Mario Castelnuovo-Tedesco Papers
Catalog Record: http://lccn.loc.gov/2006579409
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding aid encoded by Library of Congress Music Division, 2010
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Mario Castelnuovo-Tedesco Papers 1822-1998 (bulk 1920-1968)
Castelnuovo-Tedesco, Mario, 1895-1968
Biographical History for: Mario Castelnuovo-Tedesco Papers 1822-1998 (bulk 1920-1968)
Biographical Note Date Event 1895 April 3 Born, Florence, Italy 1909-1914 Studies at Instituto musicale Luigi Cherubini, Florence 1915 Composes war song, Fuori i barbari 1918 Receives "diploma di composizione" from Liceo musicale, Bologna 1923 Marries Clara Forti 1925 Son Pietro born 1926 Premiere performance of first opera, La mandragola, in Venice 1930 Son Lorenzo born 1931 Composes violin concerto, I profeti, for Jascha Heifetz 1932 Meets guitarist Andrés Segovia and begins composing for the guitar 1933 I profeti premiered by Arturo Toscanini and Jascha Heifetz in New York 1935 Composes incidental music for Savonarola 1938 Castelnuovo-Tedesco's work banned from radio in Italy 1939 Composes first guitar concerto for Andrés Segovia 1939 July Leaves Italy for the United States and takes up residence in Larchmont, NY 1940 Mother Noemi dies 1940 Travels to California and begins composing music for Hollywood film soundtracks 1943 Composes Sacred Service for Sabbath Eve 1944 Collaborates with Schoenberg, Stravinsky, Milhaud, and others on the Genesis suite 1946 Becomes a citizen of the United States 1953 Composes first work in a series of greeting cards on the names of dedicatees (op. 159 and 170) 1956 Composes opera after Shakespeare's The Merchant of Venice 1958 The Merchant of Venice wins the Davide Campari Prize – Concorso Internazionale La Scala 1959 Named distinguished guest professor at Michigan State University and lectures on the history of opera 1960 Composes the song cycle, Platero y yo, after the poetry of Jimenez 1961 Premiere performance of The Merchant of Venice at La Scala 1968 March 16 Dies, Beverly Hills, CA
Scope and Content Note The Mario Castelnuovo-Tedesco Papers span the period 1822-1998, with the majority of the materials dating from 1920-1968. The collection includes holograph and copyist music manuscripts, printed music, libretti, writings, personal and family correspondence, business files, photographs, programs, reviews, biographical materials, film music materials, and an assortment of books owned by the composer. "Music" consists principally of holograph or copyist manuscripts and printed scores of Castelnuovo-Tedesco's compositions and arrangements. Many of these scores, especially the photocopied manuscripts, contain pencil or ink annotations in the hand of the composer. Works with opus numbers are distinguished from those without numbers and instrumentation is identified wherever possible. Much of this supplementary descriptive information is taken from the Catalogue of Works by Mario Castelnuovo-Tedesco by Nick Rossi. Included among the manuscripts are scores by students of Castelnuovo-Tedesco and various other composers, including Vittorio Rieti, Fernando Liuzzi, and Miklos Rozsa. Researchers are also encouraged to examine additional Castelnuovo-Tedesco manuscript materials in the Library of Congress that are closely affiliated with those from this collection. Nearly two hundred holograph scores deposited by the composer and his wife prior to 1979 are cataloged in ML96.C34, while other materials are located in the Jascha Heifetz Collection (ML31.H4a) and the Moldenhauer Archives (ML31.M6). Detailed references to these works are provided in the container list. Castelnuovo-Tedesco's working scripts for operas, oratorios, ballets, incidental music for plays, and song cycles are arranged by opus number or title under "Libretti". Most of these materials are original adaptations of other texts: plays and poetry by Shakespeare, Savonarola, Wilde, and Alfieri, as well as the Bible. There is also a collection of texts for his abandoned Reconstruction Symphony. Scripts for films are located with the "Film music materials" series. "Writings" indexes Mario Castelnuovo-Tedesco’s published and unpublished literary works, as well as numerous substantial pieces about him by other authors. It includes drafts of books Una vita di musica, La penna perduta, and Under the Sign of Orpheus, as well as articles, essays, lectures, program notes, interviews, work lists, and musings on a variety of musical subjects. La sua fede, a bound volume of interviews with Clara Castelnuovo-Tedesco, and a revised, annotated copy of the Rossi Catalogue are standouts among the various writings about the composer. "Correspondence" is categorically designated as "general" or "family," with the former arranged alphabetically within by correspondent. The general file chiefly contains letters to Castelnuovo-Tedesco or members of his family, with occasional attached drafts or copies of the composer's own letters. Notable correspondents include Ernest Bloch, Jascha Heifetz, Hans Moldenhauer, Ildebrando Pizzeti, Andrés Segovia, Arturo Toscanini, and many others. The largest of these files consists of letters between conductor and scholar Nick Rossi and Castelnuovo-Tedesco, as well as his family. Researchers are also advised to examine ML94 for additional letters between the composer and Pizzeti, Ernst Toch, Darius Milhaud, and others. Castelnuovo's handwritten logs of correspondence from 1947-1968 (box 128, folder 27) are especially useful points for departure. Family correspondence contains letters both to and from parents Amedeo and Noemi, sons Pietro and Lorenzo, wife Clara, and other extended family members and friends. Correspondence from Mario Castelnuovo-Tedesco appears first under each heading. "Business files" contains files related to publishers, concert agents, recording companies, and film studios, arranged alphabetically by corporate name. Materials include contracts, correspondence, royalty statements, and receipts. A substantial portion of this material is between Castelnuovo-Tedesco’s heirs and the publishers. "Photographs" portray diverse experiences from the lives of various Castelnuovo-Tedesco family members. These images are loosely arranged by date, subject, or opus number. Included are portraits of Castelnuovo-Tedesco, snapshots of the composer with distinguished musical personalities (Cesar Cui, Walter Gieseking, Jascha Heifetz, and Igor Stravinsky), and production photographs from The Merchant of Venice, Aucassin et Nicolette, The Song of Songs, and other stage works. Concert performances by Castelnuovo-Tedesco and performances of his works by others are documented in "Programs." Many are annotated by performers or include attached reviews. These programs continue for nearly thirty years after Castelnuovo-Tedesco’s death, culminating in the 1995 centenary concerts. Although the majority are arranged chronologically, a small subset are organized by performer or subject. "Reviews" contains clippings, telegrams, promotional materials, and other documents associated with performances of specific opus-numbered works. There are also several small scrapbooks related to particular works or concert tours, such as Castelnuovo-Tedesco’s 1924 concert tour as an accompanist to singer Salomea Kruceniski. Similar documents are also found in the "Merchant of Venice materials," a series of subject files directly related to its 1961 and 1966 staged productions. "Biographical materials" is a topical array of financial, educational, military, and other personal documents related to Castelnuovo-Tedesco and his family members. It contains correspondence regarding the composer's emigration from Italy to the United States in 1939, including letters to Mussolini, D’Annunzio, and Alessandro Pavolini. Also included are naturalization papers, passports, datebooks, address books, lists of students, newspaper clippings, and notebooks from Castelnuovo-Tedesco's days as a student in Italy. "Film music materials" is a subject file of assorted scripts and materials, some annotated, related to motion pictures for which Castelnuovo-Tedesco composed music. The final series, "Bound materials owned by Mario Castelnuovo-Tedesco," contains annotated, inscribed, or specially bound books and scores that belonged to the composer.
series
Music, 1905-1968
subseries
Works with opus number, 1910-1968
file
Op. 1: Cielo di Settembre (piano)
Holograph manuscript score
Printed score
Op. 1: Cielo di Settembre (orchestra)
Holograph manuscript full score
Op. 2: Questo fu il carro della morte (piano)
Op. 3: Le Roi Loys (voice, piano)
Holograph manuscript piano-vocal score
Printed piano-vocal score
Op. 3: Le Roi Loys (voice, orchestra)
Op. 4: Ninna nanna (voice, piano)
Op. 4: Ninna nanna (voice, orchestra)
Printed piano-conductor score
Parts
Op. 5: Fuori i barbari (voice, piano)
2 printed piano-vocal scores
Op. 6: Stella cadenti (voice, piano)
Op. 7: Coplas (voice, piano)
Op. 7: Coplas (voice, orchestra)
Op. 8: Briciole (voice, piano)
Op. 9: Il raggio verde (piano)
Op. 10: Signorine (violin, piano)
Violin part
Op. 11: 3 fioretti di San Francesco (voice, piano)
Op. 11: 3 fioretti di San Francesco (voice, orchestra)
Op. 12: Alghe (piano)
Op. 12: Alghe (violin, piano)
Op. 13: I naviganti (piano)
Op. 14: Girotondo dei golosi (voice, piano)
3 printed piano-vocal scores
Op. 15: Ritmi (violin, piano)
Op. 16: Capitan Fracassa (violin, piano)
Op. 17: Cipressi (piano)
Op. 17: Cipressi (orchestra)
Op. 17: Cipressi (orchestra; 1940 version)
Photocopied holograph manuscript full score
Op. 18: La sirenetta e il pesce turchino (piano)
Op. 18: La sirenetta e il pesce turchino (2 pianos)
Op. 18: La sirenetta e il pesce turchino (orchestra)
Op. 19: Cantico (piano)
Op. 20: La mandragola (voices, orchestra)
Op. 20: La mandragola. Prologo (voices, orchestra)
Op. 20: La mandragola (voices, orchestra; 1928 version)
Printed libretto
Op. 21: Vitalba e biancospino (piano)
Op. 22: L'infinito (voice, piano)
Op. 23: Sera (voice, piano)
Op. 24: 33 Shakespeare songs (voice, piano)
Printed piano-vocal scores
Op. 24: 33 Shakespeare songs. Sea-murmurs [i.e. Arise] (violin, piano)
Op. 24: 33 Shakespeare songs. Tango [i.e. Two maids wooing] (violin, piano)
Op. 24: 33 Shakespeare songs. Three songs from As you like it (voice, harp or piano, strings)
2 holograph manuscript scores
Photocopied holograph manuscript score
Op. 24: 33 Shakespeare songs. Arise (voice, guitar)
Op. 24: 33 Shakespeare songs. Seals of love (voice, guitar)
Op. 25: Epigrafe (piano)
Op. 26: Piccino piccio (voice, piano)
Op. 27: Ballata (voice, piano)
Op. 28: La barba bianca (voice, piano)
Op. 29: 2 preghiere per i bimbi d'Italia (voice, piano)
Op. 30: Alt Wien (piano)
Op. 30: Alt Wien (2 pianos)
Op. 30: Duo danze (violin, piano)
Op. 31: Concerto italiano (violin, orchestra)
Printed full score
Printed piano-violin score
Op. 32: Piedigrotta 1924 (piano)
Op. 32: Notturno e tarantella (violin, piano)
Op. 32: Notturno e tarantella (2 pianos)
Op. 33: Le stagioni (piano)
Op. 34: Notturno adriatico (violin, piano)
Op. 35: 4 scherzi per musica (voice, piano; 1st series)
Op. 35: 4 scherzi per musica (voice, piano; 2nd series)
Op. 36: 1830 (voice, piano)
Op. 37: Le danze del Re David (piano)
Op. 38: Indian serenade (voice, piano)
Op. 39: Bacco in Tuscano (voices, chorus, orchestra)
Op. 40: Drei Heine Lieder, I Heft (voice, piano)
Op. 41: 4 sonetti da La vita nova (voice, piano)
Op. 42: 3 sonnets from the Portuguese (voice, piano)
Op. 43: Tre corali su melodie ebraiche (piano)
Op. 44: Tre poemi campestri (piano)
Op. 45: Cadix (voice, piano)
Op. 46: Concerto in sol (piano, orchestra)
Printed piano score
Op. 47: I nottambuli (violoncello, piano)
Violoncello part
Op. 47: I nottambuli (violoncello, orchestra)
Manuscript full score
Op. 48: Variazioni sinfoniche (violin, orchestra)
Op. 49: Trio in sol (violin, violoncello, piano)
Op. 50: Sonata (violoncello, piano)
Op. 51: Sonata (piano)
Op. 52: Ore sole (voice, piano)
Op. 53: Chant hébraique (violin, piano)
Op. 53: Chant hébraique (violoncello, piano)
Op. 53: Chant hébraique (double bass, piano)
Holograph manuscript score for double bass
Op. 54: Passatempi (piano)
Op. 55: Tre vocalizzi (voice, piano)
Op. 55: Tre vocalizzi (violin, piano)
Op. 56: Sonata quasi una fantasia (violin, piano)
Op. 57: B-a-ba (piano)
Op. 58: Quartetto in sol (string quartet)
Op. 59: Crinoline (piano)
Op. 60: 3 Heine Lieder, II Heft (voice, piano)
Op. 60: 3 Heine Lieder, III Heft (voice, piano)
Op. 61: Ouverture per la bisbetica domata
Op. 61: Ouverture per la bisbetica domata (piano, 4 hands or 2 pianos)
Manuscript score
Op. 62: 6 odi di Orazio (voice, piano)
Op. 63: Fantasia e fuga sul nome di Ildebrando Pizzetti (piano)
Op. 64: The lark (violin, piano)
Op. 65: Media difficoltà (piano)
Op. 65: Ritmo di tango (violin, piano)
Op. 66: I profeti (violin, orchestra)
Op. 67: 2 film studies (piano)
Op. 68: Ballade des biens immeubles (voice, piano)
Op. 69: Quintetto in fa (piano, string quartet)
Op. 70: 2o trio in sol (violin, violoncello, piano)
Op. 71: Variazioni attraverso i secoli (guitar)
Op. 72: Concerto (violoncello, orchestra)
Printed piano-violoncello score
Op. 73: Ouverture per La dodicesima notte
Op. 74: 2 sonetti del Petrarca (voice, piano)
Op. 74: Petrarca-Chopin: 3 madrigali (voice, piano)
Op. 75: Dos romances viejos (voice, piano)
Op. 75: La ermita di San Simon (voice, piano)
Op. 75: La ermita di San Simon (voice, guitar)
Op. 75: Romances viejos, II series (voice, piano)
Op. 75: Romance del Conde Arnaldos (voice, guitar)
Op. 76: Ouverture per Il mercante di Venezia
Op. 77: Sonata: omaggio a Boccherini (guitar)
Op. 78: Ouverture al Giulio Cesare
Op. 79: Trois poèmes de la Pléïade (voice, piano)
Op. 80: Ouverture per Il racconto d'inverno
Op. 81: Savonarola (voices, chorus, orchestra)
Op. 81: Savonarola. Lauda di Nostra Donna (voice, piano)
Op. 81: Savonarola. Lauda di Nostra Donna (voice, orchestra)
Op. 81: Savonarola. Lo the Messiah (women's voices, piano)
Op. 81: Savonarola. Lo the Messiah (voices, piano)
Op. 81: Savonarola. Lo the Messiah (men's chorus, piano)
Holograph manuscript vocal score
Op. 81: Savonarola. Mary, star of the sea (women's chorus, piano)
Op. 81: Savonarola. Mary, star of the sea (chorus, piano)
Op. 82: Notturno sull'acqua (violoncello, piano)
Op. 82: Scherzino (violoncello, piano)
Op. 83: Toccata (violoncello, piano)
Op. 84: Tre preludi alpestri (piano)
Op. 85: Cappricio diabolico (guitar)
Op. 85: Cappricio diabolico (guitar, orchestra)
Op. 87: Tarantella (guitar)
Op. 87: Aranci in Fiore (guitar)
Op. 88: Trois fragments de Marcel Proust (voice, piano)
Op.89: Louisiana (voice, piano)
Op. 89: Leaves of grass (voice, piano)
Manuscript piano-vocal score
Op. 89: Ocean (voice, piano)
Op. 90: Lecho dodi (cantor, men's chorus)
Manuscript vocal score
Op. 90: Lecho dodi (cantor, chorus, organ)
Photocopied holograph manuscript piano-vocal score
2 photocopied manuscript piano-vocal scores
Photocopied manuscript piano-vocal score
Photocopied printed piano-vocal score
Op. 91: Féeries (voice, piano)
2 holograph manuscript piano-vocal scores
Op. 91: Charmes
2 manuscript piano-vocal scores
Op. 92: 2° concerto in fa (piano, orchestra
Holograph manuscript score for 2 pianos
Photocopied holograph manuscript score for 2 pianos
Op. 93: Concertino (harp, string quartet, clarinets)
Op. 93: Concertino (harp, chamber orchestra)
Holograph / copyist manuscript piano-harp score
Op. 94: I giganti della montagna (orchestra)
Op. 94: I giganti della montagna (orchestra; 1938 version)
Manuscript short score
Saxophone part
Op. 95: J’ai du bon tabac: variations plaisantes (guitar)
Op. 96: Goccius (voices)
Op. 97: 3 Shakespeare duets (voices, piano)
Op. 97: 3 Shakespeare duets (voices, orchestra)
Op. 98: Aucassin et Nicolette (voice, orchestra)
Holograph manuscript short score
Photocopied holograph manuscript short score
Op. 98: Aucassin et Nicolette (voice(s), orchestra; 1964 version)
Op. 99: Concerto in D major (guitar, orchestra)
Photocopied manuscript full score
Manuscript piano-guitar score
Printed piano-guitar score
Op. 100: Scottish songs (voices, harp, strings)
Op. 100: Scottish songs (chorus, piano)
Op. 100: Scottish songs. Jock of Hazeldean (voice, piano)
Op. 101: Un sonetto di Dante (voice, piano)
Op. 102: Concerto no. 3 (violin, piano)
Holograph manuscript piano-violin score
Op. 103: Pansies (voice, piano)
Op. 104: Stars (piano)
Op. 105: Recuerdo (voice, piano)
Op. 106: The legend of Jonas Bronk (voice, piano)
Op. 106: New York (voice, piano)
Op. 107: Ballade (violin, piano)
Op. 108: Overture to A midsummer night's dream
Op. 109: Upon his blindness (voice, piano)
Op. 110: La figlia del reggimento (violin, piano)
Printed score of "Valse"
Op. 111: Overture to King John
Op. 112: Larchmont Woods (violin, orchestra)
Op. 113: Keats songs (voice, piano)
Op. 113: Keats songs. Homer (voice, piano)
Op. 113: Keats songs. The mermaid tavern (voice, piano)
Op. 113: Keats songs. Homer (chorus, piano)
Op. 113: Keats songs. The mermaid tavern (chorus, piano)
Op. 113: Keats songs. Psyche (chorus, piano)
Op. 113: Keats songs. On the grasshopper and the cricket (women's chorus, piano)
Op. 114: London (Upon Westminster Bridge) (chorus, piano)
Op. 115: The birthday of the infanta (orchestra)
Photocopied manuscript short score
Op. 116: Indian songs and dances (orchestra)
Op. 117: Le rossignol (voice, piano)
Op. 117: Le rossignol (women's voices, piano)
Op. 118: Serenade (guitar, orchestra)
Guitar part
Op. 119: Divertimento (2 flutes)
Op. 120: The princess and the pea (orchestra)
Op. 121: Five humoresques on themes of Foster (orchestra)
Op. 122: Sacred service for Sabbath eve (cantor, chorus, organ)
Cantor part
Op. 122: Sacred service for Sabbath eve. May the words (voice, piano)
Op. 122: Sacred service for Sabbath eve. 5 preludes (organ)
Op. 122: Sacred service for Sabbath eve. Addenda (chorus, organ)
Photocopied manuscript vocal score
Op. 122: Sacred service for Sabbath eve. Silent devotion (string orchestra)
Op. 123: Candide (piano)
Op. 123: Candide (orchestra)
Op. 124: Ozymandias (voice, piano)
3 holograph manuscript piano-vocal scores
Op. 124: The daffodils (voice, piano)
Op. 124: The shadow (voice, piano)
Op.125: Shakespeare sonnets (voice(s), chorus, piano)
Op. 126: Aubade (chorus, piano)
Op. 126: Carol for Candlemas Day (chorus, piano)
Op. 126: To His Son (chorus, piano)
Op. 127: Sonata (violin, viola)
Op. 128: Sonata (clarinet, piano)
Clarinet part
Op. 129: Rondo (guitar)
Op. 130: Sonatina (bassoon or violoncello, piano)
Bassoon and violoncello parts
Op. 131: 5 poesie romanesche (voice, piano)
Op. 132: Venice (men's chorus)
Holograph manuscript vocal rehearsal score
Photocopied holograph manuscript vocal rehearsal score
Op. 133: Suite (guitar)
Op. 134: Overture to Anthony and Cleopatra
Op. 135: Overture to The tragedy of Coriolanus
Op. 136: The octoroon ball (orchestra)
Op. 137: Naomi and Ruth (women's voices, piano or organ)
Op. 137: Naomi and Ruth. Aria of Ruth (voice, piano)
Op. 137: Naomi and Ruth. Aria of Ruth (voice, orchestra)
Op. 137: Naomi and Ruth. Aria of Naomi (voice, piano)
Op. 138: Suite nello stile italiano (piano)
Op. 139: Second string quartet
Op. 140: The book of Ruth (voices, chorus, orchestra)
Op. 141: Evangelion (piano)
Op. 142: Six canons (piano)
Op. 143: Guitar quintet (guitar, string quartet)
Op. 144: Sonata in C minor (viola, violoncello)
Op. 145: Fantasia (guitar, piano)
Op. 146: Concerto de camera (oboe, string orchestra, optional horns and timpani)
Op. 146: Concerto de camera. Aria (oboe, violoncello, piano)
Op. 146: Concerto de camera. Aria (oboe, violoncello, guitar)
Op. 147: Third string trio (violin, viola, violoncello)
Op. 148: Sonata (violin, violoncello)
Op. 149: 2 songs by Longfellow. The day is done (chorus, piano)
Op. 149: 2 songs by Longfellow. Nature (chorus)
Op. 150: Songs and processionals for a Jewish wedding (voice(s), piano or organ)
Op. 150: Songs and processionals for a Jewish wedding. V'erastich (voice(s), piano or organ)
Op. 150: Songs and processionals for a Jewish wedding. Simeni chachosom al libecho (voice(s), piano or organ)
Op. 150: Songs and processionals for a Jewish wedding. Boruch haba b'sheim adonai (voice(s), piano or organ)
Op. 151: The book of Jonah (narrator, voices, men's chorus, orchestra)
Op. 152: Romancero gitano (chorus, guitar)
Op. 153: Four Christina Rossetti songs (women's voices, piano)
Op. 154: Three Shelly songs (women's voices, piano)
Op. 155: Second piano quintet (piano, string quartet)
Op. 156: Six pieces in form of canons (piano)
Op. 157: Six Keats settings (chorus / men's chorus)
Op. 157: Six Keats settings. Old Meg (chorus / men's chorus)
Op. 157: Six Keats settings. Happy is England (chorus / men's chorus)
Op. 158: Morning in Iowa (narrator, instrumental ensemble)
Op. 159: Toccata (on the name of Edward George Power Briggs) (organ or piano)
Op. 160: Concerto sereno (guitar, orchestra)
Op. 161: The Queen of Sheba (women's voices, piano)
Op. 161: The Queen of Sheba. Aria (voice, piano)
Op. 161: The Queen of Sheba. Aria (voice, women's chorus, orchestra)
Op. 161: The Queen of Sheba. Aria (voice, orchestra)
Op. 162: Choral with variations (4 horns)
Op. 163: Songs of the Shulamite (voice, flute, harp, string quartet)
Holograph manuscript score for voice, flute, and piano
Photocopied holograph manuscript score for voice, flute, and piano
Op. 164: Overture to Much ado about nothing
Op. 165: El encanto (piano)
Op. 166: Overture to As you like it
Op. 167: Four dances for Love's labour's lost (orchestra)
Op. 168: Proverbs of Solomon (men's voices)
Op. 169: Lament of David (voice, chorus)
Op. 170: Greeting card compositions
Holograph manuscript sketches and notes; [16] p.
Op. 170/1: Tango (on the name of Andre Previn) (piano)
Op. 170/2: Serenatella (on the name of Jascha Heifetz) (violin, piano)
Op. 170/3: Valse (on the name of Gregor Piatigorsky) (violoncello, piano)
Op. 170/4: Mirages (on the name of Gieseking) (piano)
Op. 170/5: Tonadilla (on the name of Andrès Segovia) (guitar)
Op. 170/6: Rondel (on the name of Siegfried Behrend) (guitar)
Op. 170/7: Preludio in forma di habanera (on the name on Bruno Tonnazi) (guitar)
Op. 170/8: Humoresque (on the name of Tossy Spivakovsky) (violin, piano)
Op. 170/9: Fandango (on the name of Amparo Iturbi) (piano)
Op. 170/10: Lullaby (on the name of Claudia) (piano)
Op. 170: Tanka (on the name of Isao Takahashi) (guitar)
2 printed scores
Op. 170/11: Etude (on the name of Jacob Gimpel) (piano)
Op. 170/13: A canon to Robin (piano)
Op. 170/14: Ninna, nanna: a lullaby for Eugene (guitar)
Op. 170/15: Song of the Azores (on the name of Enos) (guitar)
Op. 170/16: A fandango for Escovado (piano)
Op. 170/17: Ricercare (on the name of Luigi Dallapiccola) (piano)
Op. 170/18: Choral prelude (on the name of Albert Schweitzer) (organ)
Op. 170/18: Fugue (on the name of Albert Schweitzer) (organ)
Op. 170/19: Duo-pianism: impromptu (on the names of Hans and Rosaleen Moldenhauer) (2 pianos)
Photocopied manuscript score
Op. 170/20: Little march (on the name of Scott Harrison) (piano)
Op. 170/21: Suite 508 (viola, piano)
Viola part
Op. 170/22: Slow, with variations (on the name of Nicolas Slonimsky) (piano)
Op. 170/23: Intermezzo (on the name of Harvey Siegal) (violin, piano)
Holograph mansucript score
Op. 170/24: Valse bluette (on the name of Eric Friedman) (violin, piano)
Op. 170/25: Hungarian serenade (on the name of Miklos Rozsa) (violin, piano)
Op. 170/26: La torre del diavolo (on the name of Gisella Selden-Goth) (piano)
Op. 170/27: Angelus (on the name of Nino Rota-Rinaldi) (piano)
Op. 170/28: Ein Quartet-Satz (on the name of Walter Arlen) (string quartet)
Op. 170/29: Arabesque (on the name of Roger) (harp)
Op. 170/30: Melodia (on the name of Claudio Sartori) (piano)
Op. 170/31: Prelude and fugue (on the name of Gerhard Albersheim) (piano)
Op. 170/32: Toccata (on the name of Hugh Mullins) (piano)
Op. 170/33: Canzone siciliana (on the name of Mario Gangi) (guitar)
Op. 170/34: Ballatella (on the name of Christopher Parkening) (guitar)
Op. 170/35: Canzonetta (on the name of Nick Rossi) (piano)
Op. 170/36: Sarabande (on the name of Rey de la Torre) (guitar)
Op. 170/37: Romanza (on the name of Oscar Ghiglia) (guitar)
Op. 170/38: Homage to Purcell: fantasia (on the names of Ronald and Henry) (guitar)
Op. 170/39: Cancion cubana (on the name of Hector Garcia) (guitar)
Op. 170/40: Cancion venezuelana (on the name of Alirio Diaz) (guitar)
Op. 170/41: Cancion argentina (on the name of Ernesto Bitteti) (guitar)
Op. 170/42: Estudio (on the name of Manuel López Ramos) (guitar)
Op. 170/43: Aria da Chiesa (on the name of Ruggero Chiesa) (guitar)
Op. 170/44: Brasileira (on the name of Laurindo Almeida) (guitar)
Op. 170/45: Second arabesque (on the name of Pearl Chertok) (harp)
Op. 170/46: Japanese print (on the name of Jiro Matsuda) (guitar)
Op. 170/47: Volo d'Angeli (on the name of Angelo Gilardino) 9guitar)
Op. 170/48: Canzone Calabrese (on the name of Ernest Calabria) (guitar)
Op. 170/49: Prelude (on the name of Frederick Tulan) (organ)
Op. 170/50: Tarantella campana (on the name of Eugene di Novi) (guitar)
Op. 170/51: The Persian prince (on the name of David Blumberg) (viola, harp)
Op. 171: Songs of the Oceanides (voices, 2 flutes, harp)
Op. 171/2: Songs of the Oceanides (voices, piano)
Op. 172: The song of songs (voices, chorus, orchestra)
Op. 173: Three Shelley songs (women's voices, piano)
Op. 174: Two motets (chorus)
Printed vocal rehearsal score
Op. 175: Six carols on early English poems (chorus)
Op. 176: Tre preludi mediterranei (guitar)
Op. 177: Escarraman (guitar)
Op. 178: The stories of Joseph (piano)
Op. 179: Two sonatas. No. 1 (trumpet, piano)
Op. 179: Two sonatas. No. 2 (trumpet, piano)
Holograph manuscript incipits; [2] p.
Op. 180: Passacaglia (guitar)
Op. 181: The merchant of Venice (voices, chorus, orchestra)
see ML96.C34 no. 37
Op. 181: The merchant of Venice, Act II. Caskets scene (voices, chorus, orchestra)
Op. 181: The merchant of Venice, Act II. Nocture (voices, chorus, orchestra)
Op. 181: The merchant of Venice, Act II. Epilogue (voices, chorus, orchestra)
Op. 181: The merchant of Venice, Act III. Aria di Porzia (voices, chorus, orchestra)
Op.181: The merchant of Venice (voices, chorus, orchestra)
Holograph manuscript short score fragment; [1] p.
Op. 182: All's well that ends well (voices, chorus, orchestra)
Holograph manuscript piano sketch
Op. 183: The fiery furnace (narrator, children's chorus, piano or organ, percussion)
Percussion part
Op. 184: Endymion (chorus)
Op. 185: Pastorale and rondo (clarinet, violin, violoncello, piano)
Op. 186: Vogelweide (voice, guitar or piano)
Photocopied holograph mansucript score
Photocopied printed score
Op. 187: Sonatina zoologica (piano)
Op. 188: Il bestiario (voice, piano)
Op. 189: Poesia svedese (voice, piano)
Op. 189: Lauda in honore Sanctae Birgittae (women's chorus)
Op. 190: Platero y yo (narrator, guitar)
Op. 190: Platero y yo. Platero (narrator, guitar)
Op. 190: Platero y yo. Angelus (narrator, guitar)
Op. 190: Platero y yo. Melancolia (narrator, guitar)
Op. 190: Platero y yo. A Platero en el Cielo de Moguer (narrator, guitar)
Op. 191: Saul (voices, chorus, orchestra)
Op. 192: Memorial service for the departed (cantor, chorus, organ)
Op. 193: Zwei Schiller Ballades. Die Kraniche des Ibykus (narrator, 2 pianos, percussion)
Op. 193: Zwei Schiller Ballades. Der Handschuh (narrator, 2 pianos, percussion)
Op. 194: Tre preludi al Circeo (guitar)
Op. 195: 24 caprichos de Goya (guitar)
Op. 196: Sonatina canonica (2 guitars)
Op. 197: Amours de Ronsard (chorus)
Photocopied holograph manuscript vocal score
Op. 198: The importance of being Ernest (voices, 2 pianos, percussion)
Op. 199: Les guitares bien tempérées (2 guitars)
Op. 200: The book of Esther (narrator, voices, chorus, orchestra)
Op. 201: Concerto (2 guitars, orchestra)
Holograph manuscript score for 2 guitars and piano
Printed score for 2 guitars and piano
Op. 202: The seventh day (chorus)
Op. 203: Third string quartet
Op. 204: The book of Tobit (narrator, voices, chorus, orchestra)
Op. 204: Thanksgiving (voices, piano)
Op. 205: Sonatina (flute, guitar)
Op. 205?: Quartetto (violin, viola, violoncello, piano)
Holograph manuscript score fragment; [1] p.
Op. 206: Eclogues (flute, English horn, guitar)
Op. 206?: Symphony no. 1
Op. 207: The divan of Moses-Ibn-Ezra (voice, guitar)
Op. 208: Sonata (violoncello, harp)
Op. 209: Rhapsody: the harp of David (harp)
Op. 210: Appunti. Quaderno primo (guitar)
Op. 210: Appunti. Quaderno secundo (guitar)
Op. 210: Appunti. Quaderno terro; Quaderno quarto (guitar)
Works without opus number, 1905-1967
2 canons (piano)
2 canti greci (chorus)
2 lyriche dal Giardiniere (voice, piano)
2 madrigali a Galatea (chorus)
3 canti all'aria aperta (violin, piano)
3 chansons grises (voice, piano)
Above suspicion [film, MGM, 1943]
4 photocopied manuscript short score excerpts
Address unknown [film, Columbia,1944]
5 photocopied manuscript short score excerpts
All night long (voice, piano)
America marching on [film, MGM, 1937]
1 photocopied manuscript short score excerpt
An American rhapsody (orchestra)
Photocopied holograph manuscript full1 score
Arie antiche (piano)
Bad bascomb [film, MGM, 1946]
Ballade des amantes celebres (voice, piano)
Ballata dall'Esilio
Manuscript and printed score
Bas-relief (orchestra)
Bataan [film, MGM, 1943]
3 photocopied manuscript short score excerpts
La battaglia è finita (voice, piano)
Billy the kid [film, MGM, 1941]
2 photocopied manuscript short score excerpts
Bitter lemons (women's voices, piano)
The brave bulls [film, Columbia, 1951]
10 photocopied manuscript short score excerpts
The brigand [film, Columbia, 1952]
Calma a giramonte (piano)
The Canterville ghost [film, MGM, 1944]
La canzone della tombola (voice, piano)
La canzone di usigliano (voice, piano)
Cera vergine (voice, piano)
Chanson à boire (voice, piano)
Le chant des tenebres (voice, piano)
Cherry ripe (voices)
Children's song (voice, piano)
Clarinet quintet (Clarinet, string quartet)
The clock [film, MGM, 1945]
Le columbe (voice, piano)
Concerto (violoncello, orchestra)
The crime doctor's courage [film, Columbia, 1945]
8 photocopied manuscript short score excerpts
Dangerous business [film, Columbia, 1946]
11 photocopied manuscript short score excerpts
The day of the fox [film, UPA, 1956]
9 photocopied holograph manuscript score excerpts
De amico ad amicam (voice, piano)
Double concerto (violin, violoncello, orchestra)
Down to earth [film, Columbia, 1947]
Dr. Jekyll and Mr. Hyde [film, MGM, 1941]
Dubarry was a lady [film, MGM, 1943]
6 photocopied manuscript short score excerpts
Due liriche dal Giardiniere di Tagore (voice, piano)
English suite (piano or harpsichord)
Étoile filante (voice, piano)
Everybody does it [film, Fox, 1949]
1 photocopied holograph manuscript short score excerpt
Exotica (violin, piano)
3 holograph manuscript scores
Fanfare (organ)
Fingers at the window [film, MGM, 1942]
Fiori di loto (voice, piano)
For our vines have tender grapes [film, MGM, 1945]
For the living [broadcast, American Cancer Society, 1949]
8 holograph manuscript score excerpts
Forgotten treasures [film, MGM, 1943]
1 holograph manuscript short score excerpt
Fuga elegiaca (2 guitars)
Galop : homage to Offenbach
Gaslight [film, MGM, 1944]
2 holograph manuscript short score excerpts
Genesis suite. The flood : Noah's ark (narrator, chorus, orchestra)
Photocopied holograph mansucript full score
Half pint kid [i.e. Harrigan's kid] [film, MGM, 1943]
The hangman [i.e. Hitler's madman] [film, MGM, 1943]
The heavenly body [film, MGM, 1944]
Hold high the torch [i.e. Courage of Lassie] [film, MGM, 1946]
7 photocopied manuscript short score excerpts
Homage to Paderewski (piano)
I love a mystery [film, Columbia, 1945]
9 photocopied manuscript short score excerpts
Inca gold [film, MGM, 1943]
Journey for Margaret [film, MGM, 1942]
Jubilee songs
Keeper of the flame [film, MGM, 1942]
3 holograph manuscript short score excerpts
Kismet [film, MGM, 1944]
Kol nidre (violoncello, piano)
Kol nidrei (violoncello, organ)
Kol nidrei (voice)
2 holograph manuscript vocal scores
Lassie come home [film, MGM, 1943]
Liberty, mother of exiles (chorus, piano)
Il libro di Dulcina (voice, piano)
The loves of Carmen [film, Columbia, 1948]
Lucertolina (piano)
A lullaby on Foster's themes (voices, orchestra)
The mark of the whistler [film, Columbia, 1944]
The mask of the avenger [film, Columbia, 1951]
Meditation (violoncello, piano)
Mi-la (piano)
Mission 36 [i.e. The black parachute] [film, Columbia, 1944]
Movie sketches [MGM]
32 photocopied manuscript short score excerpts
Mrs. Parkington [i.e. The Parkington] [film, MGM, 1944]
Music on the waters (voice, piano)
My love's like a red rose (voice, piano)
1 photocopied manuscript piano-vocal score
Naaritz'cho (cantor, chorus, organ)
Napolitana (2 pianos)
Night editor [film, Columbia, 1946]
Ninna-nanna: berceuse (piano)
Ninna-nanna del Dopoguerra (piano)
Nocturne in Hollywood (piano)
Norwegian sketches
Once upon a Thursday [i.e. The affairs of Martha] [film, MGM, 1942]
Ouvertures per il teatro di Shakespeare. Hamlet
Ouvertures per il teatro di Shakespeare. Othello
The owl (voices, piano)
Paraphrases on Foster's songs
3 holograph manuscript full score excerpts
Picture of Dorian Gray [film, MGM, 1945]
Plan for destruction [film, MGM, 1943]
Prayers my grandfather wrote (organ or piano)
Prelude on a twelve-tone row (organ)
Preludio e fanfara (piano)
Preludio su L'Annunciarione (piano)
Primavera fiorentina (piano)
Prison ship [film, Columbia, 1945]
Rage in Heaven [film, MGM, 1941]
Rationing [film, MGM, 1944]
Regina Giovanna di F. Mistral : Act II, scene 4 (orchestra)
El retablo de las Meravillas : a fantasy after Cervantes (guitar)
Return of the vampire [film, Columbia, 1943]
Reunion in France [film, MGM, 1942]
The rogues of Sherwood Forest [film, Columbia, 1950]
Ronde des fruits (voice, piano)
Ronde des livres (voice, piano)
Rumors [i.e. Mr. Blabbermouth] [film, MGM, 1942]
Russia [i.e. Song of Russia] [film, MGM, 1944]
Scampanio (piano)
Scenic grandeur [film, MGM, 1941]
Scottish suite
La sera fiesolana (voice, piano)
Shadowed [film, Columbia, 1946]
She's a soldier too [film, Columbia, 1944]
Somewhere I'll find you [film, MGM, 1942]
Son of Lassie [film, MGM, 1945]
Spring (voice, piano)
The stars look down [film, MGM, 1941]
Step this way [i.e. The big store] [film, MGM, 1941]
Strictly dishonorable [film, MGM, 1951]
Tavern (voice, piano)
Tell tale hands [i.e. Main Street after dark] [film, MGM, 1944]
Terrazze (piano)
A thousand shall fall [i.e. The cross of Lorraine] [film, MGM, 1943]
Three little songs (voice, piano)
Time out of mind [film, Universal, 1947] (piano, orchestra)
Photocopied manuscript short score excerpts
Toccata con jazz (piano, orchestra)
Tonight we dance [i.e. Dancing in Manhattan] [film, MGM, 1944]
Tortilla flat [film, MGM, 1942]
Tulip time in Michigan [i.e. Seven sweethearts] [film, MGM, 1942]
Two Byron songs (voice, piano)
Two Kipling songs (voice, piano)
Two-man submarine [film, Columbia, 1944]
14 photocopied manuscript short score excerpts
Un madrigale di Michelangelo (chorus, orchestra)
Valse triste: homage to Sibelius
The vanishing Virginian [film, MGM, 1942]
Vendetta against a dictator [film, MGM, 1942]
Villa sola (voice, piano)
Violin concerto no. 3 (violin, orchestra)
Holograph manuscript sketches; [18] p.
Le voyage (voice, piano)
We were dancing [film, MGM, 1942]
When ladies meet [film, MGM, 1941]
1 photocopied manuscript score excerpt
Whistling in Brooklyn [film, MGM, 1943]
White cargo [film, MGM, 1942]
Who's superstitious? [film, MGM, 1943]
The Winter's tale (voices, chorus, orchestra)
A woman's face [film, MGM, 1941]
A Yank at Eton [film, MGM, 1942]
The yearling [film, MGM, 1946]
[Unidentified] (piano; 1936, undated)
Unidentified (piano)
Unidentified (piano; 1945, 1955)
Unidentified (piano, unspecified instrument/voice)
Unidentified (piano, 3 unspecified instruments/voices)
Unidentified (voices)
Unidentified
Sketches and fragments; [11] p.
Sketches and fragments; [47] p.
Fragments; [7] p.
Fragments; [5] p.
Arrangements, before 1940-1967
Anonymous
Three Sephardic songs (voice, piano or harp)
Voice part
Three Sephardic songs (voice, orchestra)
Vos toig mir (voice, piano)
Bach, J. S.
The art of the fugue. Contrapunctus IV (instrumental ensemble)
Partita in B minor (string orchestra)
Suite no. 6 (string orchestra)
Bizet, Georges
L'Arlesienne. Minuet (2 pianos)
Brahms, Johannes
3 intermezzos (violin, piano)
Chopin, Frédéric
Fantasie impromptu (violin, piano)
Sixteen preludes (violin, piano)
Dall' Abaco, Evaristo
Sonata, op. 4/12 (violin, keyboard instrument)
Debussy, Claude
Minstrels (guitar)
Khatchaturian, A.
Masquerade suite. Valse (2 pianos)
Mozart, W. A.
Don Giovanni. Serenade (violin, piano)
Don Giovanni. Serenade (violoncello, piano)
The marriage of Figaro. Susanna (violin, piano)
The marriage of Figaro. Voi che sapete and Non so piu (violin, piano)
Pizzetti, Ildebrando
Four piano transcriptions from La pisanella
Prokofiev, Sergei
Cinderella. Valse (2 pianos)
Ravel, Maurice
Jeux d'eau (violin, piano)
Pavane pour une infante défunte (guitar)
2 manuscript scores
Pavane pour une infante défunte (2 pianos)
Miroirs. Alborada del gracioso (violoncello, piano)
Miroirs. La vallée des cloches (orchestra)
Miroirs. La vallée des cloches (violoncello, piano)
Rossini, Gioacchino
The barber of Seville. Figaro (violin, piano)
The barber of Seville. Figaro (violincello, piano)
The barber of Seville. Figaro (violin, orchestra)
The barber of Seville. Rosina (violin, piano)
Schumann, Robert
Herberge (orchestra)
Nachtstück (chamber orchestra)
Strauber, Rudolf
Sonata no. 1 (guitar, harpsichord)
Tchaikovsky, Peter I.
Serenade for strings, op. 48. Valse (piano, 4 hands)
Serenade for strings, op. 48. Valse (2 pianos)
Verdi, Giuseppe
La traviata. Violetta (violin, piano)
Music by other composers, 1935-1965
Cortese, Luigi
Sonata (horn, piano)
Couture, Maurizio
Adagio (piano)
Allegro ma non troppo (piano)
Ballata (piano)
Cinque appunti (piano)
Dialogo romantico (piano)
Minuetto (piano)
Preludio (organ)
Enos, Joseph
Sonnets nos. 30 and 71 (voice, piano)
Escovado, Robin
Ballade for Christmas (piano; 1956)
Ballade for Christmas (piano; 1957)
Ballade for Christmas (piano; 1959)
Elegie (string orchestra)
Jubilate deo (women's voices)
Lo di che han detto ai dolci amici addio... (piano)
The night of the fox (piano)
Overlooking the Hudson (piano)
Ritorno ai Cipressi (piano)
Time, like a golden butterfly (voice, piano)
Galla-Rini, Anthony
Accordion chart
Concerto for accordion (accordion, piano)
Gluck, C. W.
Orfeo ed Euridice. Spiagge amante (voice, piano)
Hartmann, Klaus Amadeus
Gessangsszene (voice, orchestra)
Leonard, Joseph
Festival hymn (cantor, chorus, organ)
Festival prelude (organ)
In memoriam (voices)
Ma tovu (cantor, organ)
Ode to youth (voices)
Prelude for Rosh Hashonoh (organ)
Processional (organ)
Romanza (string quartet)
Romanza (organ)
The Sabbath day (voices)
Silent devotion (organ)
Un'sane tokef (voices)
With love everlasting (cantor, organ)
Zaddik-Kattomor (voices)
Lewandowsky, Louis
Vshomru (cantor, organ)
Liuzzi, Fernando
Lamento della Madonna (voice, piano)
L’apparizione in Emmaus (cantor, chorus, piano)
Le vergini savie e le vergini folli (cantor, chorus, organ)
Lubin, Ernst
By the bay (voice, piano)
The carnal and the crane (voices, piano)
I shall know why (voice, piano)
Le menuet de Roxane (flute, harp)
Meditation and May the words (voice, organ)
Chorale prelude on Vater unser (organ)
Partita (brass quintet)
Portrait (piano)
String quartet
String quartet no. 2
Sonata (trombone, piano)
Paskowitz, Adrian
Awake Deborah (chorus)
Jerusalem, stone on the hill (chorus)
Variations on two Israeli songs (viola, piano)
Poddany, Eugene
Lento ma non troppo (piano)
Previn, Andre
Overture to a comedy
Three songs (voice, piano)
Pujadas, Mariblanca de
The music (voice, piano)
Reed, H. Owen
The passing of John Blackfeather (voice, piano)
Rietti, Vittori
Trionfo di Bacco e Arrianna (voices, piano)
Rota, Nino
Sinfonia
Rozsa, Miklós
Concerto (violin, orchestra)
Lullaby (women's chorus)
Sonata (2 violins)
Sangiorgi, Alfredo
Alla nonna (voice, piano)
Ave Maria (voice, piano)
Pianto antico (voice, piano)
Sanford, Lee
Bassa-go-go (voice, unspecified instruments)
Selden-Goth, G.
Praeludium und Fuge (2 pianos)
Stein, Herman
Acting silly
Main title
Suite for Mario (piano)
Tansman, Alexandre
Sonata no. 4 (piano)
Toch, Ernst
Konzert (violoncello, chamber orchestra)
Untitled (string quartet)
Weiner, Lazar
Songs (voice, piano)
Zea, David
Dark night (piano)
Preface (chorus)
Unidentifed
Il povero diavolo (voices, piano)
Libretti, 1920-1965
Works with opus number, 1920-1965
Op. 20: La mandragola
Op. 94: I giganti della Montagna
Op. 98: Aucassin et Nicolette
Op. 122: Sacred service for Sabbath eve
Op. 140: The book of Ruth
Op. 141: Evangelion
Op. 182: All's well that ends well
Op. 191: Saul
Op. 198: The importance of being ernest
Op. 200: The book of Esther
Other works, 1954, undated
Jephtha and his daughter : a dramatic cantata
Miscellaneous excerpts
Ode to Zion
Reconstruction symphony
Return to Zion
The song of Deborah
The tempest
Three psalms by Josephus
Tobias and the angel
The Trojan women
The Winter's tale
Writings, 1919-1997
Works by Mario Castelnuovo-Tedesco, 1919-1967
Books
Una vita di musica, 1967
La penna perduta, 1939
Under the sign of Orpheus, 1959
Articles
Alfredo Casella. La rassegna musicale, vol. 27, no. 3, (September 1957), pp. 201-204
Alfredo Casella e il suo "terzo stile". Il pianoforte, vol. 6, no. 8-9, (August-September 1925), pp. 241-247
Colloqui con Toscanini. Maggio musicale fiorentino, vol. 30, (1967), pp. 3-6
From a lifetime in music: Puccini, Schoenberg, Stravinsky, and others. Grand Street, vol. 9, no. 1, (Autumn 1989), pp. 150-165
Gianandrea Gavazzeni e "La casa di Arlecchino", 1957
The guitar, that beautiful and mysterious instrument... ., 1958 June
Ildebrando Pizzetti e la sua musica corale. Il pianoforte, vol. 2, no. 8, (August 1921), pp. 233-240
Incontri letterari. Letteratura, vol. 3, no. 3-4, (January-April 1955), pp. 53-65
Jewish background of an exiled musician. The American Jewish Outlook, (July 26, 1940)
Kurvenaldo, 1957
Leggendo "Les noces" di Strawinski. Il pianoforte, vol. 8, no. 1, (January 1927), pp. 15-25
Lettera da firenze. Il pianoforte, 1921-1929
Mendelssohn, 1964?
Il mercante di Venezia. Maggio musicale viorentino, vol. 24, (1961), pp. 23-26
Modern Italian music. Boston Evening Transcript, (December 16, 1939)
Mozart a firenze, 1935
Music and movies, 1940 February 29
Problems in writing songs, 1939 November 19-20
Music for the synagogue. Journal of Synagogue Music, vol. 5, no. 3, (December 1974), pp. 9-15
Music of the times: a composer on writing concertos. New York Times, (October 29, 1939)
My experiences in Jewish music. Jewish Music Notes, (May 1951), pp. 3-4
The overture-form in the music of today. Musical America, (February 10, 1940), pp. 108-110
La "Pisanella" di I. Pizzetti. La critica musicale, vol. 2, no. 9-10, (September-October 1919), pp. 157-169
Pizzetti visto da lontano, 1956 March 19
Schubert, undated
Schubertiade, circa 1932?
Schumann, 1964
Shakspere [sic] and music. Shakespeare Association Bulletin, vol. 15, no. 3, (July 1940), pp. 166-174
To the music editor: the Italian overture. New York Times, (April 14, 1940)
Una lettera dall' Americirca Firenze a Ildebrando Pizzetti, (March 1947)
Program notes
Op. 94: I giganti della montagna
Op. 115: The birthday of the infanta
Op. 151: The book of Jonah
Op. 172: The song of songs
Op. 181: The merchant of Venice
Op. 188: Il bestiario
Recordings of Mario Castelnuovo-Tedesco for RCA Victor
Miscellany
Catalogo delle compositioni, 1933 November 26
Ideas about musical criticism, undated
Interviews with Mario Castelnuovo-Tedesco, 1928, 1939
The Jewish chapter of my autobiography, 1940
Lists of works and performances, undated
Melodia (e thema), undated
Music and poetry: problems of an opera composer, 1952
Music under Italian fascism, 1944
Notes on composers, undated
Office of War Information broadcast, 1944
Perfezione di Mozart, undated
Postscriptum [for his article on Pizzetti], 1960 August 21
Reminiscences of Italian festivals, undated
Works about Mario Castelnuovo-Tedesco by others, 1925-1997
Rossi, Nick. Catalogue of works by Mario Castelnuovo-Tedesco. New York : The International Castelnuovo-Tedesco Society, 1997
La sua fede. UCLA, 1982
Taylor, Robert. Mario Castelnuovo-Tedesco: complete bibliography (up to 1962), [1962]
Westby, James. Castelnuovo-Tedesco in America: The film music. UCLA, 1994
Burns, Jeffrey. Le opere di Mario Castelnuovo-Tedesco, trans. Maria L. Lazzarini. [unidentified publication], pp. 68-69
Colacicchi, Luigi. "Prestiti e affiti" musicali. Musica, pp. 135-140
Gatti, Guido M. Musicisti italiani: Mario Castelnuovo-Tedesco. La critica musicale, vol. 1, no. 10-11,(October-November 1918), pp. 197-206
Gatti, Guido M. Ricordo di Mario Castelnuovo-Tedesco. Estratto annuario accademia nazionala di S. Cecilia, (December 1969), 10 p.
Gilardino, Angelo. Ricordi di Mario Castelnuovo-Tedesco. Strumenti and musica, vol. 21, no. 4, (1968), pp. 30-32
Gilardino, Angelo. Un fiorentino a Beverly Hills. Seicorde, vol 10, no. 53, (September-October 1995), pp. 24-33
Grossman, Emery. Mario Castelnuovo-Tedesco: contemporary composer. Temple Israel Light, pp. 10-11
Liuzzi, Fernando. Un articolo di solaria, quaranta anni fa Mario Castelnuovo-Tedesco. Portico d'Ottavia, no. 7-8, (February-April 1968), pp. 53-58
Liuzzi, Fernando. Mario Castelnuovo-Tedesco. Italien Sonderheft des Anbruch, vol. 7, (August-September 1925), pp. 408-440
Lubin, Ernest. A neglected Impressionist: Castelnuovo-Tedesco. Clavier, vol. 10, no. 2, (February 1971), pp. 29-31
Miscellaneous articles, 1939-1947, 1958-1967, 1985-1991
Purcell, Ronald C. Mario Castelnuovo-Tedesco and the guitar. Guitar Review, no. 37, (1972), pp. 2-4
Reeves, David. The piano works of Mario Castelnuovo-Tedesco. Piano and Keyboard, no. 176, (October 1995), pp. 29-33
Rossi, Nick. The choral masterpieces of Mario Castelnuovo-Tedesco. The Choral Journal, (November 1976), pp. 5-8
Rossi, Nick. A musical portrait of Italy. Keyboard Classics, (March-April 1982), pp. 10-12
Scalin, Burton. Old Testament works by Mario Castelnuovo-Tedesco. Tatzlil, vol. 9, no. 10, (1976), pp. 19-24
Scalin, Burton. Some biblically-inspired and liturgical compositions of Mario Castelnuovo-Tedesco, [circa 1975?]
Takahashi, Isao, 1954, 1968, unidentified dates
International Castelnuovo-Tedesco Society, 1973-1985
List of recordings, undated
Rossi, Nick, undated
Correspondence, 1908-1998
General correspondence, 1922-1998
Abreu, Sergio, 1969-1975
Afshar, Lily, 1990-1994
Albersheim, Erna, 1948-1967
Albersheim, Gerhard, 1975-1987
Almeida, Laurindo, 1970-1974
Barber, Samuel, 1940s
Barbosa-Lima, Carlo, 1979-1981
Barbirolli, John and Evelyn Rothschild, 1941-1967
Barr, Cyrilla, 1997
Behrend, Siegfried, 1952-1990
Bennett, Lynette, 1997
Berenson, Bernard, 1934-1941
Berman, Judith, 1978-1979, 1994
Bernstein, Leonard, 1955
Bianchi-Banclinelli, R., 1946
Black, Richard, 1995-1996
Blanchard, Henry, 1939-1940
Bloch, Ernest, 1939-1940
Blumenthal, Daniel, 1994
Bocchi, Sauro, 1995
Bocchino, Alberto, 1994
Bonaguri, Piero, 1995
Bonucci, Arturo, 1997
Botto, Andrea, 1997-1998
Boudounis, Evangelos, 1970-1971
Bronkhorst, Julia, 1998
Brostoff, Neal, 1994
Browning, Winslow, 1996-1998
Bucci, Carlo Alberto, 1995
Cagli, Corrado, undated
Caporali, Rodolfo, 1995
Capra, Marco, 1996-1997
Casella, Alfredo, 1945
Charnofsky, Jordan, 1997
Chertok, Pearl, 1972
Clurman, Judith, 1993-1998
Coen, Massimo, 1996
Colacicchi, Giovanni, 1945-1946
Condolence letters after Mario Castelnuovo-Tedesco's death, 1968
Coolidge, Elizabeth Sprague, 1938
Correspondence from various guitarists, 1953-1971, 1981-1983
Correspondence logs by Mario Castelnuovo-Tedesco, 1947-1968
Costa, Maria Lucia, 1997
Crowson, Gerald, 1997
Dallapiccola, Luigi, 1945
D’Amico, Fedele, 1969
D'Annunzio, Gabriele, 1929
Dickstein, Marcia, 1992-1995
Dilocco, Francesco
Downes, Olin, 1940, 1950
Duarte, John, 1967-1978
Dunham, Katherine, 1948
Durante, Sergio, 1997
Enos, Joseph, 1954
Escovado, Robin, 1995
Estarellas, Gabriel, 1970-1974
Farrell, Eileen, 1964
Fischer-Dieskau, Dietrich, 1971-1974
Fisk, Elliot, 1994-1996
Fogo, Byron, 1994
Ford, John Scott, 1994
Frampton, Robert, 1997
Gavazzeni, G., 1954-1958
Gelenbe, Deniz Arman, 1994-1996
Gilardino, Angelo, 1967-1995
Gordon, Eric, 1997
Gray, Dorothy Landis, 1993-1996
Green, Noreen, 1995
Grey, Madeleine, undated
Gui, Vittorio, 1960-1964
Heifetz, Jascha, 1926-1944
Herbst, Jerry, 1945
Higham, Peter, 1975-1981, 1993-1994
Kahan, Sylvia, 1993
Kipnis, Igor, 1994-1996
Koonce, Frank, 1995
Kotzia, Eleftheria, 1994
Labroca, Mario, 1949-1957
Lavry, Marc, 1954
Lehmann, Azumi, 1996
Lehmann, Lotte, 1952
Leinsdorf, Erich, 1955
Leisner, David, 1995
Lemieux, Robert, 1983
Levitch, Leon, 1982-1995
Litante, Judith, 1955
Liuzzi, Fernando and Paula, 1927, undated
Liuzzi Archive, 1972
Lloyd-Webber, Julian, 1995
Loria, Arturo, 1949-1955
Louisville Symphony Orchestra, 1953-1956
Lubin, Ernest, 1949-1975
Ma, Yo-Yo, 1993-1995
Maggio Musicale, 1949-1967
Maiorca, Giuseppe, 1997
Maldi, Lamberto, 1971
Mallarme Chamber Players, 1988-1997
Margaria, Guido, 1971
Mariano, Nicky, 1965-1966
Mastik, Martin, 1993-1995
Mastrocinque, Mariadele, 1998
Matsuda, Jiro, 1967-1980
Mayer, Abe, 1942-1946
Menotti, Giam Carlo, 1956
Mercado, Andrés, 1994
Merkin Concert Hall, 1995
Mitropoukos, Dmitri, 1940
Moldenhauer, Hans, 1958-1980
Molinari, Jorge, 1972
Monteux, Pierre, 1945-1947
Mundi, Charles, 1957
Mysior, Ilana, 1976
Napoli, Jacopo, 1950-1967
Nathan, Robert, 1971-1973
National Jewish Music Council, 1965
Nestor, Gregg, 1974-1977
Nixon, Marni, 1972, 1994
Orselli, Cesare, 1977-1995
Otero, Corazon, 1983-1995
Pagliarini, Maurizio, 1996
Parigi, Angelo, 1940
Parkening, Christopher, 1966
Passigli, Franco, 1968-1971
Perlman, Itzhak, 1993
Pisani, Michael V., 1994-1995
Pizzetti, Ildebrando, 1940-1947
Ponsillo, Cinzia, 1996
Previn, Andre, 1993-1995
Purcell, Ron, 1969-1996
Ramos, Manuel Lopez, 1966
Rawitz, Benjamin, 1990
Reed, H. Owen, 1969
Rosselli, Amelia, 1936-1953
Rossi, Nick, 1963-1966
Rossi, Nick, 1967-1993, undated
Rota, Nino, 1939-1978
Sacchetti, Arturo, 1972
Sacjs, Harvey, 1985-1991
Sagra Musicale Umbra, 1957
Scalin, Burton, 1974-1979
Scardovi, Stefano, 1996-1997
Schonberg, Harold C., 1963
Segovia, Andrés, 1950s-1980s
Segovia, Emilita, 1989-1996
Sellers, Michael, 1997
Sergo, Emanuel, 1989-1997
Sherman, Robert, 1995
Siegel, Alvin, 1969
Slonimsky, Nicolas, 1959-1961
Snijders, Trins, 1993
Sohayda, Jan, 1993
Solow, Davida and Jeffery, 1996
Soltes, Auraham, 1970
Spaulding, Albert, 1937-1942
Spivakosky, Tossy, 1942-1953
Stein, Herman, 1957
Steinberg, William, 1959
Stevens, Delores, 1995
Stokowski, Leopold, 1945
Strozzi, Memmi, 1939-1950, undated
Swing, Raymond Gram, 1940
Szigeti, Joseph, 1945
Takahashi, Isao, 1953-1969
Tallini, Arturo, 1994-1996
Thiel, Jean, 1969-1970
Tinturin, Glenn, 1994
Torsiglieri, Massimiliano, 1995
Toscanini, Arturo, 1929-1949
Toscanini, Elaine, 1991-1993
Toscanini, Walter, 1939-1940
Trompetter, Amy, 1995
Tulan, Fredrik, 1966-1975
UCLA Department of Theater Arts, 1962, 1971
Vannucci, Marcello, 1970-1973
Vlad, Roman, 1971-1972
Waterhouse, John, 1974-1976
Waxman, Franz, 1964
Weber, Roland von, undated
Weiss, Sidney, 1993
Westby, James, 1992-1998
Williams, John, 1961-1968
Wolfram, William, 1995
Woodfull-Harris, Douglas, 1990-1992
Yates, Stanley, 1995
Zeisl, Eugene, 1961
Zigante, Frederic, 1995
Family correspondence, 1908-1984
Castelnuovo-Tedesco, Amedeo and Noemi
Mario to Amedeo and Noemi, 1911-1940
Mario to Amedeo and Noemi, 1941-1947
Amedeo to Mario, 1939-1947
Castelnuovo-Tedesco, Clara
Mario to Clara, 1937-1941, 1952-1957
Clara to Mario, 1940-1942, undated
Clara, Pietro, and/or Lorenzo to Mario, 1940 November
Others to Clara, 1939-1970
Castelnuovo-Tedesco, Lorenzo
Lorenzo to Mario, 1940-1941, 1964
Unidentified letter about Lorenzo, 1935 August
Castelnuovo-Tedesco, Pietro
Mario and Clara to Pietro, 1938-1953
Mario and Clara to Pietro, 1954-1942
Pietro to Mario and Clara, 1944-1947
Pietro to Mario and Clara, 1948-1966
Pietro to Mario and Clara, undated, circa 1940s?
Pietro to Mario and Clara, undated, circa 1948-1950?
Pietro to Mario and Clara, undated
Pietro to Clara, 1969, 1976, 1981-1984
Pietro to others, 1942
Others to Pietro, 1940-1946, undated
Other family members and friends
Castelnuovo-Tedesco, Adriana
Mario to Adriana, 1960-1968
Castelnuovo-Tedesco, Guido
Mario to Guido, 1941-1959
Castelnuovo-Tedesco, Guido and Adriana
Guido and Adriana to Mario, 1940-1948
Castelnuovo-Tedesco, Lisbeth
Castelnuovo-Tedesco, Ugo
Ugo to Mario, 1939-1952
Emilia
Emilia to Mario, 1945-1947
Giuseppina, Nonna
Nonna to Clara, 1939-1941
Lilly
Lilly to Mario, 1940-1946
Marta
Marta to Mario, 1959-1941
Michele
Michele to Mario, 1942-1945
Miller, Lisbeth
Lisbeth to Mario, 1959-1964
Other family members or friends
Mario to others, 1963
Others to Mario, 1908, 1940-1947, 1961
Stone, Mr. and Mrs. Samuel
Mario to Stone family, 1954-1957
Business Files, 1915-1997
ABC Concerts
Affiliated Musicians, Inc.
Agenzia International Concerti
American Music Edition
ASCAP
Correspondence, 1940-1995
Payment records, 1951-1967
Payment stubs, 1965-1996
Writer Performance Records, 1952, 1956-1958, 1963-1968
Associated Music Publishers
BBC
Becker / Fehr
Belwin Mills
Musicverlag Anton J. Benjamin
Bèrben
C.C. Birchard and Co.
Boosey and Hawkes
Bote and Bock
Bruzzichelli, Aldo
Cal Arts
Carrisch
Chanterelle
J. and W. Chester
Collins Jr., W. Ovid
Columbia Pictures
Crystal Records
Curci
Delkas
Editions Orphée
Elkan
EMI
Encore Consultants
Eschig
Carl Fischer
Forlivesi
Correspondence, 1949-1995
Financial documents, 1916-1976
Galaxy Music
Contracts, 1940-1955
Correspondence, 1940-1949
General Music
Mitchell Gertz
H. W. Gray
Hebrew Union College
Klauss Heymann
Leeds Music Co.
Lyra Music Co.
Edward B. Marks
McLaughlin and Reilly Co.
Mercury
Michigan State University
MGM
Mills Music, Inc.
Miscellaneous contracts
Monstrous Movie Music
Morini, Albert
Edwin H. Morris and Co.
Musikstrasse
Popular Pictures, Inc.
RAI (Radia Italiana)
Record companies
Ricordi
Contracts, 1940-1961
Correspondence, 1939-1997
Miscellany, 1947-1948
Rubinstein-Lambro
La Scala
G. Schirmer
Schott
Senart
Società italiana degli autori ed editori
Suvini Zerboni, Inc.
Tarpinian / Alexander Bronde / Israeli Music Publishing
Transcontinental Music
Twentieth Century Fox
Universal Edition
UPA Cartoons
Weaner-Levant
Photographs, circa 1900-1970s
before 1900 and 1900s
Mario Castelnuovo-Tedesco, undated
Noemi Castelnuovo-Tedesco, undated
Op. 181: The merchant of Venice, Act I
Op. 181: The merchant of Venice, Act II
Op. 181: The merchant of Venice, Act III
Unidentified, circa early 1900s
Unidentified and/or undated, 1952
Unidentified and/or undated
Programs, 1909-1995
Programs by date, 1909-1995
1990-1995, undated
Programs by performer or subject, 1929-1995
Behrend, Siegfried, 1955-1959, 1969-1980, undated
Centenial concerts, London and Florence, 1995, undated
Gieseking, Walter, 1954-1956, undated
Heifetz, Jascha, 1934, 1950-1955, 1970, undated
Mario Castelnuovo-Tedesco performances, 1929-1930, 1939
Principally with Madeleine Gray
Mario Castelnuovo-Tedesco performances, 1942-1962
Radio performances, 1954-1961, undated
Tonazzi, Bruno, 1952
Transcriptions, 1942-1954, undated
Reviews, 1914-1996
Works with opus number, 1915-1996
Op. 5: Fuori i barbari
Op. 7: Coplas
Op. 17: Cipressi
Op. 18: La sirenetta e il pesce turchino
Op. 30/1: Alt Wien
Op. 31: Concerto italiano
Op. 39: Bacco in Toscana
Op. 66: I profeti
Op. 81: Savonarola
Op. 92: Concerto for piano no. 2
Op. 99: Concerto for guitar and orchestra
Op. 104: Stars
Op. 116: Indian songs and dances
Op. 136: The Octoroon Ball
Op. 137: Naomi and Ruth
Op. 143: Guitar quintet
Op. 146: Concerto da Camera
Op. 158: Morning in Iowa
Op. 161: The Queen of Sheba
Op. 186: Vogelweide
Other reviews, 1914-1937
Kruceniski tour, 1915
Miscellaneous reviews, 1914-1926, 1937
Merchant of Venice Materials, 1954-1966
Campari Competition documents, undated
Clippings, 1958-1966
Correspondence, 1958-1966
Libretto, draft, 1954
Libretto, printed, undated
Programs and production materials, 1959-1966, undated
Biographical Materials, 1899-1977
Certificates and awards, 1944-1948, undated
Clippings, 1911-1961, undated
Date books, address books, passports, 1948-1966, undated
Description of home and list of possessions, 1945, undated
Emigration documents and correspondence, 1938-1939, undated
Expense books, 1944, 1966-1967, undated
Family estate documents, 1942-1953, undated
Financial documents, 1939-1941, 1951-1953, 1961-1964, 1977, undated
Funeral documents, 1968
Genealogy documents, 1938
Income tax returns, 1940-1954
Insurance policies and receipts, 1899-1936, undated
Letters to government officials, 1938-1942, undated
List of scores given to Roman Vlad, 1940
List of students, 1951-1964, undated
Marriage certificate [Mario and Clara Castelnuovo-Tedesco], 1929, 1939, 1947, undated
Military service documents, 1915-1918
Music education records and correspondence, 1906-1918
Music exam correspondence, 1922
Music school and student notebooks, undated
Naturalization papers, 1942-1946
Obituaries, 1968-1974, 1995, undated
Performance logs, 1939-1940
School records, 1906-1918
War ration books, undated
Film Music Materials, 1941-1959
The day of the fox [UPA, 1948]
Desire me [MGM, 1947]
Etiquette [undated]
The long wait [Parklane Pictures, 1954]
The loves of Carmen [Columbia, 1948]
Miscellany, 1941, 1958-1959
Secret command [Torneen, 1944]
Sergeant Mike [Columbia, 1944]
Strictly dishonorable [MGM, 1951]
Time out of mind [Universal, 1947]
Undercurrent [MGM, 1946]
Bound Materials Owned by Mario Castelnuovo-Tedesco, 1822-1965
Materials annotated by Mario Castelnuovo-Tedesco, 1822-1957
Canti populari toscani, ed. by Giuseppe Tigri. Florence : Barbèra, Bianchi e Co., 1860.
Euripides. The Trojan women, transl. by Gilbert Murray. Oxford : Blackwell's, 1925.
Hindemith, Paul. Traditional harmony. New York : Associated Music, 1944.
Holy Bible. New York : Oxford University Press, undated
Jiménez, Juan Ramón. Platero and I, transl. by Eloise Roach. Austin : University of Texas, 1957.
Nathan, Robert. Morning in Iowa. New York : A.A. Knopf, 1944.
Pentateuch with haftaroth and five megiloth, transl. by Alexander Harkavy. New York : Hebrew Publishing, undated
Redi, Francesco. Poesie toscane. Firenze : Leonardo Ciardetti, 1822.
Riemann, Ugo. Storia universale della musicirca Torino : Societa Tipografico, 1922.
Shakespeare, William. As you like it. New York : Bigelow Smith and Co., 1909.
Shakespeare, William. The merchant of Venice, ed. by A. W. Verity. Cambridge : University Press, 1951.
Shakespeare, William. The tempest, ed. by M. R. Ridley. New York : E.P. Dutton and Co., 1948.
Shakespeare, William. The Winter's tale, ed. by J. H. Lobban. Cambridge : University Press, 1950.
Shelley, Percey Bysshe. The Poetical works of Percy Bysshe Shelley, vol. 1. Introduction by A.H. Koszul. New York : E.P. Dutton and Co., 1917.
Vogelweide, Walter von der, Gedichte, ed. by Carl von Kraus. Wiesbade : Insel Verlag, 1947.
Vogelweide, Walther von der. Walter von der Vogelweide altdeutsch und übertragen von Walther Bulst. Berlin, Leipzig : Tempel Verlag, undated
Wilde, Oscar. The plays of Oscar Wilde. Introduction by Edgar Saltus. New York : Modern Library, [circa 1920].
Materials inscribed to Mario Castelnuovo-Tedesco, 1933-1965
Moldenhauer, Hans. Duo pianism. Chicago : Musical Press, 1950.
Piatigorsky, Gregor. Cellist. New York : Doubleday and Co, 1965.
Pirandello, Luigi. Maschere nude. [Italy], 1933.
Pizzetti, Ildebrando. Vanna lupa. Pescia : Benedetti, 1949.
Toch, Ernst. The shaping forces in music. New York : Criterion, 1948.
Vaere, Ulric de. The children of Dom Sierot. Opera libretto, typescript; 11 pp.
Scores by other composers, bound for Mario Castelnuovo-Tedesco, 1909, undated
Beethoven, Ludwig van. Sonaten für Pianoforte und Violoncello, ed. by Friedrich Grützmacher; and Sonaten für Pianoforte und Violine
Chopin, Frédéric. Oeuvres complètes. 3 vols. Bote and Bock.
Mozart, W. A. La clemenza di Tito, piano score, ed. by Gustav F. Kogel. Leipzig : Peters.
Mozart, W. A. Concertos de W. A. Mozart, arr. for piano by Hummel. Henry Litolff's Verlag; and Variationen für Pianoforte solo, ed. by Köhler/Ruthardt. Leipzig : Peters.
Mussorgsky, Modest. Boris Godunoff, nuova edizione, riveduta ritoccata e strumentata da N. Rimsky-Korsakoff, transl. by M. Delines et E. Palermi. Piano score. Moscow : Bessel and Co, 1909.
Schumann, Robert. Sämtliche Lieder, vol. I ed. by Max Friedlaender and II ed. by Alfred Dörffel, Leipzig : Peters.
Schumann, Robert. Werke für Pianoforte solo, ed. by Alred Dörffel. 5 vols.