Fontaine. Paris: Heugel, n.d.
Une fête au village. Paris: A. Choudens, 1896.
Impressions de campagne au printemps, op. 123. Paris: A. Choudens, 1892.
Kermesse, op. 51. Paris: L. Grus, n.d.
Arranged by G. Pfeiffer for piano, four hands; score; 21 p.
La lanterne magique, op. 50, no. 1: Boniment. Paris: L. Grus, n.d.
La lanterne magique, op. 50, no. 2: Pan. Paris: L. Grus, n.d.
La lanterne magique, op. 50, no. 3: Marquis et marquise. Paris: L. Grus, n.d.
La lanterne magigue, op. 50, no. 4: Trilby. Paris: L. Grus, n.d.
La lanterne magique, op. 55, no. 2: Poëte. Paris: L. Grus, n.d.
La lanterne magique, op. 55, no. 4: Viennoise. Paris: L. Grus, n.d.
La lanterne magique, op. 55, no. 5: Mignon. Paris: L. Grus, n.d.
La lanterne magique, op. 55, no. 6: Bergers et bergères. Paris: L. Grus, n.d.
La lanterne magique, op. 66, no. 4: Lansquenets. Paris: L. Grus, n.d.
La lanterne magique, op. 66, no. 5: Esméralda. Paris: L. Grus, n.d.
La lanterne magique, op. 66, no. 6: Marcel le Huguenot. Paris: L. Grus, n.d.
La lanterne magique, op. 110, no. 2: Vénitienne. Paris: L. Grus, n.d.
La lanterne magique, op. 110, no. 3: Espagnole. Paris: L. Grus, n.d.
La lanterne magique, op. 110, no. 5: Saxonne. Paris: L. Grus, n.d.
La lanterne magique, op. 115, no. 1: Norvégienne. Paris: L. Grus, 1892.
La lanterne magique, op. 115, no. 2: Russe. Paris: L. Grus, 1892.
La lanterne magique, op. 115, no. 4: Anglaise. Paris: L. Grus, 1892.
La lanterne magique, op. 115, no. 5: Orientale. Paris: L. Grus, 1892.
La lanterne magique, op. 115, no. 6: Styrienne. Paris: L. Grus, 1892.
Menuet-Andante-Gavotte, op. 16. Paris: A. Durand, n.d.
Trois morceaux, op. 27. Paris: A. Durand, n.d.
Novellozza, op. 47. Paris: A. Durand, n.d.
Redowa, op. 141. Paris: H. Tellier, 1893.
Romance sans paroles, no. 2, op. 120. Paris: J. Hamelle, n.d.
Scènes italiennes, op. 126. Paris: A. Durand, n.d.
Scènes poétiques, op. 46, no. 1: Dans les bois. Paris: C. Joubert, n.d.
Arranged by G. Pfeiffer for solo piano; score; 9 p.
Scènes poétiques, op. 46, no. 2: Dans les champs. Paris: C. Joubert, n.d.
Arranged by G. Pfeiffer for solo piano; score; 5 p.
Scènes poétiques, op. 46, no. 3: Sur la montagne. Paris: Brandus, n.d.
Arranged for piano, four hands; score; 9 p.
Scènes poétiques, op. 46, no. 4: Au village. Paris: C. Joubert, n.d.
Scherzetto, no. 2, op. 108. Paris: A. Durand, n.d.
Sérénade. Paris: J. Hamelle, n.d.
Sérénade à Mabel, op. 138, no. 2. Paris: J. Hamelle, 1892.
Sérénade aux étoiles. Paris: A. Choudens, 1896.
Sonate fantastique, op. 63, no. 2: Les farfadets. Paris: J. Hamelle, n.d.
Sonate fantastique, op. 63, no. 3: La fée d'amour. Paris: J. Hamelle, 1897.
Suite de danses anciennes et modernes, op. 103, nos. 1-3. Paris: C. Joubert, n.d.
Suite de danses anciennes et modernes, op. 103, nos. 4-6. Paris: C. Joubert, n.d.
Suite de trois morceaux, op. 116. Paris: A. Durand, n.d.
Flute and piano; flute part, piano score; 10 p.; 19 p.
Symphonie-Ballet, op. 60, no. 1: Ouverture. Paris: L. Grus, n.d.
Symphonie-Ballet, op. 60, no. 2: La cerrito. Paris: L. Grus, n.d.
Symphonie-Ballet, op. 60, no. 3: Pantomime sentimentale. Paris: L. Grus, n.d.
Symphonie-Ballet, op. 60, no. 4: Danse d'almées. Paris: L. Grus, n.d.
Symphonie-Ballet, op. 60, no. 5: Final-valse. Paris: L. Grus, n.d.
Le tasse, op. 39: Danse des bohémiens. Paris: Heugel, n.d.
Le tasse, op. 39: La fête chez le duc d'Este. Paris: G. Hartmann, n.d.
Arranged for piano, four hands; score; 17 p.
Le tasse, op. 39: Pastorale. Paris: G. Hartmann, n.d.
Trio, no. 2, op. 72: Scherzo. Paris: Durand & Schoenewerk, 1888.
Arranged by I. Philipp for solo piano; score; 9 p.
Tziganka, op. 134. Paris: J. Hamelle, 1895.
Valse, no. 2, op. 56. Paris: A. Durand, 1910.
Valse, no. 3 (Valse-sérénade), op. 71. Paris: A. Durand, n.d.
Goossens, Eugène
Four conceits, op. 20. London: J. & W. Chester, 1918.
Epigram, op. 19. London: J. & W. Chester, 1918.
Kaleidoscope, op. 18. London: J. & W. Chester, 1918.
Deux proses lyriques, op. 16. London: J. & W. Chester, 1917.
Two songs, op. 10. London: J. & W. Chester, 1917.
Gounod, Charles François
L'Angelus. Paris: A. Leduc, n.d.
Arranged by A. Le Beau for solo piano; score; 3 p.
Le bal d'enfants. Paris: A. Leduc, n.d.
Chanson printanière. Paris: A. Choudens, 1895.
Choral et musette. Paris: A. Choudens, n.d.
Cinq Mars: Ballet Louis XIII. Paris: L. Grus, n.d.
Cinq Mars: Sarabande. Paris: L. Grus, n.d.
La colombe. Paris: A. Choudens, n.d.
Dodelinette. Paris: H. Lemoine, n.d.
Filemon e Bauci. [=Philémon et Baucis.] Paris: A. Choudens, n.d. See also: Philémon et Baucis Box 29, Folder 13 See also: Philémon et Baucis Box 30, Folder 1 See also: Philémon et Baucis Shelved item 24
Gavotte. Paris: A. Choudens, 1895.
Impromptu. Paris: H. Lemoine, 1888.
Jeanne d'Arc: Danse bohémienne. Paris: A. Choudens, n.d.
Marche funèbre d'une marionette. Paris: H. Lemoine, n.d.
Matinée de mai. Paris: A. Choudens, 1896.
Le médecin malgré lui. Paris: E. Gallet, n.d.
Le médecin malgré lui. [Paris]: [A. Choudens], n.d.
Mireille. Paris: A. Choudens, n.d.
Petite étude-scherzo. Paris: H. Lemoine, n.d.
Philémon et Baucis. Paris: A. Choudens, n.d. See also: Filemon e Bauci, Box 29, Folder 4
Philémon et Baucis. Paris: A. Choudens, n.d.
Préludes et fugues pour l'étude préparatoire au Clavecin bien tempéré de Jean Sébastien Bach. Paris: A. Choudens, 1895.
Quatuor no. 3. Paris: A. Choudens, 1895. See also: Scherzo, Box 30, Folder 6
Strings; parts for: vn I, vn II, vla, vc (9 p. each).
La reine de Saba: Ballet et Marche. Paris: A. Choudens, n.d.
Royal-Menuet. Paris: Le Beau, n.d.
Scherzo. [Quartet, strings, no. 3, A minor: Scherzo.] Paris: A. Choudens, 1895. See also: Quatuor no. 3, Box 30, Folder 3
Arranged by H. Büsser for solo piano; score; 7 p.
Sérénade. Paris: A. Leduc, n.d.
Souvenir d'un bal. Paris: A. Choudens, 1895.
Sylvie. Paris: A. Choudens, n.d.
Symphony no. 2, E-flat major: 1. Adagio-allegro agitato. Paris: A. Choudens, n.d.
Arranged for piano, four hands; score; 25 p.
Symphony no. 2, E-flat major: 2. Larghetto; 3. Scherzo; 4. Final. Paris: A. Choudens, n.d.
Arranged for piano, four hands; score; [41] p.
Le tribut de Zamora: excerpts. Paris: A. Choudens, n.d.
Ulysse. Paris: A. Choudens, n.d.
La valse des sylphes. Paris: H. Lemoine, n.d.
Grainger, Percy Aldridge
British folk-music settings: Irish tune from County Derry (no. 6). London: Schott, 1911.
British folk-music settings: Shepherd's hey (no. 4). London: Schott, 1911.
British folk-music settings: The Sussex Mummers' Christmas carol (no. 2). London: Schott, 1911.
Room music tit-bits: Mock Morris (no. 1). ["Concert version."] London: Schott, 1912.
Room music tit-bits: Mock Morris (no. 1). ["Popular version."] London: Schott, 1912.
Room-music tit-bits: Walking tune (no. 3). London: Schott, 1912.
Sentimentals: Colonial song (no. 1). London: Schott, 1913.
Voice and piano or solo piano; score; 11 p.
Settings of songs and tunes from William Chappell'sOld English popular music: My robin is to the greenwood gone (no. 2). London: Schott, 1912.
Grechaninov, Aleksandr Tikhonovich
Quatre mélodies, op. 20, no. 4: Le captif. Leipzig: M.P. Belaïeff, 1912.
Grosz, Wilhelm
Baby in der Bar, op. 23. Vienna: Universal, 1927.
Arranged by the composer for solo piano; score; 43 p.
Gurilev, Aleksandr L'vovich
Ne shumi ty, rozh', spelym kolosom. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923.
Haberbier, E.
Valse See: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9
Hahn, Reynaldo
Le bal de Béatrice d'Este. Paris: Heugel, 1911.
Arranged by A. Gédalge for piano, four hands; score; 25 p.
Ciboulette: selections. Paris: F. Salabert, 1923.
Arranged by F. Salabert for solo piano; score; 8 p.
Haydn, Joseph
Symphonie d'enfants. Paris: Costallat, n.d.
Symphonie d'enfants. Paris: [s.n.], n.d.
Parts for: vn I, vn II (2 p. each); cb (1 p.); perc (2 copies, 1 p.).
Henderson, Ray See: De Sylva, B. G.
Hindemith, Paul
Der Dämon, op. 28. Mainz: B. Schott's Söhne, 1924.
Reduction by H. Uhticke for solo piano; score; 27 p.
Hin und zurück, op. 45a. Mainz: B. Schott's Söhne, 1927.
Tanzstücke, op. 19. Mainz: B. Schott's Söhne, 1928.
Holländer, Friedrich
Loin de toi. [=Wie hab'ich nur leben können Dich?] Paris: F. Salabert, 1933.
Parts for: piano/conductor (4 p.); vn I/conductor (reduced score) (3 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)
Qui j'aime. [=Ich weiss nicht zu wem ich gehöre.] Paris: F. Salabert, 1932.
Parts for: piano/conductor (4 p.); vn I/ conductor (2 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)
Howard, Samuel
The Amorous Goddess See: I.B. Collections, Box 1 (S/62), p. 67
d'Indy, Vincent
Attendez-moi sous l'Orme. Paris: Enoch, n.d.
Inghelbrecht, Désiré Émile
Le diable dans le beffroi. Paris: Heugel, 1927.
Kalinnikov, Vasiliĭ Sergeevich
Chanson triste. Moscow: P. Jurgenson, n.d.
Kéler, Béla
Lustspiel-Ouverture, op. 73. Berlin: Edition Europa, n.d.
Kool, Jaap
Der Leierkasten. Vienna: Universal, 1925.
Reduction by K. Mengelberg for solo piano; score; 44 p.
Kuzmin, Mikhaĭl
Aleksandriĭskie pesni, v. 1. Moscow: Gosudarstvennoe muzykal'noe izdatel'stvo, 1921.
Labadie, H.
Mia cara See: I.B. Collections, Box 3 (S/64), p. 68-69
Lalo, Édouard
Divertissement. Paris: Heugel, n.d.
Pastorale et scherzo alla Pulcinella, op. 8. Paris: Costallat, n.d.
Violin and piano; violin part, piano score; 3 p.; 10 p.
Il re d'Ys. [=Le roi d'Ys.] Milan: E. Sonzogno, 1890.
Lama, Gaetano
Pallida mimosa. Naples: F. Feola, 1921.
Laskowsky, J.
Lassen, Eduard
Pominal'nyĭ den', op. 85, no. 3. Moscow: A. Gutkheĭl', 1891.
Le Borne, Fernand
Judith, op. 71. Paris: Deiss & Crépin, 1922.
Lecocq, [Alexandre] Charles
Le cygne. Paris: Heugel, 1899.
Lehár, Franz
Tsyganskaia liubov' [=Gypsy Love]: Waltz. Moscow: S.IA. IAmbor, n.d.
Veselaia vdova [=The Merry Widow.]: Waltz. Moscow: S.IA. IAmbor, n.d.
Liadov, Anatoliĭ Konstantinovich
Arabesques, op. 4, no. 1. Paris: A. Leduc, n.d.
Arabesques, op. 4, no. 2. Paris: A. Leduc, n.d.
Arabesques, op. 4, no. 3. Paris: A. Leduc, n.d.
Arabesques, op. 4, no. 4. Paris: A. Leduc, n.d.
Bagatelle, op. 30. Leipzig: M.P. Belaïeff, 1892.
Trois bagatelles, op. 53. Leipzig: M.P. Belaïeff, 1903.
Biroulki, op. 2. Paris: A. Leduc, n.d.
Trois canons, op. 34. Leipzig: M.P. Belaïeff, 1894.
Etiud i kantsonetta, op. 48. Leipzig: M.P. Belaïeff, 1899.
Etiud i 3 preliudii, op. 40. Leipzig: M.P. Belaïeff, 1897.
Fantaziia na russkuiu piesniuVozlie riechki, vozlie mostu. Moscow: A. Gutkheĭl', n.d.
Idilliia, op. 25. Leipzig: M.P. Belaïeff, 1891.
Le lac enchanté, op. 62. [=Volshebnoe ozero.] Leipzig: M.P. Belaïeff, 1909.
Arranged by B. Kalafati for piano, four hands; 11 p.
Mazurka, op. 38. Leipzig: M.P. Belaïeff, 1896.
Deux mazurkas, op. 15. Paris: J. Hamelle, n.d.
2 morceaux, op. 24. [=2 p'esy.] Leipzig: M.P. Belaïeff, 1890.
Deux morceaux, op. 31. [=2 p'esy.] Leipzig: M.P. Belaïeff, 1893.
Trois morceaux, op. 10, no. 1: Prélude. Paris: A. Leduc, n.d.
Trois morceaux, op. 10, no. 2: Mazurka, C major. Paris: A. Leduc, n.d.
Trois morceaux, op. 10, no. 3: Mazurka, D major. Paris: A. Leduc, n.d.
Trois morceaux, op. 57. [=Tri p'esy.] Leipzig: M.P. Belaïeff, 1906.
Quatre morceaux, op. 64. Leipzig: M.P. Belaïeff, 1910.
Six morceaux. Paris: A. Leduc, n.d.
3 morceaux de ballet, op. 52. Leipzig: M.P. Belaïeff, 1901.
Novelette, op. 20. [=Novinka.] Leipzig: M.P. Belaïeff, 1889.
Petite valse, op. 26. Leipzig: Bosworth, 1908.
Deux préludes et mazurka, op. 42. [=2 preliudii i mazurka.] Leipzig: M.P. Belaïeff, 1898.
3 préludes, op. 27. [=3 preliudii.] Leipzig: M.P. Belaïeff, 1891.
3 préludes, op. 36. [=3 préludes.] Leipzig: M.P. Belaïeff, 1895.
Quatre préludes, op. 13. St. Petersburg: V. Bessel', n.d.
Quatre préludes, op. 39. [=4 preliudii.] Leipzig: M.P. Belaïeff, 1896.
Quatre préludes, op. 46. [=4 preliudii.] Leipzig: M.P. Belaïeff, 1899.
Une tabatière à musique, op. 32. Leipzig: M.P. Belaïeff, 1893.
Valse, op. 9, no. 1. [=Two pieces: Valse.] Leipzig: Bosworth, 1897.
Variations sur un thème populaire polonais, op. 51. [=Variatsii.] Leipzig: M.P. Belaïeff, 1901.
Lipnitzki, Boris
Les aveugles. [S.l.]: Boris Lipnitzki, n.d.
Liszt, Franz
Le rossignol. Mainz: B. Schott's Söhne, 1917.
Arranged by A. Aliab'ev for piano solo; score; 6 p.
Locatelli, Pietro Antonio
Sonate, op. 6, G major: 1. Largo-allemande. Paris: M. Senart, n.d.
Violin and piano; violin part, piano score; 1 p.; 2 p.
Sonate, op. 6, G major: 2. Sicilienne. Paris: M. Senart, n.d.
Sonate, op. 6, G major: 3. Gigue. Paris: M. Senart, n.d.
Loucheur, Raymond
Hop-Frog. [S.l.]: [s.n.], n.d.
L'vov, A.
Dukhovno-muzykal'nyia. [=Sacred musical works.] St. Petersburg: [s.n.], n.d.
Mixed chorus (SATB) and piano; score; 238 p.
Lynde, L. L.
One day, one night. Paris: F. Salabert, 1918.
Arranged for solo piano by F. Salabert; score; 7 p.
Malderen, Édouard van
Le tango du rêve. Paris: L. Maillochon, 1919.
Malipiero, Gian Francesco
La mascherata delle principesse prigioniere. [=La mascarade des prin-cesses captives.] London: J. & W. Chester, 1919.
Reduction for piano, four hands; score; 46 p.
Marchetti, F. D.
Fascination See: I.B. Collections, Box 3 (S/64), p. 68-69
Margis, Alfred
La châtelaine See: I.B. Collections, Box 3 (S/64), p. 68-69
Pourquoi ne pas m'aimer See: I.B. Collections, Box 2 (S/63), p. 67-68
Premier printemps See: I.B. Collections, Box 3 (S/64), p. 68-69
Marie, William
Caroles du moyen-âge. Paris: G. Legouix, n.d.
Contredanses du directoire. Paris: G. Legouix, n.d.
Danses d'almées, op. 35: Chanson orientale. Paris: G. Legouix, n.d.
Danses d'almées, op. 35: Pas des voiles. Paris: G. Legouix, n.d.
Danses anciennes. Paris: G. Legouix, n.d.
Danses du grand siècle. Paris: G. Legouix, n.d.
Danses romantiques. Paris: G. Legouix, n.d.
Marinier, Paul
Bonsoir Madame la lune; D'elle à lui See: I.B. Collections, Box 3 (S/64), p. 68-69
Mariotte, Antoine
Salomé. Paris: Enoch, 1910.
Marks, Gerald See: Fields, Buddy and Marks, Gerald
Marsden, Evan
From a Russian village. London: J.H. Larway, 1926.
Arranged by E. Mareo for small orchestra; parts for: piano/conductor (condensed score) (7 p.); vn I (2 copies, 3 p. each); vn II, vla, vc, cb, fl, ob (2 p. each); cl (4 p.); bn, hn (2 p. each); tpt (3. p); tbn (2 p.); timp (1 p.); perc (2 p.); harmonium (4 p.).; 30 p.
Martini, Giovanni Battista
Gavotte des moutons. [Sonata no. 12.] Paris: M. Senart, n.d.
Martini, Jean Paul Égide
Plaisir d'amour. Paris: M. Senart, n.d.
Massenet, Jules Émile Frédéric
Pensée d'automne See: I.B. Collections, Box 3 (S/64), p. 68-69
Le roman d'Arlequin. Paris: Heugel, n.d.
Scènes de bal, op. 17. Paris: Heugel, n.d.
Arranged by G. Bizet for solo piano; score; 15 p.
Méhul, Étienne Nicolas
Une folie. [S.l.]: J. André, n.d.
L'irato. [=L'emporté.] Paris: Mme. V. Launer, n.d.
Ouverture burlesque. Paris: A. Durand, n.d.
Ouverture burlesque. Paris: Durand & Schoenewerke, n.d.
Parts for: vn (2 copies); "mirlitons" I, II, III (2 p. each); tpt, [perc:] snare drum, triangle, "crécelle" (1 p. each).
Der Schatzgräber. [=Le trésor supposé.] [S.l.]: [s.n.], n.d.
Melfi, A. Mario.
Pourquoi mentir. Paris: Éditions espagnoles J. Garzón, n.d.
Mendelssohn [-Bartholdy], Felix
Klavierwerke, v. 4: Sämmtliche Leider ohne Worte; Kinderstücke, op. 72. Leipzig: Steingräber, n.d.
Messager, André Charles Prosper
Isoline. Paris: Enoch, n.d.
Migot, Georges
Le livre de danceries. Paris: A. Leduc, 1930.
Flute/violin, violin, piano; parts for: fl/vn, vn; piano score; 10 p.; 10 p.; 37 p.
Milhaud, Darius
Le train bleu, op. 84. Paris: Heugel, 1924.
Missa, Edmond
L'éventail See: I.B. Collections, Box 2 (S/63), p. 67-68
Monteverdi, Claudio
Orfeo. Paris: Schola Cantorum, 1905.
Morny, Charles Auguste and Jacques Offenbach
Monsieur Choufleuri restera chez lui le.... Paris: Heugel, n.d.
Mosolov, Aleksandr Vasil'evich
Sonata, no. 1, op. 3. Moscow: Muzykal'nyĭ sektor gosudarstvennoe izdatel'stva, 1926.
Mostazo [-Morales], Juan
Coplas. Paris: Éditions espagnoles J. Garzón, 1936.
Small orchestra; parts for: piano/conductor (containing chordal indications; vocal line indications in Spanish) (condensed score; 3 p.); vn I (2 p.); vc/tbn-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt, perc, banjo (1 p. each).
Mozart, [Johann Chrysostom] Wolfgang Amadeus
Sonates. Paris: E. Gallet, n.d.
Sechs deutsche Tänze. Leipzig: Breitkopf & Härtel, n.d.
Arranged by O. Taubmann for solo piano; score; 10 p.
Divertimento, K. 205. Leipzig: E. Eulenburg, n.d.
Divertimento, K. 247. Leipzig: E. Eulenburg, n.d.
Divertimento, K. 334. Leipzig: E. Eulenburg, n.d.
Don Giovanni, K. 527. London: Novello, n.d.
Dorfmusikanten Sextett, K. 522. Leipzig: E. Eulenburg, n.d.
Galimathias Musicum, K. 32. Leipzig: Breitkopf & Härtel, n.d.
Idomeneo. Leipzig: Breitkopf & Härtel, n.d.
Serenade, K. 361. Leipzig: E. Eulenburg, n.d.
Serenade, K. 375. Leipzig: E. Eulenburg, n.d.
Serenade, K. 388. Leipzig: E. Eulenburg, n.d.
Türkischer Marsch. [Sonata, K. 300i (331), A major: Türkischer Marsch.] Leipzig: Anton J. Benjamin, n.d.
Arranged by L. Weninger; part only for piano/conductor (condensed score); 4 p.
Musorgskiĭ, Modest Petrovich
Au village. [=V derevnie.] Moscow: P. Jurgenson, n.d.
Aux bords du Don. [=Po nad Donom sad tsvietet.] St. Petersburg: W. Bessel, 1908.
Bez solntsa. [=Sans soleil; Sunless.] St. Petersburg: W. Bessel, 1908.
Bilder einer Ausstellung. [=Pictures at an exhibition.] Mainz: B. Schott's Söhne, n.d.
Boris Godunov. St. Petersburg: W. Bessel, 1908.
Boris Godunov [S.l.]: [s.n.], n.d.
Chorus parts (SAB only); 6 p.; 4 p.; 2 p.
Un brave ne doit point filer. [=Oĭ chest'-li to molodtsu len priasti?] St. Petersburg: W. Bessel, 1908.
Chanson d'enfant. [=Dietskaia piesenka.] St. Petersburg: W. Bessel, 1908.
Zwei Clavierstücke: Intermezzo. Leipzig: M.P. Belaïeff, n.d.
La couturière. [=Shveia.] Moscow: P. Jurgenson, n.d.
Dietskaia. [=The Nursery.] St. Petersburg: V. Bessel', n.d. See also: Enfantines, Box 37, Folder 14
En Crimée (Capriccio). [=Bliz iuzhnago berega Kryma.] Moscow: P. Jurgenson, 1896.
En Crimée (Hoursouff-Notes de voyage). [=Na iuzhnom beregu Kryma.] Moscow: P. Jurgenson, 1896.
Enfantines. [=Dietskaia; The nursery.] St. Petersburg: W. Bessel, 1908. See also: Dietskaia, Box 37, Folder 11
L'errant. [=Strannik; The wanderer.] St. Petersburg: W. Bessel, 1908.
La foire de Sorotchintsi See also: Sorochinskaia iarmarka
La foire de Sorotchintsi. [=Sorochinskaia iarmarka; Sorochintsy fair.] Petrograd: W. Bessel, 1923. See also: Sorochinskaia iarmarka
La foire de Sorotchintsi: Chanson de Khivria. [=Piesnia Khivri; Khivria's song.] Petrograd: W. Bessel, 1909.
La foire de Sorotchintsi: Chanson de Khivria. St. Petersburg: W. Bessel, 1908.
La foire de Sorotchintsi: Chanson de Parassia. [=Dumka Parasi; Parassia's song.] Petrograd: W. Bessel, 1908.
Arranged for voice and piano; score; 7 p.
La foire de Sorotchintsi: Chanson du jeune villageois. [=Dumka parobka.] St. Petersburg: W. Bessel, 1908. See also: La foire de Sorotchintsi: Rêverie du jeune villageois, Box 38, Folder 5.
Arranged for voice and piano; score; 5 p.
La foire de Sorotchintsi: Gopak. St. Petersburg: V. Bessel', n.d.
Arranged for full orchestra; full score; 15 p.
La foire de Sorotchintsi: Gopak. Leipzig: M.P. Belaïeff, 1898.
Arranged for voice and piano; score; 8 p.
La foire de Sorotchintsi: Introduction. Petrograd: W. Bessel, 1909.
Arranged by C. Tchernov for piano, four hands; score; 11 p.
Arranged by C. Tchernov for solo piano; score; 7 p.
La foire de Sorotchintsi: Rêverie du jeune villageois. [=Dumka parobka.] Petrograd: W. Bessel, 1909. See also: La foire de Sorotchintsi: Chanson du jeune villageois, Box 37, Folder 19
La foire de Sorotchintsi: Scène du compère et de Tchérévik. Leipzig: W. Bessel, n.d.
Iisus Navin. [=Joshua, or Jesus Navinus.] St. Petersburg: V. Bessel', 1883.
Vocal soloists (AB), chorus, piano; piano-vocal score (17 p.), vocal parts for SATB; 17 p.; 2 p.; 2 p.; 3 p.; 2 p.
Kallistrate. St. Petersburg: W. Bessel, 1908.
Khovanshchina. St. Petersburg: V. Bessel', 1882.
Khovanshchina: Entr'acte (to Act IV, Scene II). Petrograd: W. Bessel, 1910.
Arranged by C. Tchernov for two pianos; score; 7 p.
Khovanshchina [S.l.]: [s.n.], n.d.
Le mariage. [=Zhenit'ba; The marriage.] St. Petersburg: W. Bessel, 1911.
Une nuit sur le mont chauve. [=Night on Bald Mountain.] Petrograd: W. Bessel, 1920.
Arranged by N. Artzibouchev for piano, four hands; score; 35 p.
Oedipe: Choeur. [=Oedipus in Athens: Chorus]. St. Petersburg: W. Bessel, 1909.
L'orgueil. [=Spies'; Pride.] St. Petersburg: W. Bessel, 1908.
La peine. [=Ne bozhiim gromom gore udarilo.] St. Petersburg: W. Bessel, 1908.
La pie. [=Strekotun'ia bieloboka; The magpie.] St. Petersburg: W. Bessel, 1908.
Pirouchka. [=The feast.] Leipzig: M.P. Belaïeff, 1898.
Sorochinskaia iarmarka See also: La foire de Sorotchintsi
Sorochinskaia iarmarka: Komicheskiia stseny. [=Sorochintsy fair: Burlesque (Act II).] St. Petersburg: V. Bessel', n.d.
Sorochinskaia iarmarka: Vstuplenie i iarmarochkaia stsena. [=Sorochintsy fair: Introduction and fair scene (Act I).] St. Petersburg: V. Bessel', n.d.
Sur le Dnièpr. [=Na Dnieprie; On the Dniepr.] St. Petersburg: W. Bessel, 1908.
Tableaux d'une exposition. [=Pictures at an exhibition.] Paris: W. Bessel, n.d.
Trouble. [=Razsievaetsia, razstupaetsia.] St. Petersburg: W. Bessel, 1908.
[Works for voice and piano.] See: I.B. Collections, Box 4 (S/65), p. 69-70
Nabokov, Nicolas
Le Coeur de Don Quichotte. [=Serdtse Don Kikhota.] Berlin: Édition russe de musique, n.d.
Ode. [=Oda.] Paris: M. Senart, n.d.
Vocal soloists (SB), mixed chorus (SATB), orchestra; piano-vocal score; 1 p.
Shot stories. Paris: Rouart, n.d.
Nascimbene, Mario
Pigmalione. Milan: Mario Nascimbene, 1946.
Neustedt, C.
Le rêve du prisonnier See: I.B. Collections, Box 3 (S/64), p. 68-69
Ocki-Albi, Georges N.
Palais du crystal See: I.B. Collections, Box 2 (S/63), p. 67-68.
Petite conversation See: I.B. Collections, Box 3 (S/64), p. 68-69
Offenbach, Jacques
Apothicaire et perruquier. Paris: Heugel, n.d.
La bonne d'enfant. Paris: Heugel, n.d.
Les contes d'Hoffmann: selections. Moscow: A. Gutheil, n.d.
Les contes d'Hoffmann: O belle nuit (Barcarolle). Paris: A. Choudens, n.d.
Arranged by F. Spindler for solo piano; score; 5 p.
Une demoiselle en loterie. Paris: Heugel, n.d.
Le financier et le savetier. Paris: Heugel, n.d.
Le mariage aux lanternes. Paris: Heugel, n.d.
Monsieur et Madame Denis. Paris: Heugel, n.d.
Prekrasnaia Elena. [=La belle Hélène See: I.B. Collections, Box 2 (S/63), p. 67-68.
Valse chaloupée See: I.B. Collections, Box 3 (S/64), p. 68-69.
O'Hara, Geoffrey
K-K-K-Katy. Constantinople: J. d'Andria, n.d.
Oréfiche, Armando
Puchunguita. Paris: Éditions espagnoles J. Garzón, n.d.
Small orchestra; parts for: piano/conductor's score, vn (2 p. each); vc/tbn-cb, sax I (alto)-sax III (alto), tpt, banjo/guitar/vn II-sax II (tenor) (1 p. each); perc (2 p.).
Paderewski, Ignace Jan
Menuet, op. 14, no. 1. Berlin: E. Bote & G. Bock, n.d.
Paër, Ferdinando
Il maestro di cappella. Milan: G. Ricordi, n.d.
Paisiello, Giovanni
Il barbiere di Siviglia. Milan: G. Ricordi, n.d.
Il mio ben quando verrà. Milan: G. Ricordi, n.d.
La molinara: Mon coeur est sans jeunesse. [=Nel cor più non mi sento.] Milan: G. Ricordi, n.d.
Arranged for voice and piano; score; 3 p.
La molinara: Nel cor più non mi sento. Milan: G. Ricordi, n.d.
La molinara: Ouverture und favorite Arien. Bonn: N. Simrock, n.d.
Reduction for piano solo/voice and piano by C. G. Neefe; score; [12] p.
La molinara: Per marito vossignoria. Milan: G. Ricordi, n.d.
Arranged for two voices and piano; score; 9 p.
Nina, oder Wahnsinn aus Liebe. Mannheim: I.M. Gotz, n.d.
Nina, ossia la pazza per amore. Paris: Carli, n.d.
I zingari infiera: Chi vuol la zingarella. Milan: G. Ricordi, n.d.
Arranged for voice and piano; score; 4 p.
Paladilhe, Émile
Mandolinata See: I.B. Collections, Box 2 (S/63), p. 67-68.
Patáky, Hubert
Prometheus, op. 31. Berlin: Verlag alte und neue Kunst, 1927.
Pedrotti, Carlo
Tutti in maschera. Milan: G. Ricordi, n.d.
Pergolesi, Giovanni Battista
Livietta e Tracollo. Paris: M. Senart, 1914.
Olimpiade. Milan: Associazione dei musicologi italiani, 1915.
Olimpiade: Se cerca, se dice l'amico dov'è. Milan: G. Ricordi, n.d.
La serva padrona. Milan: G. Ricordi, n.d.
La serva padrona: Stizzoso, mio stizzoso. Milan: G. Ricordi, n.d.
Sonate [no.] 12. Milan: G. Ricordi, n.d.
Violin and figured bass; parts for vn, vc; 30 p.; 33 p.
Sonata, D major. London: Schott & Co., n.d.
Tre giorni son che Nina. Milan: G. Ricordi, n.d.
Pesse, Maurice
Sur un vieux thème russe. Paris: L. Philippo, 1928.
Petrella, Errico
Il carnevale di Venezia. Milan: G. Ricordi, n.d.
Petrov, B.
Zhemchuzhiny russkoĭ narodnoĭ piesni: 100 velikorusskikh narodnykh piesen. [="Pearls" of old Russian folk song: 100 Russian folksongs.] St. Petersburg: IU.G. TSimmerman, 1902.
Arranged for voice and piano; score; 61 p.
Pinsuti, Ciro
El libro santo. Milan: G. Ricordi, n.d.
Pirani, G.
Altalena See: I.B. Collections, Box 2 (S/63), p. 67-68.
Planquette, Robert
Les cloches de Corneville: Chanson des servantes See: I.B. Collections, Box 2 (S/63), p. 67-68.
Plevitskaia, Nadezhda V.
Moskovskaia troĭka. Moscow: S.IA. IAmbor, n.d.
Zolotym kol'tsom skovali. Moscow: S.IA. IAmbor, n.d.
Poldowski
Caledonian market. London: J. & W. Chester, 1923.
Poulenc, Francis
Sonate. London: J. & W. Chester, 1924.
Sonate. London: J. & W. Chester, 1919.
Horn, trumpet and trombone; parts; 4 p.; 4 p.; 4 p.
Prisovskiĭ, V. A.
Serenada, op. 92. Moscow: L. Idzikovskiĭ, n.d.
Prokof'ev, Sergeĭ Sergeevich
Liubov' k trem apel'sinam, op. 33. [=The Love for three oranges.] Moscow: A. Gutheil, 1922.
Skazka pro Shuta. [=Chout.] Moscow: A. Gutheil, n.d.
Shut: Siuita iz baleta, op. 21b. [=Chout: Ballet suite.] Moscow: A. Gutheil, 1924.
Stal'noĭ skok, op. 41. [=Le pas d'acier; The steel step.] Berlin: Édition russe de musique, 1928.
Puare, Mariia IAkovlevna
IA iekhala domoĭ. Moscow: A. Gutkheil', n.d.
Puccini, Giacomo
Bogema. [=La Bohème.] St. Petersburg: A. Iogansen, 1899.
La bohème: O Mimì tu più non torni. Milan: G. Ricordi, 1896.
La bohème: Sì, mi chiamano Mimì. Constantinople: J. d'Andria, n.d.
La bohème: Votre main est glacée. Milan: G. Ricordi, 1898.
Madama Butterfly London: G. Ricordi, 1905.
Arranged by C. Godfrey for solo piano; score; 19 p.
Tosca: Le ciel luisait d'étoiles (Act III). Milan: G. Ricordi, 1908.
Tosca: D'art et d'amour, je vivais toute. (Prière de Tosca) (Act II). [S.l.]: [s.n.], n.d.
Purcell, Henry
Ten pianoforte pieces. London: Novello, n.d.
Fourteen pieces. London: Novello, n.d.
Arranged by A. Dolmetsch for violin and piano; violin part, piano score; 11 p.; 27 p.
Purcell album. London: Schott, 1918.
Arranged by H. Fryer for solo piano; score; 13 p.
Allemande. Paris: M. Senart, n.d.
Arranged by A. Sauvrezis for solo piano; score; 3 p.
The Fairy Queen. London: Novello, n.d.
Suite, C major. Paris: M. Senart, n.d.
Suite, D major. Paris: M. Senart, n.d.
Rachmaninoff, Sergeĭ
Morceaux de fantaisie, op. 3, no. 2: Prélude. Moscow: A. Gutheil, n.d.
Morceaux de fantaisie, op. 3, no. 5: Sérénade. Moscow: A. Gutheil, n.d.
24 Préludes. [from opp. 3, 23, 32.] Moscow: A. Gutheil, n.d.
Raimondi, Pietro
Il ventaglio. Naples: T. Cottrau, n.d.
Rameau, Jean Philippe
Pièces de clavecin. Paris: A. Durand, n.d.
Symphonies des Indes galantes. [Les Indes galantes: selections.] Paris: Éditions musicales transatlantiques, 1937.
Ravel, Maurice
L'heure espagnole. Paris: A. Durand, 1908.
Introduction et allegro. Paris: A. Durand, 1906.
Ma mère l'oye. Paris: A. Durand, 1910.
Ma mère l'oye. Paris: A. Durand, 1912.
Menuet antique. Paris: Enoch, 1898.
Rapsodie espagnole. Paris: A. Durand, 1908.
Reduction for piano, four hands; score; 32 p.
Shéhérazade. Paris: A. Durand, 1911.
Trio pour piano, violon et violoncelle. Paris: A. Durand, 1915.
Rechkunov, M.
Requiem. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1928.
Respighi, Ottorino
Antiche danze ed arie [per liuto], v. 1. Milan: G. Ricordi, 1919.
Antiche danze ed arie [per liuto], v. 2. Milan: G. Ricordi, 1924.
La boutique fantasque See: Rossini, Gioacchino
Ricci, Luigi and Federico Ricci
Crispino e la comare. Milan: G. Ricordi, n.d.
Rimskiĭ-Korsakov, Nikolaĭ Andreevich
Antar, op. 9. Paris: A. Leduc, 1911.
Capriccio espagnol, op. 34. Leipzig: M.P. Belaïeff, 1887.
Arranged by the composer for piano, four hands; score; 39 p.
Le coq d'or. [=Zolotoĭ pietushok.] Moscow: P. Jurgenson, 1896.
Le coq d'or: Suite. [=Four musical pictures.] Moscow: P. Jurgenson, n.d.
Le coq d'or: Suite. Moscow: P. Jurgenson, n.d.
Arranged by K. Chernov for piano, four hands; score; 61 p.
Fantaziia na serbskiia temy, op. 6. [=Fantasia on Serbian themes.] Leipzig: M.P. Belaïeff, 1895.
Arranged by the composer for piano, four hands; score; 23 p.
Maĭskaia noch': Ukraĭnskaia noch' i pesny Levki (Act III). [=May night: Ukranian night and Levka's song.] Leipzig: M.P. Belaïeff, 1895.
[Mozart and Salieri.] [S.l.]: [s.n.], n.d.
Noch' pered Rozhdestvom. [=La nuit de Noël; Christmas eve.] Leipzig: M.P. Belaïeff, 1895.
Pskovitianka. St. Petersburg: V. Bessel', 1894.
La Pskovitaine: Ouverture, entr'actes. [=Pskovitianka.] St. Petersburg: W. Bessel, n.d.
Arranged by Nadezhda Rimskaia-Korsakova for piano, four hands; score; 37 p.
Sadko. Leipzig: M.P. Belaïeff, 1897.
Sadko. [Leipzig]: [M. Belaïeff], n.d.
Parts for chorus: tenors [1] p.; basses [17] p.
Skazanie o nevidimom grade Kitezhie i dievie Fevronii. [=Legend of the invisible city of Kitezh and the maiden Fevroniia.] Leipzig: M.P. Belaïeff, 1906.
Skazka, op. 29. [=Conte féerique.] Leipzig: M.P. Belaïeff, 1886.
Reduction by the composer for piano, four hands; score; 35 p.
Skazka o tsarie Saltanie. [=The story of Tsar Saltan.] St. Petersburg: V. Bessel', [1900].
Skazka o tsarie Saltanie. Moscow: W. Bessel, n.d.
Snégourotchka. [=The snow maiden.] St. Petersburg: W. Bessel, 1908.
Snegurochka: Siuita. [=The snow maiden: Suite.] St. Petersburg: W. Bessel, n.d.
Snegurochka [S.l.]: [s.n.], n.d.
Sniegurochka. [=The snow maiden.] St. Petersburg: V. Bessel', 1881.
V temnoĭ roshchie zamolk soloveĭ, op. 4, no. 3. Leipzig: M.P. Belaïeff, [1866].
Roberts, Lee S.
Smiles. Constantinople: J. d'Andria, n.d.
Roger-Ducasse, Jean Jules Amable
Petite suite: Claironnerie. Paris: A. Durand, 1911.
Arranged by J. Charlot for solo piano; score; 4 p.
Prélude d'un ballet. Paris: A. Durand, 1910.
Arranged by the composer for solo piano; score; 3 p.
Suite française. Paris: A. Durand, 1909.
Arranged by the composer for piano, four hands; score; 41 p.
Romand, Gabriel and Gabriel Pachoutine
Mon prince charmant. Paris: Éditions musicales universelles, 1935.
Rosellen, Henri
Le trémolo, op. 31, no. 1. Hamburg: A.J. Benjamin, n.d.
Rosey, George
The honey-moon (mar[s]ch) See: I.B. Collections, Box 2 (S/63), p. 67-68
Rossini, Gioacchino
A Grenade. [Deux nouvelles compositions, no. 1.] [S.l.]: [s.n.], n.d.
Il barbiere di Siviglia. Paris: M. Schlesinger, n.d.
ll barbiere di Siviglia. Milan: G. Ricordi, n.d.
La boutique fantasque. London: J. & W. Chester, 1919.
Arranged by O. Respighi for solo piano; score; 78 p.
Bruschino. [Il Signor Bruschino.] Paris: Heugel, n.d. See also: Il Signor Bruschino, Box 54, Folders 3, 4, 5
La cambiale di matrimonio. Milan: G. Ricordi, n.d.
La Cenerentola. Milan: G. Ricordi, n.d.
Échantillon de blague. [Péchés de vieillesse, v. 9, no. 11.] Milan: G. Ricordi, n.d.
La gazzetta. Milan: G. Ricordi, n.d.
L'italiana in Algeri. Milan: G. Ricordi, n.d.
L'italiana in Algeri: Sinfonia. Milan: G. Ricordi, n.d.
Arranged by L. Cerri for small orchestra; 15 p.
L'italienne à Alger. Paris: Aulagnier, n.d.
La pie voleuse. [=La gazza ladra.] Paris: Aulagnier, n.d.
La pietra del parragone. Paris: Launer, n.d.
Cinq grands quatuors. [=Sonate a quattro.] Paris: B. Schott, n.d.
Parts for: vn I, vn II, vla, vc; 16 p.; 16 p.; 16 p.; 16 p.
La regata veneziana. [Péchés de vieillesse, v. 1, no. 8 through 10.] Milan: G. Ricordi, n.d.
Il Signor Bruschino. Milan: G. Ricordi, n.d. See also: Bruschino, Shelved item 32.
Il Signor Bruschino: Sinfonia. Milan: G. Ricordi, n.d.
Parts for: vn I, vn II, vla, vc/cb; 5 p.; 6 p.; 5 p.; 5 p.
[S]oirée[s] musicale[s] , v. 1: 8 ariette. Milan: G. Ricordi, n.d.
[S]oirée[s] musicale[s] , v. 2: 4 duetti. Milan: G. Ricordi, n.d.
Le Traître démasqué. [=L'inganno felice ("L'inganno fortunato").] Brussels: E. Lauweryns, n.d.
Il turco in Italia. Milan: G. Ricordi, n.d.
Rubinstein, Anton
Ballada. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1928.
Sablon, A.
Paris sur la bouche See: I.B. Collections, Box 3 (S/64), p. 68-69
Saint-Saëns, Camille
Javotte. Paris: A. Durand, 1896.
Ascanio: Suite no. 1. Paris: A. Durand, 1919.
Arranged by H. Mouton for small orchestra; 15 p.
Salabert, Francis
Hawaiian butterfly. Paris: F. Salabert, 1917.
Sarrablo, M.
El número 13 See: I.B. Collections, Box 3 (S/64), p. 68-69
Sartinskiĭ-Beĭ, D. K.
IA ne mogu poniat'. Moscow: N. Davingof, [1916].
Satie, Erik
Aperçus désagréables. Paris: E. Demets, 1913.
La belle excentrique. Paris: Éditions de la sirène, 1922.
Chapitres tournés en tous sens. Paris: E. Demets, 1913.
Croquis et agaceries d'un gros bonhomme en bois. Paris: E. Demets, 1913.
Descriptions automatiques. Paris: E. Demets, 1913.
La diva de "L'Empire". Paris: Bellon Ponscarme, 1904.
Embryons desséchés. Paris: E. Demets, 1913.
En habit de cheval. Paris: Rouart, n.d.
Le fils des étoiles: Préludes. Paris: E. Baudoux, n.d.
Gymnopédies, no. 3. Paris: Rouart, n.d.
Menus propos enfantins. Paris: E. Demets, 1916.
3 morceaux en forme de poire. Paris: Rouart, n.d.
Sonneries de la Rose + Croix. Paris: Rouart, n.d.
Vieux sequins et vieilles cuirasses. Paris: E. Demets, 1913.
Savasta, J.
Le prince noir. Athens: M. Kazaze, n.d.
Scarlatti, Alessandro
Già il sole dal Gange. Milan: G. Ricordi, n.d.
O cessate di piagarmi. Milan: G. Ricordi, n.d.
Se delitto è l'adorarvi. Milan: G. Ricordi, n.d.
Se Florindo è fedele. Milan: G. Ricordi, n.d.
Se tu della mia morte. Milan: G. Ricordi, n.d.
Sento nel core. Milan: G. Ricordi, n.d.
Son tutta duolo. Milan: G. Ricordi, n.d.
Spesso vibra per suo gioco. Milan: G. Ricordi, n.d.
Toglietemi la vita. Milan: G. Ricordi, n.d.
Scarlatti, Domenico
18 ausgewählte Klavierstücke. Leipzig: C.F. Peters, n.d.
Schmitt, Florent
Le petit elfe "Ferme-l'oeil,"op. 73. Paris: A. Durand, 1924.
Reduction by the composer for solo piano; score; 54 p.
Pièces récréatives, op. 37. Paris: J. Hamelle, n.d.
Schreker, Franz
Der Geburtstag der Infantin: Tanz-Suite. Vienna: Universal, 1909.
Reduction for piano, four hands; score; 35 p.
Schubert, Franz
Berühmte Klavier-Compositionen. Leipzig: C.F. Peters, n.d.
Compositionen. Leipzig: C.F. Peters, n.d.
Sämmtliche Tänze. Leipzig: C.F. Peters, n.d.
Sonaten. Leipzig: C.F. Peters, n.d.
Schumann, Robert
Carnaval, op. 9. Paris: A. Durand, n.d.
Scotto, Marc-César
Rapsodie niçoise. Nice: Delrieu Frères, 1926.
Arranged by the composer for solo piano; score; 11 p.
Seleznev, A.
Raznoshchik. Hamburg: F. Schuberth, n.d.
Sellenick, A.
Marche indienne. Paris: A. Leduc, 1911.
Arranged by the composer for solo piano; score; 7 p.
Senilov, Vladimir Alexeevich
Kalechina-malechina, op. 10, no. 2. Moscow: P. IUrgenson, n.d.
Kolybel'naia piesnia, op. 10, no. 1. Moscow: P. IUrgenson, n.d.
Shafrov, N. M.
Ne nado!...Ne nado! Petrograd: N. Davingof, n.d.
Sharov, M.
Bielaia akatsiia. Moscow: S.IA. IAmbor, n.d.
Shtraus, Oskar
V vikhrie val'sa: V grëzakh. Moscow: S.IA. IAmbor, n.d.
Sibelius, Jean
Scaramouche, op. 71. Copenhagen: W. Hansen, 1919.
Arranged by O. Olsen for solo piano; score; 73 p.
Der Schwan von Tuonela, op. 22, no. 3. [Lemminkäinen Suite.] Leipzig: Breitkopf & Härtel, 1907.
Arranged by O. Taubmann for solo piano; score; 7 p.
Valse triste. [Kuolema, op. 44.] Leipzig: Breitkopf & Härtel, 1904.
Slavenski, Josip
Balkanophonia, op. 10. Mainz: B. Schott's Söhne, 1928.
Slavini, Niccolo
Bosphore valse. [S.l.]: [s.n.], n.d.
Smith, Melson
Romanza, A-flat major. Paris: Éditions Ricordi, 1921.
Violin and piano; violin part, piano score; 2 p.; 4 p.
Sokolov, Flaviĭ Vasil'evich
Tsyganskaia pies'nia (Sobiraities' dievki krasnyia). Hamburg: F. Schuberth, n.d.
Somerville, Reginald
Fo'c'stle dance. London: Hawkes, 1929.
Spendiarov, Aleksandr Afanas'evich
Deux morceaux, op. 3: Berceuse. Paris: W. Bessel, n.d.
Spies, Leo
Apollo und Daphne. [S.l.]: [s.n.], n.d.
Photoreproduced score [reduction ?] for solo piano; 34 p.
Stamper, Dave
Prends garde à Tchou-tchin-tchou. Constantinople: J. d'Andria, n.d.
Arranged by F. Salabert for voice and piano; voice part, piano score; 2 p.; 5 p.
Semela, op. 10; Midas. Leipzig: M.P. Belaïeff, n.d.
Reduction for solo piano; score; [23] p.
Stivinskiĭ, S.
Gdie ty, milyĭ bozhok? Moscow: B.L. Andrzheevskiĭ, n.d.
Storoni, J.
Amapa. Paris: F. Salabert, 1913.
Strauss, Johann
Johann Strauss' famous waltzes. London: K. Prowse, 1931.
Arranged by E. Haywood for solo piano; score; 64 p.
10 valses célèbres. Paris: [A.] Durand, 1932.
Strauss, Richard
Schlagobers, op. 70. Berlin: A. Fürstner, 1923.
Reduction by O. Singer for solo piano; score; 156 p.
Till Eulenspiegels lustige Streiche, op. 28. Leipzig: Breitkopf & Härtel, 1903.
Stravinsky, Igor
Le rossignol. Berlin: Édition russe de musique, n.d.
A song of the dew, op. 6, no. 2 See: I.B. Collections, Box 4 (S/65), p. 69-70
Strimer, Joseph
Dans la rue: Au son du moteur. Paris: Rouart, n.d.
Dans la rue: Catherinette. Paris: Rouart, n.d.
Tempo di minuetto. Paris: J. Joubert, 1931.
Suelto, Ramon
Créollita. Paris: Ramon Suelto, n.d.
Szymanowski, Karol
Cztery pieśni, op. 2, no. 3: We mgłach. Warsaw: Gebethner & Wolff, n.d.
Cztery pieśni, op. 2, no. 4: Czasem gdy długo na półsennie marzę. Warsaw: Gebethner & Wolff, n.d.
9 preludes, op. 1, no. 1. Berlin: A. Stahl, 1906.
Tansman, Alexandre
Bric-à-brac. Paris: M. Eschig, 1938.
Sextuor. Paris: M. Eschig, 1929.
Tartini, Giuseppe
Pastorale. Milan: G. Ricordi, 1921.
Sonate, D major: 1. Grave-Allegro. Paris: M. Senart, n.d.
Violin and piano; violin part, piano score; 2 p.; 5 p.
Sonate, D major: 2. Larghetto. Paris: M. Senart, n.d.
Sonate, D major: 3. Gigue. Paris: M. Senart, n.d.
Sonate, E major. Paris: M. Senart, 1917.
Violin and piano; violin part, piano score; 4 p.; 12 p.
Tchaikovsky, Pëtr Il'ich
La belle au bois dormant, op. 66, no. 24 See: I.B. Collections, Box 3 (S/64), p. 68-69
Berceuse, op. 16, no. 1. Paris: A. Noël, n.d.
Casse-noisette, op. 71. [=Shchelkunchik; The Nutcracker.] Moscow: P. Jurgenson, n.d.
Reduction by the composer for solo piano; score; 166 p.
Casse-noisette, op. 71: Suite. London: W. Reeves, n.d.
Arranged by E. Evans for solo piano; score; 42 p.
Charodeĭka. [=The Sorceress.] Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1926.
Charodeĭka: Stsena i ariozo Kumy (Glianut' s Nizhniago). [=Scene and Ku[d]ma's arioso (Act I).] Moscow: P. IUrgenson, 1887.
Cherevichki. [=The Little Shoes: revised version of Kuznets Vakula (=Vakula the Black-smith).] Moscow: P. IUrgenson, 1885. See also: Kuznets Vakula, Box 60, Folder 4
Eugene Onegin. Moscow: P. IUrgenson, 1897.
Eugene Onegin. [S.l.]: [s.n.], n.d.
Iolanta. [=Iolanthe; Yolande.] Moscow: P. IUrgenson, 1892.
Kuznets Vakula. [=Vakula the Blacksmith.] Moscow: P. IUrgenson, n.d. See also: Cherevichki, Box 59, Folder 3
Oprichnik. St. Petersburg: V. Bessel', 1896.
Orleanskaia dieva. [=The maid of Orléans.] Moscow: P. IUrgenson, 1899.
Otchego poblednela vesnoĭ, op. 6, no. 5. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924.
Pikovaia dama, op. 68. [=The queen of spades.] Moscow: Muzgiz, 1936.
Pikovaia dama, op. 68. Moscow: P. IUrgenson, n.d.
Primiren'e See: I.B. Collections, Box 4 (S/65), p. 69-70
Les saisons, op. 37b. Paris: J. Hamelle, n.d.
Shest' romansov, op. 16. St. Petersburg: V. Bessel', 1873.
Shest' romansov, op. 25. St. Petersburg: V. Bessel', 1875.
Snegurochka, op. 12. [=The snow maiden.] Moscow: P. IUrgenson, 1895.
Snegurochka: excerpts. Moscow: P. IUrgenson, 1879.
Arranged by L. Langer for piano, four hands; score; 115 p.
Snegurochka: Piesn' Lelia (Tucha s gromom). Moscow: P. IUrgenson, 1873.
Tedé, F.
Uviali rozy, op. 51. Moscow: F. Detlaf, n.d.
Toch, Ernst
Sonate, op. 47. Mainz: B. Schott's Söhne, 1928.
Tomasi, Henri
Jabadao. Paris: A. Leduc, 1959.
Tosti, Francesco Paolo
A Greyswood: Mattinata (Mary, tremando l'ultima stella). Milan: G. Ricordi, n.d.
Ici-bas. Milan: G. Ricordi, n.d.
Malìa. Milan: G. Ricordi, n.d.
Si vous saviez! Milan: G. Ricordi, n.d.
Tormento! Milan: G. Ricordi, 1912.
Tristezza. Milan: G. Ricordi, 1909.
Vorrei morire! Milan: G. Ricordi, n.d.
Tsokopoupos, Anninos Dēmētrakopoupos
Madelon. Athens: Mousikon Katastēma "Mousikē", n.d.
Turina, Joaquín
Trois danses andalouses. Paris: Rouart, n.d.
Trois danses andalouses: 1. Petenera. Paris: Rouart, n.d.
Sonate romantique. Paris: E. Demets, 1910.
Tveit, Geirr
Meinvarnađur. Oslo: Geirr Tveit, 1938.
Varlamov, Aleksandr Egorovich
Gamlet: Piesn' Ofelii (Moego vy znalil druga?). [=Hamlet: Ophelia's song.] Hamburg: F. Schu-berth, n.d.
Krasnyĭ sarafan. Moscow: IU. Gresser, n.d.
O molchi, milyĭ drug moĭ molchi. St. Petersburg: U.M. Bernard, n.d.
Slezy umileniia. Hamburg: F. Schuberth, n.d.
Verdi, Giuseppe
Il finto Stanislao. [=Un giorno di regno.] Milan: G. Ricordi, n.d.
Verdun, Henry
Mon seul amour (L'amour que je garde en moi-même). Paris: Éditions Salabert, 1933.
Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); vn I (2 copies), vn II, vla, vc, fl (2 p. each); ob-cb (1 p. each); cl, [solo] sax, sax I (alto), sax II (tenor), sax III (alto), tpts I, II, tbn (2 p. each); perc (1 p. each); banjo, accordion (1 p. each)
Verstovskiĭ, Alekseĭ Nikolaevich
Askol'dova mogila. St. Petersburg: F. Stellovskiĭ, 1866.
Askol'dova mogila. St. Petersburg: F. Stellovskiĭ, n.d.
Arranged by K. Vil'boa for solo piano; score; 102 p.
Askol'dova mogila: excerpts. Moscow: A. Gutkheil', n.d.
Vertinskiĭ, Aleksandr
IA segodnia smieius' nad soboĭ. Moscow: B.L. Andrzheevskiĭ, n.d.
Vil'boa, Konstantin
Russkiia narodnyia piesni. St. Petersburg: F. Stellovskiĭ, 1860.
Villa-Lobos, Heitor
Cirandas: 1. Therezinha de Jesus. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 2. A condessa. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 3. Senhora, dona Sancha. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 4. O cravo brigou com a rósa (Sapo jurúrú). Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 5. Pobre céga (Toada da rêde). Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 6. Passa, passa, gavião. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 8. Vamos atraz da sérra calunga. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 9. Fui no tóróró. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 10. O pintor de Cannahy. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 11. N'esta rua, n'esta rua. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 12. Olha o passarinho, domine. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 13. A' procura de uma agulha. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 14. A canôa virou. Rio de Janeiro: A. Napoleão, n.d.
Cirandas: 16. Có-có-có. Rio de Janeiro: A. Napoleão, n.d.
A próle do bébé, no. 2: 1. A baratinha de papel. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 2. A gatinho de papelão. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 3. O camundongo de massa. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 4. O cachorrino de borracha. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 5. O cavalinho de páu. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 6. O boisinho de chumbo. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 7. O passarinho de panno. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 8. O ursozinho de algodão. Paris: M. Eschig, 1927.
A próle do bébé, no. 2: 9. O lobosinho de vidro. Paris: M. Eschig, 1927.
Saudades das sélvas brasileiras. Paris: M. Eschig, 1927.
Vivaldi, Antonio
Six sonates. Paris: M. Senart, 1916.
Cello and piano; cello part, piano score; 18 p.; 45 p.
Vlad, Roman
La dama delle camelie. Milan: Carisch, 1948.
Reduction by the composer for solo piano; score; 56 p.
Wagner, Richard
Siegfried-Idyll. [Siegfried.] Vienna: Universal, n.d.
Arranged by J. V. von Wöss for solo piano; score; 19 p.
Tangeizer. [=Tannhäuser.] Moscow: P. Jurgenson, n.d.
Tannhäuser. Paris: [s.n.], n.d.
Tannhäuser: Overture. Leipzig: A.J. Benjamin, n.d.
Val'kiriia. [=Die Walküre.] St. Petersburg: Sievernaia lira, n.d.
Walter, Fried
Kleopatra, op. 22. Mainz: B. Schott's Söhne, n.d.
Reduction by A. Zickler for solo piano; score; 95 p.
Wayne, M.
Butterfly. Paris: Éditions Salabert, 1935.
Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); [solo] vn (3 p.); vn I (2 copies) (3 p. each); vc, cb, [solo] sax (2 p. each); sax I (alto) (3 p.); sax II (tenor), sax III (alto), tpts I, II, tbn, perc, banjo, accordion (2 p. each).
Weber, Carl Maria von
L'invitation à la valse, op. 65. Paris: A. Durand, n.d.
Weill, Kurt
Der neue Orpheus, op. 15. Vienna: Universal, 1926.
Arranged for voice, violin and piano; score; 32 p.
Royal Palace, op. 17. Vienna: Universal, 1926.
Wolff, A.
Wrabel, Allie See: Dixon, Mort and Wrubel, Allie
Zhak, Samuil
Mersedes. [S.l.]: [s.n.], n.d.
B. Collections of Printed music
Collections, Box 1: Five works bound together in a single hard-cover volume; items are listed in the order in which they appear.
Comus. [S.l.]: [s.n.], n.d.
Solomon. London: Harrison & Co., n.d.
Lyra Brittanica. London: Harrison & Co., n.d.
The Chaplet. London: Harrison & Co., n.d.
The Amorous Goddess. London: Harrison & Co., n.d.
Collections, Box 2: Eighteen works bound together in a single hard-cover volume; items are listed in in the order in which they appear.
Carelli, Beniamino
L'arte del canto. Naples: Società musicale napolitana, 1898.
Bosc, Auguste
Rose-Mousse. Moscow: A. Gutheil, n.d.
Palais de cristal. St. Petersburg: J.H. Zimmermann, 1899.
The honey-moon (mar[s]ch). St. Petersburg: N. Davingof, n.d.
Vdali ot Rodiny. St. Petersburg: Sievernaia lira, 1900.
Prekrasnaia Elena. [=La belle Hélène.] Moscow: A. Gutkheĭl', n.d.
Mazurkas. [Klavierwerke, v. 6: Mazurkas]. Leipzig: Steingräber, n.d.
Vliublennaia. [=Amoureuse.] St. Petersburg: N. Davingof, 1901.
Lettre valsée. Paris: Enoch, 1900.
L'étoile d'amour. Paris: Enoch, n.d.
Pourquoi ne pas m'aimer? Paris: W. Salabert, n.d.
L'éventail. Paris: Costallat, n.d.
Les cloches de Corneville: Chanson des servantes. Paris: A. Boutiot, n.d.
Altalena. Florence: A. Forlivesi, n.d.
Mandolinata. [S.l.]: [s.n.], n.d.
L'addio a Napoli. Naples: T. Cottrau, n.d.
O Marenariello. Naples: Libreria Editrice Bideri, n.d.
Curtis, G. B. de
Carmela. Naples: Premiato Stabilimento Bideri, n.d.
[Composer not indicated]
Vieni sul mar. Naples: Libreria Editrice Bideri, n.d.
Collections, Box 3: Twenty works bound together in a single hard-cover volume; items are listed in the order in which they appear.
Ballade, op. 24. Moscow: P. Jurgenson, n.d.
La lettre de man[s]on. St. Petersburg: N. Davingof, n.d.
Petite conversation. St. Petersburg: N. Davingof, n.d.
La belle au bois dormant, op. 66, no. 24. [=Sleeping beauty.] Moscow: P. Jurgenson, n.d.
Reduction by T. Kirchner for solo piano; score; 6 p.
La châtelaine, op. 30. Paris: Enoch, 1903.
Mia cara. Moscow: S. Meukov, n.d.
Le rêve du prisonnier. Paris: H. Heugel, n.d.
Paris sur la bouche. Paris: Au succès du XXe siècle, n.d.
Valse chaloupée. Paris: A. Choudens, 1908.
Arranged by C. Dubourg for solo piano; score; 5 p.
Vinovaty rozy. St. Petersburg: IU.G. TSimmerman, n.d.
IAkht-klub. St. Petersburg: A. IUgansen, n.d.
Feuille d'album, op. 39, no. 2. St. Petersburg: W. Bessel, n.d.
Premier printemps. [S.l.]: Chappell, 1903.
Fascination. Paris: F.D. Marchetti, 1904.
El número 13. Paris: M. Sarrablo, 1911.
L'amour boiteux. Paris: Aux répertoires réunis, n.d.
Folie d'amour. Paris: Éditions Phono-Gazette, [1906].
Charme d'amour. Paris: Heugel, n.d.
Bonsoir Madame la lune. Paris: E. Meuriot, n.d.
D'elle à lui. Paris: P. Dupont, n.d.
Pensée d'automne. Paris: Heugel, n.d.
Collections, Box 4: Twelve works bound together in a single hard-cover volume, of which the first ten are works by Musorgskiĭ, M.; items are listed in the order in which they appear.
Le guignol. [=Raëk; The Peepshow.] St. Petersburg: W. Bessel, 1908.
Sans soleil. [=Bez solntsa; Sunless.] St. Petersburg: W. Bessel, 1908.
L'orphelin. [=Sirotka; The orphan.] St. Petersburg: W. Bessel, 1908.
Chanson d'enfant. [=Dietskaia piesenka; Children's song.] St. Petersburg: W. Bessel, 1908.
Berceuse du paysan. [=Spi, usni, krest'ianskiĭ syn.] St. Petersburg: W. Bessel, 1908.
La nuit. [=Noch'; Night.] St. Petersburg: W. Bessel, 1908.
Vision. [=Vidien'e.] St. Petersburg: W. Bessel, 1908.
Doucement planait une âme. [=Gornimi tikho letiela dusha nebesami.] St. Petersburg: W. Bessel, 1908.
Hopak. [La foire de Sorochintsi: Gopak.] London: J. & W. Chester, 1916.
A song of the dew, op. 6, no. 2. Moscow: P. Jurgenson, n.d.
Primiren'e. St. Petersburg: V. Bessel', n.d.
Album klasiků. Prague: M. Urbánek, n.d.
[Unidentified]
[Collection of piano works.] [New York]: G. Schirmer, 1897.
Neuvième album Francis Salabert. Paris: F. Salabert, 1926.
Album russe: 36 beliebte Werke russischer Komponisten. Hamburg: A.J. Benjamin, n.d.
Sept chants populaires. Moscow: P. Jurgenson, [1910].
Collection de ballets et fragments célèbres Paris: A. Choudens, n.d.
Les maîtres musiciens de la renaissance française, v. 1: Danceries. Paris: A. Leduc, 1908.
Four part instrumental arrangement and keyboard reduction; score; 115 p.
The Russian song books, v. 1. London: J.W. Chester, 1917.
The Russian song books, v. 2. London: J.W. Chester, 1917.
Sobranie muzykal'nykh pies. [=Collection of musical pieces.] St. Petersburg: [s.n.], 1839.
C. Miscellaneous/unidentified
Unidentified fragments of printed music; 8 items.
Covers of printed music containing autograph inscriptions; 5 items.
Covers of printed music of identified or printed materials; 17 items.
Covers of printed music containing publicity material with music; 4 items.
Covers of printed music containing publicity material without music; 27 items.
II. Manuscript Music Material, 1750-1950
The Manuscript Music Material series consists of holograph and copyist scores from the personal music library of Serge Diaghilev.
Bruguière, Émile
Le rêve de Lisette.
Copyist's [holograph?] manuscript; reduced score, 97 p.
Une éducation manquée: Air d'Hélène.
Copyist's manuscript; piano-vocal score; 7 p.
[Arias; Duets.]
Full score; copyist's manuscript; 278 p.
La felicità inaspettata: Quartetto.
Strings/chamber ensemble; copyist's manuscript; 1 p.
Il maestro di capella.
Piano-vocal score; copyist's manuscript; 44 p.
Sonate.
Harpsichord solo; score; copyist's manuscript; 22 p.
La vergine del sole: Aria di Alci...
Strings or chamber emsemble; full score; copyist's manuscript; 1 p.
Cleveland, Richard
Le necromancier.
Reduced score; copyist's manuscript; 19 p.
Quand l'amour meurt.
Piano reduction; score; copyist's manuscript; 5 p.
Gounod, Charles
Philémon et Baucis: [Manuscript material].
Piano-vocal scores; copyist's manuscripts; 91 p.
Piano-vocal scores; copyist's manuscripts; 51 p.
Piano-vocal scores; copyist's manuscripts; 48 p.
Philémon et Baucis: [Two fragments].
From piano-vocal score; copyist's manuscripts
Le médecin malgré lui.
Piano-vocal scores of Act II, scene 13; copyist's manuscripts; six copies, 22 p. each.
Piano-vocal score; copyist's manuscript; 102 p. each.
Piano-vocal score; copyist's manuscript; 96 p.
Parts for vn I; copyist's manuscripts; 66 p.
Parts for vn II; copyist's manuscripts; 48 p.
Parts for vla; copyist's manuscripts; 28 p.
Parts for vc, cb; copyist's manuscripts; 30 p.; 24 p.
Parts for fl, ob, cl, bn; copyist's manuscripts; 11 p.; 11 p.; 11 p.; 13 p.
Parts for hn, tpt, perc; copyist's manuscripts; 12 p.; 9 p.; 1 p.
Graëfe, Gustave
Les roses d'Ispahan.
Piano reduction; score; copyist's manuscript; 18 p.
La dansomanie: Ouverture.
de Montéclair, Michel Pinolet
Concerts [6] pour la flûte traversière avec la basse chiffrée.
Cassation, K. 63: Andante.
Arranged for strings or chamber ensemble; full score; copyist's manuscript; 7 p.
Khovanshchina.
Piano-vocal score; copyist's manuscript; 155 p.
Piano-vocal score; copyist's manuscript; in two sections (11, 23 p.), plus three unbound pages.
Achille in Sciro: [Excerpts, Act III].
Chaconne; Rigadon; Menuet.
Strings and continuo or chamber ensemble; full score; copyist's manuscript; 9 p.
La finta amante: Act I.
Full score; copyist's manuscript; 358 p.
Dal finto il vero: Sinfonia.
Il duello comico.
Full score; copyist's manuscript; [1] p.
Il duello comico: Air de Bettina.
Il duello comico See: Cimarosa, Domenico. La vergine del sole: Aria di Alci... Box 68, Folder 7
Gigue pour le Zéphir; Finale[to ?].
Lucinda e Armidoro: [Excerpts].
Full score; copyist's manuscript; in two sections (3, 12 p.).
Sei minuetti.
Chamber ensemble; full score; copyist's manuscript; 25 p.
Chamber ensemble; copyist's manuscript parts for: vn I, vn II, ob I, ob II (3 p. each), hn I, hn II, continuo (2 p. each).
La modista raggiratrice: Finale, Act I.
Il mondo della luna: [Excerpts].
Full score; copyist's manuscript; in three sections (1, 15, 32 p.).
Nina, o sia La pazza per amore: Cantata del pastore (?).
Proserpine: [Excerpts from Acts I, II].
Full score; copyist's manuscript in two sections; 18 p.; 39 p.
Proserpine: [Excerpts].
Full score; copyist's manuscript in two sections (6, 10 p.).
Raccolta di varie rondo e capricci.
Piano solo with violin obbligato; score; copyist's manuscript; 11 p.
Il re Teodoro in Venezia: Che novita! che stravaganza...; Come lasciar potrei.
La serva padrona.
Full score; copyist's manuscript; 188 p.
La serva padrona: [Excerpt ("Il finale del manuscritto")].
La serva padrona: [Instrumental selections].
Socrate immaginario: Ballo delle furie.
Sonata a quattro mani.
Piano four hands; score; copyist's manuscript; 14 p.
Sonatine.
Harpsichord or piano solo; score; copyist's manuscript; 22 p.
[Unidentified work for piano solo.]
Score; copyist's manuscript; in two sections (8, 9 p.).
Andante Amoroso (Solfeggio no. 18).
Piano-vocal score; copyist's manuscript; 5 p.
Concerto.
Violin and chamber ensemble; full score; copyist's manuscript; 55 p.
Euridice, e dovè sei?.
Voice and chamber ensemble; full score; copyist's manuscript; 27 p.
Il flaminio: Aria di Ferdinando (Act II).
Piano-vocal score; copyist's manuscript; 7 p.
Il flaminio: [Ballet following Act I.]
Score; copyist's manuscript; 2 p. (recto and verso).
Il flaminio: [Ballet following Act II.]
Il flaminio: Duetto finale (Act I).
Lo frate 'nnamorato: [Excerpts].
Full score; copyist's manuscript; in three sections (5, 21, 9 p.).
Gavotta[?]: variazione 2, 3, 5.
Keyboard solo; scores; copyist's manuscripts in three sections (2, 2, 2 p.).
Il geloso schernito.
Full score; copyist's manuscript; 109 p.
Le maître de musique.
Piano-vocal score; copyist's manuscript; 80 p.
Full score; copyist's manuscript; [121] p.
La serva padrona[?]: Quello sdegno e quel furore.
Solfeggi a due voci.
Solfeggi a tre voci.
Full score; copyist's manuscript; 108 p.
Sonate no. 3: Allegro.
Keyboard solo; score; copyist's manuscript; 2 p.
Sonate no. 6: Tempo di minuetto.
Sonate no. 7: Giga.
Sonate no. 7: Menuet.
Sonate no. 10: [I.] Moderato.
Two violins and continuo; score; copyist's manuscript; 5 p.
Recitativi per Le astuzie femminili di Cimarosa.
Snegurochka: [Excerpt (Act III)].
Vocal parts for SATB; copyist's manuscripts; 4 p.; 2 p.; 2 p.; 2 p.
L'italiana in Algeri: [Excerpt (Act II)].
Il signor Bruschino: Sinfonia.
Full score (67 p.) and parts for fl, ob I, ob II, cl I, cl II, bn, hn I (4 p. each), hn II (3 p.); copyist's manuscripts.
Papillons, op. 2.
Arranged by N. Tcherepnin for orchestra; holograph [?] full score; 30 p.
Les noces.
Copyist's manuscript part book (soprano/alto); 16 p.
Copyist's manuscript part book (tenor/bass); 15 p.
Copyist's manuscript part book (tenor/bass); 16 p.
Copyist's manuscript part book (tenor/bass); 17 p.
Copyist's manuscript part book (tenor/bass); 18 p.
L'oiseau de feu [=The Firebird]: Berceuse.
Holograph manuscript in pencil with annotations in red pencil; 2 p. (recto and verso).
[Unidentified composer.]
Mazurka.
Instrumental parts for vn I (5 copies), vn II (5 copies), vla I, vla II, vla III, vc I, vc II, vc III, cb I, cb II, fl, ob, cl, bn, hn, tpt (2 p. each); copyist's manuscripts.
The unconscious of Kathleen and Alistair.
Full score; copyist's manuscript in 167 p. in five sections (11, 52, 32, 36, 36 p.).
III. Personal Papers, 1750-1950
The Personal Papers series is divided into two subseries: Notebook and Correspondence. The Notebook series is represented by Diaghilev's personal notebook which the impresario used from 1926 until his death in 1929. The Correspondence series is represented by letters of Sergei Prokofiev and others.
A. Notebook
Autograph notebook of Diaghilev, dating from 1926 until his death in 1929; also contains entries in the hands of Lifar and Boris Kochno; entries are in French, Russian and English; c. 140 p.
B. Correspondence
Bauchant, André to Diaghilev; TLS and ALS receipt (French); dated 1928 Mar 30; 1, 1 p.
Klemperer, Otto to Diaghilev; TLS (German); dated 1929 Jul 19; 1 p.
Prokof'ev, Sergeĭ to Diaghilev; ALS (Russian); dated 1918 Oct 1; 1 p.
Prokof'ev, Sergeĭ to Diaghilev; TLS and ALS envelope (Russian); dated 1922 Jun 26; 1, 1 p.
Prokof'ev, Sergeĭ to Diaghilev; TLS (Russian); dated 1928 Sep 21; 2 p.
Prokof'ev, Sergeĭ to Diaghilev; Photoreproduced copies of three letters, dated 1925 Nov 25; 1928 Apr 14; 1929 Aug 25 (Russian); 3 p. Gift of Mme. Prokof'eva. May not be photoreproduced.
[Unidentified/notes.] Autograph (Russian, French); 4 p.
IV. Printed Material, 1750-1950
The Printed Material series is divided into five subseries: Libretti and Synopses; Books, Monographs, Programs, etc.; Serials; Photographs; and Miscellaneous.
A. Libretti and Synopses
Auber, Daniel-François-Esprit
Le premier jour de bonheur. Paris: Tresse, 1873.
L'écossais de Chatou. Paris: Stock, 1910.
L'omelette à la Follembûche. Paris: Stock, 1911.
Six demoiselles à marier. Paris: Calmann-Lévy, 1883.
Sylvia, ou la nymphe de Diane. Paris: Calmann-Lévy, n.d.
Elukhen, Aleksandr
Sotra.
Orphée.
Mireille. Paris: Calmann-Lévy, n.d.
Roméo et Juliette. Paris: Calmann-Lévy, n.d.
Holst, Gustav
The lure [=L'attirance].
Joseph. Paris: Calmann-Lévy, 1900; 37 p.
Agrestides.
Les aveux et les promesses.
Photoreproduction of typed copy of synopsis; 3 p.
Mortier, Alfred [?]
Galatée.
Il duello [comico]. [S.l.]: [s.n.], n.d.; xx, 36 p.
La finta amante.
Nina, o sia la pazza per amore. [S.l.]: [s.n.], n.d.; 48 p.
Spanisches Fest [Der Geburtstag der Infantin.] Wien: Universal Edition, 1926; 8 p.
Whitworth, Geoffrey
Le jardin enchanté.
[Unidentified composer/librettist.]
Rats
Autograph synopsis, in ink; 3 p. (one bifolio on music manuscript paper), “d’après la fable de La Fontaine ‘Le rat de village et le rat de campagne’.”
B. Books, Monographs, Programs, etc.
D’Armana, Jean
Le crépuscule des dieux. Bordeaux: Delmas, 1936.
Checchi, Eugenio
Rossini. Firenze: G. Barbèra, 1898; 6, 200 p.
Croce, Benedetto
Saggi sulla letteratura italiana del seicento. Bari: Giuseppe Laterza & Figli, 1911; 23, 444 p.
De Guarinoni, Eugenio
Indice generale: Archivio musicale Noseda. [Milan]: [s.n.], n.d.; [2], 420 p.
Finck, Henry T.
Léon Bakst and Serge de Diaghileff’s Ballet Russe.
Monograph extracted from the New York Evening Post, 1915 Nov 20; 5 p.
Gastoué, Amédée
Les primitifs de la musique française. Paris: Henri Laurens, 1922; 117 p.
Gozzi, Carlo
Théâtre fiabesque. Paris: Michel Lévy Frères, 1865; 357 p.
[Jullien, Adolphe]
Bibliothèque musicale de M. Adolphe Jullien. Vente du 23 juin 1933. Paris, Hôtel Drouot. Salle No. 9.
Parente, Alfredo
Colori e forme nella musica: Il probleme dell'interferenza delle arti e l'estetica del futurismo. [S.l.]: [s.n.], n.d.; 20 p.
Critica e storiografia musicale: Premesse metodologiche. [S.l.]: [s.n.], n.d.; 27 p.
Natura estetica dell'armonia. Firenze: Felice Le Monnier, 1936; 8 p.
Note sull'estetica musicale contemporanea in Italia. [S.l.]: [s.n.], n.d.; 26 p.
Pensieri di F. de Sanctis intorno alla musica. Napoli: Edizioni "Aspetti Letterari", 1934; 20 p.
Pirro, André
Les clavecinistes. Paris: Henri Laurens, n.d.; 125 p.
Scherillo, Michele
L'opera buffa napoletano durante il settecento. [S.l.]: Remo Sandron, n.d.; 11, 55 p.
C. Serials
L’Arte. (Italian, French) Milano: September-December 1956 (vol. 20); 128 p.
Innen-Dekoration. (German) Darmstadt: January 1929 (vol. 40); 8 p.
Das Theater. (German) Berlin: December 1925 (vol. 6, no. 23); 20 p.
Das Theater. (German) Berlin: November 1926 (vol. 7, no. 21); 13 p.
Das Theater (German): hand-colored illustration, ca. 1920; 1 p.
D. Photographs
Cecchetti, Enrico
Duncan, Isadora
Fokina, Vera
Fokine, Michel
Galli, Rosina
Hoffman, Gertrude
Karsavina, Thamar
Lind, Jenny
Lopokova, Lydia [two copies]
Marmein, Miriam
Nijinsky, Vaclav
Pauley, Andreas
Pavlova, Anna
Revalles, Flore
Tchernichova, Lubov
Bolm, Adolph and Karsavina, Thamar
Diaghilev, Serge and Cocteau, Jean, circa 1924
Diaghilev, Serge and Massine, Léonide
Diaghilev, Serge and Nijinsky, Vaclav
Bolm, Adolph; Karsavina, Thamar; and Nijinsky, Vaclav
Bakst, Léon: photograph of costume design for Firebird (unidentified dancer).
Bakst, Léon: photograph of set design for Schéhérazade (unidentified dancers) [two copies].
E. Miscellaneous
Souvenir book: The Art of Anna Pavlowa. (English) [No publication data; copyrighted 1914 by Max Rabinoff]; 16 p.
Souvenir book: The Real Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1915; 24 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs.]
Souvenir book: Serge de Diaghileff’s Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.]
Program from Ballet Russes performances. May 1917, Paris. (French) [No publication data], 59 p. [Purchased 1989; acquisition information laid in.]
Program notes from the première performance by the Ballets Russes of G. Rossini's La Boutique fantasque, arranged by O. Respighi and choreographed by L. Massine, London, 1919 Jun 5. (English) [No publication data], 6 p.
Souvenir book: Soirèe [sic] de Gala in Honour of Her Majesty the Queen of Roumania. (English) New York: Metropolitan Opera House, 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.]
Souvenir book: S. Hurok presents Ballet Russe de Monte Carlo [...] Season 1939-1940. (English) [No publication data]; 67 p. [Contains inscriptions (to “Jules”) from each company member, including those from Léonide Massine and Sol Hurok; several photographic reproductions of company members, color illustrations of costume and set designs by Picasso, Tchelitcheff, Dalí, etc.]
Catalogo delle opere teatrali complete, novembre 1922. (Italian) [Milano]: Edizioni Ricordi, [1922]; 8 p.