Charlie Barnet Collection of Big Band Arrangements
Catalog Record: http://lccn.loc.gov/2006560668
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding aid encoded by Library of Congress Music Division, 2010
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Charlie Barnet Collection of Big Band Arrangements 1939-1949
Barnet, Charlie
Biographical History for: Charlie Barnet Collection of Big Band Arrangements 1939-1949
Biographical Note Charles Daly Barnet was born in New York City on October 26, 1913. His parents divorced when he was two, and he was raised in a well-to-do household with his mother and her parents. Barnet’s grandfather, Charles Frederick Daly, was a vice-president for the New York Central Railroad. He attended boarding schools in both New York and Chicago, learned to play the piano as a child, and at the age of eight or nine was given his first saxophone, which quickly became his instrument of choice. In 1929, he was able to put together a small band of musicians for an Atlantic crossing aboard the S.S. Republic, thus becoming a working musician and bandleader as a teenager. Charlie Barnet formed his first orchestra in 1933, disbanded it in 1937, and formed another band in 1938. Over the years, the size, make-up, and the names of Barnet’s bands changed with some regularity. Names of his groups include: Charlie Barnet All-Stars, The Charlie Barnet Septet, Charlie Barnet and the Skyliners, and The Charlie Barnet Quartet. It is with Charlie Barnet and His Orchestra (active from 1938 to Nov. 1949) that Barnet made a name for himself as bandleader and recording artist; and it is this ensemble that primarily is represented in this collection. Barnet was most popular between the years of 1939 and 1941. As a bandleader, Barnet was most inspired by Duke Ellington; and as a saxophone player he was most influenced by alto and soprano player Johnny Hodges, and tenor saxophonist Coleman Hawkins. Barnet is remembered as one of the first white bandleaders to integrate his band, a step variously reported as having begun sometime between 1935 and 1937. The band was also one of the few mostly-white bands to play at the Apollo Theater in Harlem. Among the black musicians he featured were Roy Eldridge, Charlie Shavers, Benny Carter, Frankie Newton, and vocalist Lena Horne. Other noted musicians who played with Barnet throughout his career include Buddy DeFranco, Neal Hefti, Barney Kessel, Dodo Marmarosa, Billy May, Oscar Pettiford, and, in later years, Maynard Ferguson, Doc Severinsen, and Clark Terry. Around 1947, Barnet’s musical style changed from swing to bebop. Among Barnet’s greatest hits were “Cherokee” (1939), which became his band’s signature tune, and “Skyliner” (1944), which Barnet also composed. Barnet retired from music in 1949, though he subsequently returned for various tours and gigs into the early 1970s. He worked at various careers after retirement, including as restaurateur in the 1950s. In 1984, Barnet published his memoir, Those Swinging Years: the Autobiography of Charlie Barnet (with Stanley Dance). Barnet married often, possibly between eight and eleven times. He was survived by Betty Thompson Barnet, his wife of thirty-three years, and a son from a previous marriage, Charles D. Barnet, Jr. Suffering from Alzheimer’s disease, Barnet died of pneumonia in San Diego on September 4, 1991.
Scope and Content Note The Charlie Barnet Collection of Big Band Arrangements is made up entirely of arrangements for approximately 650 songs and instrumental numbers used by Barnet and his band. The majority of these arrangements are represented by full scores, though thirty-seven are represented by parts only, and an additional thirty-one include both a full score and parts. Unless otherwise noted, everything listed is a full score. In a few instances, a score seems to fall somewhere between what would be identified as a full score and a short score (a score that combines, for instance, instrumental parts on one stave, and often includes no piano or rhythm part). Some songs are represented by more than one arrangement. There are twenty-two arrangements for medleys. Items in the collection are arranged alphabetically by title. Before the materials arrived at the Library, an inconsistent numbering system had been applied to each of the arrangements. It was determined that there was no useful reason for keeping materials in numeric order, however, the numbers have been recorded in the container list and are noted in parentheses beside the titles. Although most of the scores are undated, it is believed that the majority are from 1939 to 1949. A fire in October 1939 at the Palomar Ballroom in Hollywood resulted in the loss of the band’s arrangements. Evidently Count Basie supplied the band with a few of his arrangements (some by Skippy Martin), and it is possible that one or more of the Basie arrangements is included in this collection. At least one arrangement in the collection appears to date from 1938. There are also a handful of arrangements that may date from 1957 or 1958, and it is speculated that at least one may be from 1963. However, the majority of arrangements date roughly from the World War II period, and serve as a musical reflection of that period—referring directly or obliquely to patriotism, the home front, or the plight of those in the military. Such is the case with the songs “Anchors Aweigh,” “Comin’ in on a Wing and a Prayer,” “G. I. Jive,” “I’ll be seeing you,” “I’ll walk alone,” “One-A in the Army,” “They’re either too young or too old,” and “The Things we did last summer.” Among the songwriters who are particularly well-represented in this collection, with ten or more songs, are: Harold Arlen, Irving Berlin, Johnny Burke, Duke Ellington, Johnny Mercer, and Jimmy Van Heusen. While several of the scores clearly identify the arranger, many do not. We have made every effort to identify the arrangers by matching the handwriting from known arrangers to scores where no arranger is indicated. Researchers should be aware that some scores have been identified in this way. We were also guided by work previously done with the collection by Andrew Homzy of Concordia University. There are approximately fifty arrangers identified in this collection, including: Billy May with eighty-four arrangements; Andy Gibson with eighty-two; George Siravo with seventy-one; Conn Humphries with forty-nine; William Moore with forty-four; Dave Matthews with thirty-four; Skippy Martin with thirty-one; Neal Hefti with twenty; Ralph Burns with eighteen; Horace Henderson with fifteen; and Bobby Burnett with fourteen. Two different hands possibly have been identified as Charlie Barnet’s own: one hand is represented by thirteen arrangements; the other (identified as [2]) is represented by forty-two arrangements. Other arrangers who are credited include well known names such as Benny Carter, Abe Osser, and Eddie Stress. Several of the Conn Humphries arrangements incorrectly list his last name as “Humphreys” on the scores, but we have corrected and standardized the spelling in this finding aid. Every effort has been made to identify the songwriters, most of whom are not credited on the scores themselves. The primary resource for this information was The Great Song Thesaurus by Roger Lax and Frederick Smith (Oxford University Press, New York, 1984). Identifications are based primarily on titles and date ranges, and, as is the case with the arrangers, it should be understood that these attributions are provided as possibilities—particularly regarding some of the more obscure titles. Many of the arrangements feature vocalists, though rarely is a particular vocalist identified. Among the vocalists who are identified by name on some scores are Peanuts Holland, Phil Barton, Frances Wayne, and Kay Starr.
series
Music
Songs and instrumental music used by Charlie Barnet's ensembles. Includes arrangement number(s), songwriter(s) and arranger when known.
file
Ac-cent-tchu-ate the positive (no. 586)
Affection (no. 640)
Afraid to say hello (no. 240)
After awhile (no. 92)
After all/Chelsea Bridge/Warm valley ; Medley (no. 523)
Afternoon of a Moax/Un-4-4444 (no. 176)
Aint gonna strip (no. 291)
Ain't misbehavin' (no. 464)
All a-tremble (no. 56)
All alone (no. 133)
All I desire (no. 140)
All or nothing at all (no. 504)
All the things you are (vocal arr.) (no. 137)
All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368)
All the things you are ; Medley
All the things you are (no. 465)
All the things you are (no. 747)
All this and heaven too! (no. 149)
Includes parts, which are numbered both 149 and 196.
All through the day (no. 693)
Always (no. 414)
Always in my heart, (You are) (no. 415)
Amapola (no. 283)
Amapola (no. 316)
Vocal score and parts only (soloist and SSAA).
Anchors aweigh. see Marine's hymn, The ; Medley (no. 545)
And so do I (no. 173)
Includes parts, which are numbered both 173 and 204.
Andy Gump (no. 735)
Any old time (no. 621)
April in Paris. see Time on my hands ; Medley no. 1 (no. 372)
Are these really mine. see Some Sunday morning ; Medley (no. 658)
Army Air Corps song. see Marine's hymn, The ; Medley (no. 545)
Arthur Murray taught me dancing in a hurry (no. 392)
As long as I live (no. 233)
As long as I live (no. 746)
As time goes by (no. 489)
At a Dixie roadside diner (no. 209)
At long last love/Dancing in the dark ; Medley (no. 131)
Autumn nocturne (no. 369)
Baa baa black sheep (no. 281)
Baby, won't you please come home (no. 553)
Back home (no. 506)
Back in your own back yard (no. 623)
Bakiff (no. 552)
Barcarolle (no. 284)
Barnet breakdown (no. 737)
Be-baba-leba (no. 650)
Be-bop bounce, The (no. 728 B)
Be careful, it's my heart (no. 448)
Be fair (no. 310)
Before. see Time on my hands/Before/How high the moon ; Medley (no. 524)
Belgian stomp. see Dutch kitchen stomp/Belgian stomp (no. 326)
Best man, The (no. 706)
Between 18th and 19th on Chestnut Street (no. 142)
Between the devil and deep blue sea (no. 200)
Between the devil and deep blue sea (no. 469)
Birmingham breakdown (no. 265)
Black butterfly (no. 508)
Blossoms of Tahni (no. 335)
Blue champagne (no. 689)
Blue Lou (no. 468)
Blue moon (no. 107)
Blue moon (no. 450)
Blue moon. see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374)
Blue prelude (no. 716)
Blue skies (no. 561)
Blues original (no. 722)
Body and soul (no. 95)
Body and soul (no. 463)
Body and soul (no. 505)
Breakdown (no. 43)
Breeze and I, The (no. 179)
Breeze and I, The. see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150)
Broome Street rag (no. 507)
Buddy's chick (no. 702)
Bugle call rag (no. 355)
Bullfrog (no. 256)
Bunny (no. 700)
Busy as a bee (no. 106)
But never like this (no. 509)
Cabin in the sky (no. 473)
Caissons go rolling along. see Marine's hymn, The/The Caissons go rolling along/Anchors aweigh/The Army Air Corps song ; Medley (no. 545)
Caldonia (what makes your big head so hard) (no. 624)
Call me darling (no. 188A)
Can I help it (no. 164)
Caravan (no. 510)
Careless (no. 108)
Castle of dreams (no. 063)
Charge at large (Portrait of a Moax) (no. 672)
Charleston Alley (no. 673)
Cheatin' on me (no. 360)
Cheatin' on me (no. 411)
Cheek to cheek (no. 447)
Chelsea Bridge. see After all/Chelsea Bridge/Warm valley ; Medley (no. 523)
Cherokee (no. 475)
Cherokee (unnumbered and no. 726)
Cherry (no. 242)
Cherry (no. 538a)
Choo choo (no. 416)
Christmas song, The (no. 708B)
Clap hands, here comes Charlie (no. 55)
Coffee time (no. 674)
College friendships (no. 257)
Comanche war dance (no. 159)
Come out, come out (no. 588)
Come rain or come shine (no. 703)
Come to the Mardi Gras (Näo tenho lagrimas) (no. 738)
Comin' in on a wing and a prayer (no. 491)
Consider yourself kissed (no. 308)
Cotton tail (no. 511)
Countin' the days (no. 625)
Crazy rhythm (no. 606)
Crimson tide (no. 258)
Dancing in the dark. see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368)
Dancing in the dark. see At long last love/Dancing in the dark; Medley (no. 131)
Danger in the dark (no. 14)
Danny boy (no. 248)
Dardenalla (no. 91)
Dark avenue (no. 177)
Darn that dream (no. 112)
Day by day (no. 675)
Dear old southland (no. 207)
Dear old southland/Deep river (no. 250)
Dearest darling. see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661)
Dearly beloved (no. 453)
‘Deed I do (no. 70)
Deep purple (no. 30)
Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375)
Deep river. see Dear old southland/Deep river (no. 250)
Desert sands (no. 607)
Design for the sad (no. 93)
Devil may care (no. 116)
Devil may care (no. 201)
Do I love you? (no. 160)
Do I worry (no. 262)
Do nothin' till you hear from me (no. 515)
Do you know [in F] (no. 512)
Do you know [in B-flat] (no. 513)
Do you love me (no. 677)
Don't blame me (no. 514)
Don't fence me in (no. 590B)
Don't you remember me (no. 676)
Down Argentine way (no. 110/189)
Dream (no. 589)
Dream of you (no. 320)
Dreamer, The (no. 537)
Drop me off in Harlem (no. 276)
Drop me off in Harlem (no. 562)
Dukin the Duke (no. 730)
Durango (no. 879)
Dutch kitchen stomp/Belgian stomp (no. 326)
East of the sun and west of the moon. see Once in a while - medley (no. 210) [with “East of the sun and west of the moon”]
Easy does it (no. 145)
Easy listenin'/Ode to a wood nymph (no. 718)
Easy street (no. 336)
Easy to love, (You'd be so) (no. 502)
Ebony rhapsody (no. 31)
Ebony rhapsody (no. 49)
Ebony rhapsody (no. 16/483)
Ebony rhapsody (no. 488)
Echoes of Harlem (no. S-370)
Eleven-sixty p.m./11:60 p.m. (no. 651)
Eli Eli (no. 143)
Embraceable you (no. 325)
Every night about this time (no. 444)
Everybody knew but me (no. 678)
Everybody's riff (no. 725C)
Everything but you (no. 652)
Everything happens to me (no. 264B)
Everything I love (no. 381)
Exactly like you (no. 547/547a)
Fable of the rose (no. 114)
Faithful forever (no. 104)
Fellow on a furlough (no. 608)
Fifty million nickels (no. S-379)
Fine and mellow (no. 292)
[Five] 5 o'clock whistle. see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214)
Flo-Flo (no. 494)
Flying home (no. 264)
Fools fall in love (no. 118)
Fools rush in (no. 117)
For dancers only (no. 67)
For sentimental reasons, (I love you) (no. 709)
For want of a star (no. 296)
Friend of yours, A (no. 649)
Frim fram sauce (no. 690)
From another world (no. 162)
G.I. Jive (no. 579)
Gershwin medley (no. 376)
Give me the simple life/More than yesterday (no. 660)
Going going got! (no. 334)
Going home (no. 493a)
Going my way (no. 571)
Good for nothing (no. 40)
Good for nothin' Joe (no. 198)
Good night, sweetheart. see Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380)
Goodnite ladies (no. 245)
Gotta be this or that (no. 669)
Great Lee, The (no. 476)
Gulf Coast blues (no. 691)
Habanera (Spanish kick) (no. 286)
Hallelujah (no. 417)
Happiness is (just) a thing called Joe (no. 459)
Happy about the whole thing (no. 37)
Harlem stomp (no. 68)
Harmony haven (no. 197)
Haunted town, A (no. 244)
He's home (no. 590)
He's my guy (no. 442)
Heartaches (no. 734)
Heaven can wait (no. 45)
Hello baby [blues] (Oblee-eee-bop) (no. 594)
Hello ma (no. 271)
Hello ma (no. 307)
Hello ma (no. 363)
Here comes the captain and his men (no. 227)
High on a windy hill (no. 273)
High on a windy hilll (no. 274)
Honeysuckle Rose (no. 471)
Hour never passes, An (no. 587)
How bout that mess (no. 406)
How high the moon. see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150)
How high the moon. see Time on my hands/Before/How high the moon; Medley (no. 524)
Huckle-buck (no. 911)
I ain't got nothin but blues (no. 634a)
I can't begin to tell you. see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661)
I can't get started (no. 351)
I can't get started (no. 609)
I can't give you anything but love (no. 626)
I cling to you (no. 135)
I concentrate on you (no. 163)
I couldn't sleep a wink last week (no. 580)
I cried for you. see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373)
I don't know what time it was (no. 54)
I don't know enough about you (no. 679)
I don't know why (no. 717)
I don't stand a ghost of a chance/You're mine you ; Medley (no. 243)
I don't stand a ghost of a chance (no. 410)
I don't want anybody at all (no. 437)
I don't want to be alone (no. 551)
I don't want to cry anymore (no. 97)
I don't want to set the world on fire (no. 354)
I dream I kiss your hand madame (no. 81)
I dream of you (no. 591)
I found a million dollar baby in a five and ten cent store (no. 306)
I found a new baby (no. 321)
I found a new baby (no. 560)
I found you in the rain (no. 370)
I get a kick out ... . see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368)
I get along without you very well (no. 44)
I give you my word (no. 260)
I got it bad and that ain't good (no. 368a)
I got it bad and that ain't good (no. 477)
I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659)
I have eyes (no. 32)
I hear a rhapsody (no. 232)
I hear music (no. 175)
Includes parts, which are numbered both 175 and 198.
I heard you cried last night (no. 516)
I kinda like you (no. 109)
I know why (no. 383)
I left my heart at the stage door canteen (no. 445)
I look at you (no. 187)
I lost my sugar in Salt Lake City (no. 532)
I love you - that is (no. 680)
I may be wrong, but I think you're wonderful (no. 467)
I may be wrong dear, but something (no. 199)
I never knew heaven could speak (no. 24)
I never knew I could love anybody (no. 313)
I never knew I could love anybody honey like I’m lovin’ you (no. 309)
I reach too high (no. 234)
I remember you (no. 412)
I surrender dear (no. 462)
I surrender dear (Surrender medley) (no. 705)
I thought about you (no. 155)
I understand (no. 287)
I wish I knew (no. 627)
I won't believe it (no. 47)
I'd know you anywhere (no. 216)
If I had a dozen hearts (no. 654)
If I loved you (no. 641)
If you please (no. 519)
I'll be around (no. 585)
I'll be seeing you (no. 570)
I'll buy that dream (no. 642)
I'll get by (no. 572)
I'll never let a day pass by (no. 305)
I'll remember April (no. 346)
Parts only. Incomplete: conductor and strings only.
I'll remember April (no. 566)
I'll walk alone (no. 568)
I'm beginning to see the light (no. 653)
I'm comin' Virginia (no. 333)
I'm in love with a married man (no. 517)
I'm just a lucky so and so (no. 681)
I'm lost (no. 610)
I'm prayin' humble (no. 84)
I'm yours (no. 460)
Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150)
Imagination (no. 158)
Imagination (no. 592)
In a mizz (no. 33)
In love in vain (no. 692)
In memory of (no. 342)
In the blue of evening (no. 495)
Indian summer (no. 156)
Intermezzo (no. 278)
Intermezzo. see Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375)
Into each life some rain must fall (no. 611)
Introduction for “Bandleaders”, New (no. 548)
Is you is or is you ain’t ma baby (no. 568B)
Isle of May (no. 60)
Includes parts, which are numbered both 60 and 169.
Isle of Pines (no. 345)
It ain't necessarily so. see Gershwin medley (no. 376)
It all comes back to me now (no. 261)
It can't be wrong (no. 498)
It could happen to you (no. 569)
It could happen to you. see Phil's medley (no. 614)
It had to be you (no. 518)
It must be love (no. 297)
It started all over again (no. 454)
It started all over again (no. 474)
It's a blue world (no. 103)
It's a wonderful world (no. 169)
It's always you (no. 293)
It's always you (no. 520)
It's love, love, love (no. 581)
It's so peaceful in the country (no. 330)
It's the last time (no. 151)
I've got a gal in Kalamazoo (no. 486)
I've had that feeling before (no. 542)
I've heard that song before (no. 458)
I've heard that song before (no. 472)
I've never forgotten (no. 688)
Jeep is jumpin', The (no. 556)
Jenks' special (no. 713)
Jersey bounce (no. 418)
Julia (no. 356)
Jump session (no. 35)
Jumpin' punpkins (no. 521)
Just a little bit south of North Carolina (no. 282)
Just squeeze me (no. 704)
Just what were you doing tonight (no. 332)
Just you, just me (no. 612)
Keep an eye on your heart (no. 228)
Keep the home fires burning (no. 419)
Keepin' out of mischief now (no. 470)
Kid named Joe (no. 87)
Kiss and sigh (no. 39)
Lady of my dreams
Lady's in love with you, The (no. 88)
Lament for May, Theme (part of) (no. 153)
Last night and now tonight (no. 643)
Last night's gardenias (no. 65)
Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661)
Laughing on the outside (no. 719)
Laura (no. 628)
Lazy bug (no. 29)
Lazy like anything (no. 584)
Leanin' on the old top rail (no. 167)
Let's do it (no. 294)
Let's get away from it all (no. 277)
Let's go home (no. 420)
Lilacs [in the rain] (no. 53)
Lilly Belle (no. 556)
Little dip (no. 269)
Lois (no. 298)
Lois (no. 362)
Lonesome as the night is long (no. 695)
Lonesome road. see I surrender dear (Surrender medley) (no. 705)
Looking for yesterday (no. 108/189)
Louise (no. 312)
Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380)
Love me. see Some Sunday morning; Medley (no. 658)
Lover come back to me (no. 720)
Love is blue, A (no. 109/319)
Lover's lullaby (no. 71)
Macumba (no. 347)
Madame Butterball (no. 657)
Madame La Zonga (no. 140)
Make believe island (no. 141)
Makin' whoopee (no. 323)
Malta (no. 925)
Mama yo quiero (no. 275)
Man I love, The (no. 166)
Man I love, The (no. 439)
Man I love, The (no. 546)
Man I love, The. see Gershwin medley (no. 376)
Managua Nicaragua (no. 739/802)
Manhattan serenade (no. 441)
March of triumph (no. 259)
Margie (no. 497)
Margie (no. 707)
Marine's hymn, The/The Caissons go rolling along/Anchors aweigh/The Army Air Corps songs ; Medley (no. 545)
Meadowlands (no. 725a)
Medley (no. 131). see At long last love/Dancing in the dark ; Medley (no. 131)
Medley (no. 214). see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214)
Medley (no. 368). see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368)
Medley no. 1 (no. 372). see Time on my hands ; Medley no. 1 (no. 372)
Medley (no. 373). see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373)
Medley (no. 374). see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374)
Medley (no. 523). see After all/Chelsea Bridge/Warm valley ; Medley (no. 523)
Medley (no. 524). see Time on my hands/Before/How high the moon ; Medley (no. 524)
Medley (no. 545). see Marine's hymn, The ; Medley (no. 545)
Medley (no. 658). see Some Sunday morning ; Medley (no. 658)
Medley (no. 659). see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659)
Medley (no. 661). see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661)
Memoire, La (no. 253)
Memories of you (no. 57)
Midnight in Sleepy Hollow (no. 322)
Midnight stroll (no. 451)
Midsummer matinee (no. 438)
Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214)
Million dreams ago, A (no. 214B)
Mood indigo (no. 217)
Moon is a silver dollar (no. 36)
More and more (no. 593)
More I see you, The (no. 603)
More than yesterday. see Give me the simple life/More than yesterday (no. 660)
More than you know (no. 80)
Mother fuzzy (no. 493B)
Murder at Peyton Hall (no. S-369B)
My blue heaven (no. 188B)
My blue heaven (no. 461)
My buddy. see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373)
My devotion (no. 449)
My first love (no. 522)
My heart isn't it (no. 420B)
My heart isn't it (no. 557)
My heart keeps crying (no. 99)
My ideal (no. 525)
My! My! (no. 115)
My old Kentucky home (no. 252)
My prayer (no. 52)
My reverie. see Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375)
My sister and I (no. 288)
My sister and I (no. 299)
My sister and I (no. 361)
Nancy ; Medley (no. 662)
Näo tenho lagrimas. see Come to the Mardi Gras (Näo tenho lagrimas) (no. 738)
Nearness of you, The (no. 101)
Never too late to pray (no. 666)
Never took a lesson (no. 102)
New moon and an old serenade, A (no. 48)
Night after night after you (no. 170)
Night and day (no. 384)
Night and day (no. 629)
Night and day (no. 708A)
Night of nights (no. 386)
No love, no nothing (no. 563)
Nobody (no. 191)
Not mine (no. 413)
Now you know (no. 147)
Nowhere (no. 196)
Oasia (no. 223)
Ode to a wood nymph. see Easy listenin'/Ode to a wood nymph (no. 718)
Oh! Brother (no. 663)
Oh Johnny (no. 171)
Oh look at me now (no. 280)
Oh Miss Jackson (no. 436)
Oh what it seemed to be (no. 682)
Ol' man river (no. 194)
On a simmery summery day (no. 202)
On the Atchison, Topeka and the Santa Fe (no. 622)
On the sunny side of the street (no. 466)
Once in a while (no. 121)
Short score for trumpets & trombone accompaniment only.
Once in a while - medley (no. 210) [with “East of the sun and west of the moon”]
Once in a while/Blue moon/Penthouse serenade; Medley (no. 374)
One-A in th army (no. 382)
One dozen roses (no. 456)
One for my baby (no. 527)
One for my baby (no. 528)
One way passage (no. 696)
Only a rose (no. 123)
Only forever (no. 213)
Ooh! What you said (no. 79)
Open her (no. 630)
Open the door, Richard (no. 711)
Opening (Strand) (no. 440)
Opening (no. 481)
Opening (no. 540)
Opening (no. 549)
Orchids of remembrance (no. 204)
Original (no. 526)
Original (nos. 631 & 632)
Original C.B. (no. 582)
Out on a limb (You've got me) (no. 59)
Pavanne (no. 130)
Peaceful valley (no. 174)
Penthouse (no. 83)
Penthouse serenade. see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374)
People will say we're in love (no. 529)
Phil's medley (no. 614)
Pigtails in her hair (no. 100)
Pistol packin' mama (no. 544)
Please don't talk about me when I'm gone (no. 595)
Please take a letter Miss Brown (no. 205)
Plowin' (no. 295)
Poinciana (no. 503)
Polka dots and moonbeams (no. 94)
Poor little rich girl (no. 615)
Porky (no. 408)
Portrait of a Moax. see Charge at large (Portrait of a Moax) (no. 672)
Pretending (no. 710)
Pretty girl is like a melody, A
Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373)
Put that kiss back where you found it (no. 698)
Quartermaster's song (no. 407)
Raffles (no. 723)
Rain-check (no. 490)
Reverie of the moax (no. 172)
Rhumboogie (no. 193)
Right kind of love, The (no. 499)
Right kind of love, The (no. 535)
Ring dem bells (no. 126)
River home (no. 208)
Robin Hood (no. 596)
Rose room (no. 337)
Rum and Pepsi Cola [sic] (no. 597)
Saltin' my sweet dreams (no. 554)
Santa Fe trail (no. 231)
Saturday night is the loneliest night of the week (no. 633)
Savin' myself for Bill (no. 485)
Say it (no. 136)
Say “si si” (no. 61)
Sazarac (no. 237)
Scotch and soda (no. 134)
Scram (no. 192)
Scratch (no. 230)
Scrub me mama (no. 221)
Sentimental journey (no. 634B)
Sentimental lady (no. 533)
Sergeant and the moax, The (no. 125)
Seven-twenty in the books (no. 161)
Shadrack (no. 236)
Shake down the stars (no. 77)
Shalimar (no. 132)
Sharecroppin' blues (no. 558)
She's funny that way (no. 745)
Shoo-shoo baby (no. 550)
Shut eye (no. 38)
Siboney (no. 239)
Siboney (no. 314)
Sidewalks of New York, The (no. 728A)
Singapore (no. 146)
Sittin' and a-rockin' (no. 683)
Skylark (no. 425)
Skyliner
Parts only: Includes violin parts, trumpet part only.
Skyliner (no. 501)
Sleepy lagoon (no. 426)
Sleigh ride in July (no. 598)
Slow fizz (no. 268)
Slowly (no. 664)
Smoke gets in your eyes (no. 89)
Smooth sailing (no. 427)
Snoqualimie Jo Jo (no. 578)
So far so good (no. 74)
So help me (no. 740)
So would I (no. 701)
Soft winds (no. 58)
Sola bella (no. 235)
Solid jive (no. 452)
Solitude (no. 212)
Some more jive (no. 665)
Some Sunday morning/Are these really mine/Love me ; Medley (no. 658)
Somebody told me (no. 110)
Something sentimental. see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659)
Sorry (no. 75)
Southern fried (no. 391)
Southern fried (no. 482)
Speaking of heaven (no. 50)
St. Louis blues (no. 357)
Stage medley (no. 150). see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150)
Star eyes (no. 530)
Stardust (no. 315)
Stardust (no. 328)
Stardust (no. 599)
Starlit hour (no. 64)
Stompin' at the Savoy (no. 366)
Story of a starry nite (no. 390)
Story of two cigarettes (no. 600)
Straighten up and fly right (no. 583)
Strange enchantment (no. 34)
Stranger in town, A (no. 635)
Summertime (no. 183)
Summertime (no. 338)
Summertime (no. 339)
Summertime (no. 428)
Summertime. see Gershwin medley (no. 376)
Sunday afternoon (no. 152)
Sunday, Monday or always (no. 531)
Sunset at sea (no. 218)
Surprise party (no. 645)
Swan song, The (no. 329)
Sweet and lovely (no. 601)
Sweet Lorraine (no. 98)
Sweet Lorraine (no. 744)
Sweet Sue (no. 348)
Swingin' on nothin' (no. 324)
T-4 me (no. 668)
Taboo (no. 699)
Take me (no. 443)
Take the “A” train (no. 617)
Taking a chance on love (no. 457)
Tangerine (no. 435B)
Tangleweed (no. 178)
Tea for two (no. 536)
Tea for two (no. 564)
Tell it to a star (no. 646)
Temptation. see Time on my hands ; Medley no. 1 (no. 372)
Tess's torch song (no. 577)
Thank your stars (no. 69)
That little dream got nowhere (no. 729)
That old black magic (no. 435A)
That's for me (no. 124)
There goes that song again (no. 602)
There I go (no. 246)
There I've said it again (no. 636)
There'll be some changes made (no. 266)
There's no you (no. 637)
They're either too young or too old (no. 534)
Things I love, The (no. 289)
Things we did last summer, The (no. 727)
This changing world (no. 182)
Includes separate part for Barnet, not included in the score.
This is no laughing matter (no. 393)
This is our dance (no. 211)
This is the night (no. 714)
This night (no. 46)
Three little words (no. 220)
Till the end of time (no. 647)
Time on my hands (no. 129)
Time on my hands/April in Paris/Temptation ; Medley no. 1 (no. 372)
Time on my hands/Before/How high the moon ; Medley (no. 524)
Time waits for no one. see Phil's medley (no. 614)
Tin roof blues (no. 41)
To a wild rose (no. 249)
Toe jam (no. 455)
Tommy Pederson trb. solo (no. 926)
Tomorrow night (no. 51)
Tonight. see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214)
Too romantic (no. 165)
Trolley song, The (no. 604)
Troubled waters (no. 430)
Trumpet in spades (no. 86)
Trumpet typhoon (no. 144)
Tune no. 1 (no. 543)
Two dreams met (no. 215)
Until the real thing comes along (no. 409)
Uptown blues (no. 82)
Very thought of you, The (no. 605)
Very thought of you, The. see Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380)
Virgen de la Macarena, La (no. 544)
Walin' and swingin' (no. 694)
Walter Winchell rhumba (no. 721)
Warm valley. see After all/Chelsea Bridge/Warm valley ; Medley (no. 523)
Wasn't it you (no. 311)
Well all rite then! (no. 18)
We'll be together again. see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659)
We'll meet again (no. 484)
West end blues (no. 620)
Wham (rebop, boom, bam) (no. 92)
What's new (no. 148)
What's the matter with me (no. 76)
When the one you love (simply won't love back) (no. 670)
When the spirit moves me (no. 119)
Includes alto part only, also numbered 191.
When the sun comes out (no. 300)
When you awake (no. 685)
When you wish upon a star (no. 78)
When you wish upon a star (no. 154)
When you're with me (no. 290)
Where can she be (no. 42)
Where do you keep your heart? (no. 157)
Where or when (no. 431)
Where or when (no. 567)
Where was I (no. 138)
Whispering grass (no. 219)
White Christmas (no. 686)
Who wouldn't love you (no. 432)
Wind and rain in your hair (no. 62)
Without you (no. 712)
Wosie Posie (no. 741)
Wrap up your troubles in dreams (no. 638)
Xango (chongo) (no. 648)
Ya lu blu (no. 377)
Yalta (no. 671)
Yeah man (no. 302)
Yes indeed (no. 359)
Yesterdays (no. 618)
Yodelin' jive (no. 111)
You always hurt the one you love (no. 619)
You and who else? (no. 139)
You are in my heart to stay (no. 480)
You can depend on me (no. 565)
You can't brush me off (no. 203)
You forgot about me (no. 263)
You keep coming back like a song (no. 731)
You may not love me (no. 697)
You started something (no. 303)
You think of everything (no. 96)
You walk by (no. 201A)
You was right baby (no. 639)
You were there (no. 341)
You won't be satisfied (no. 684)
You, you darling (no. 66)
You'll never know (no. 500)
You'll never know (no. 538)
Your feets too big (no. 206)
You're dangerous (no. 301)
You're in love with me (no. 433)
You're lonely and I'm lonely too
You're mine you. see I don't stand a ghost of a chance/You're mine you ; Medley (no. 243)
You're my thrill (no. 229)
You've got me voodoo'd (no. 168)
Z (no. 434)
[Unidentified] (nos. 89 & 222)
[Unidentified] (no. 317)
[Unidentified] (no. 496)
[Unidentified] (no. 539)
[Unidentified] (no. 724)
[Unidentified]