Artur Schnabel Collection
type: FindingAid
type: Document
description: Catalog Record: http://lccn.loc.gov/2011570507
conforms to: General International Standard for Archival Description
publisher: Music Division Library of Congress Washington, D.C.
encoded as: Artur Schnabel Collection
topic: Artur Schnabel Collection 1899-1950
subject: Artur Schnabel Collection 1899-1950
has part: Biographical History for: Artur Schnabel Collection 1899-1950
topic: Manuscript Music Scores, 1899-1950
subject: Manuscript Music Scores, 1899-1950
topic: One copy of the inventory/finding aid of the contents of this collection
subject: One copy of the inventory/finding aid of the contents of this collection
topic: Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
subject: Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
topic: Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
subject: Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
topic: Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
subject: Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
topic: Diabolique. Capriccio, for piano solo, 1949
subject: Diabolique. Capriccio, for piano solo, 1949
topic: Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
subject: Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
topic: Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
subject: Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
topic: Douce tristesse, for piano solo, undated
subject: Douce tristesse, for piano solo, undated
topic: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
subject: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
topic: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
subject: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
topic: Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
subject: Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
topic: Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
subject: Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
topic: Klavierstück 1937, for piano solo, 1936-1937
subject: Klavierstück 1937, for piano solo, 1936-1937
topic: 3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
subject: 3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
topic: Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
subject: Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
topic: Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
subject: Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
topic: Quartet no. 3, for strings, 1922
subject: Quartet no. 3, for strings, 1922
topic: Quartet no. 4, for strings, 1930
subject: Quartet no. 4, for strings, 1930
topic: Quartet no. 5, for strings, 1940
subject: Quartet no. 5, for strings, 1940
topic: Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
subject: Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
topic: Sonata, for violin and piano, 1935
subject: Sonata, for violin and piano, 1935
topic: Sonata, for violoncello solo, 1931
subject: Sonata, for violoncello solo, 1931
topic: Symphony no. 1, for orchestra: movements I and II, 1939
subject: Symphony no. 1, for orchestra: movements I and II, 1939
topic: Symphony no. 1, for orchestra: movements III and IV, 1939
subject: Symphony no. 1, for orchestra: movements III and IV, 1939
topic: Symphony no. 1, for orchestra, 1942
subject: Symphony no. 1, for orchestra, 1942
topic: Symphony no. 1, for orchestra
subject: Symphony no. 1, for orchestra
topic: Symphony no. 2, for orchestra: movement I, 1943
subject: Symphony no. 2, for orchestra: movement I, 1943
topic: Symphony no. 2, for orchestra: movement II, 1943
subject: Symphony no. 2, for orchestra: movement II, 1943
topic: Symphony no. 2, for orchestra: movements III and IV, undated
subject: Symphony no. 2, for orchestra: movements III and IV, undated
topic: Symphony no. 2, for orchestra, 1942
subject: Symphony no. 2, for orchestra, 1942
topic: Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
subject: Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
topic: Symphony no. 3, for orchestra: movement II (“Dance”), 1949
subject: Symphony no. 3, for orchestra: movement II (“Dance”), 1949
topic: Symphony no. 3, for orchestra: movement III, 1949
subject: Symphony no. 3, for orchestra: movement III, 1949
topic: Symphony no. 3, for orchestra, 1948
subject: Symphony no. 3, for orchestra, 1948

General International Standard for Archival Description
type: Standard

Music Division Library of Congress Washington, D.C.
type: Repository
type: Organization
type: Agent
country code: US
maintenance agency code: US-DLC
is publisher of: Artur Schnabel Collection
administers: Music Division Library of Congress Washington, D.C.
provides access to: Artur Schnabel Collection 1899-1950
provides access to: Manuscript Music Scores, 1899-1950
provides access to: One copy of the inventory/finding aid of the contents of this collection
provides access to: Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
provides access to: Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
provides access to: Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
provides access to: Diabolique. Capriccio, for piano solo, 1949
provides access to: Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
provides access to: Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
provides access to: Douce tristesse, for piano solo, undated
provides access to: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
provides access to: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
provides access to: Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
provides access to: Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
provides access to: Klavierstück 1937, for piano solo, 1936-1937
provides access to: 3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
provides access to: Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
provides access to: Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
provides access to: Quartet no. 3, for strings, 1922
provides access to: Quartet no. 4, for strings, 1930
provides access to: Quartet no. 5, for strings, 1940
provides access to: Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
provides access to: Sonata, for violin and piano, 1935
provides access to: Sonata, for violoncello solo, 1931
provides access to: Symphony no. 1, for orchestra: movements I and II, 1939
provides access to: Symphony no. 1, for orchestra: movements III and IV, 1939
provides access to: Symphony no. 1, for orchestra, 1942
provides access to: Symphony no. 1, for orchestra
provides access to: Symphony no. 2, for orchestra: movement I, 1943
provides access to: Symphony no. 2, for orchestra: movement II, 1943
provides access to: Symphony no. 2, for orchestra: movements III and IV, undated
provides access to: Symphony no. 2, for orchestra, 1942
provides access to: Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
provides access to: Symphony no. 3, for orchestra: movement II (“Dance”), 1949
provides access to: Symphony no. 3, for orchestra: movement III, 1949
provides access to: Symphony no. 3, for orchestra, 1948
provides access to: Tanzlied, op. 11, no. 10, for voice and piano (Otto Julius Bierbaum), 1901
provides access to: Tanzsuite [Erste Rast (Werbung). Walzer (Fühlung). Zeeite Rast (Schwebung). Auf Morgen (Bekräftizung)], for piano solo, 1921
provides access to: Das Veilchen an den spanischen Flieder, op. 11, no. 9, for voice and piano (Harms Sachs), 1899
provides access to: Waldnacht, op. 11, no. 8, for voice and piano (Richard Dehmel), 1901
provides access to: Waldnacht, op. 11, no. 8, for voice and piano (Richard Dehmel), undated
provides access to: Annotated Material
provides access to: Beethoven, Ludwig van. Sonatas, for piano solo. Leipzig: Breitkopf & Härtel, n.d.
provides access to: Performance notes related to Schnabel’s Beethoven Sonata edition (above, laid in Box 3/Folder 4), and laid in with the above
provides access to: Original cardboard folder in which the above material (Box 3/Folders 5 and 6) was contained

Music Division Library of Congress Washington, D.C.
type: SpatialThing
is administered by: Music Division Library of Congress Washington, D.C.

Artur Schnabel Collection
type: EAD
type: Document
description: Finding aid encoded by Library of Congress Music Division, 2011
created: 2011
conforms to: Encoded Archival Description
conforms to: Encoded Archival Description (EAD) Version 2002
encoding of: Artur Schnabel Collection

Encoded Archival Description
type: Standard

Encoded Archival Description (EAD) Version 2002
type: Standard

Artur Schnabel Collection 1899-1950
type: ArchivalResource
access provided by: Music Division Library of Congress Washington, D.C.
level: collection
extent: 146 items
extent: 4 containers
extent: 3.0 linear feet
language: ger
language: eng
language: fre
origination: Schnabel, Artur, 1882-1951
has biographical history: Biographical History for: Artur Schnabel Collection 1899-1950
scopecontent: Scope and Content Note The Artur Schnabel Collection primarily consists of music manuscript scores of Schnabel’s compositions. These thirty-seven manuscripts are all, with the exception of a single score in a copyist’s hand (for the song "Dieses ist ein rechter Morgen," op. 11, no. 5), in Schnabel’s hand, and represent his compositional essays in a variety of genres, from solo song (voice and piano) to symphonic works. In addition, the collection contains holograph manuscript scores of each of Schnabel’s three symphonies. The collection also includes an early published edition (Leipzig: Breitkopf und Härtel; undated) of Ludwig van Beethoven’s sonatas for solo piano, containing copious annotations in Schnabel’s hand, and on which he apparently based his renowned 1935 edition of these works. Over one hundred additional pages of notes relating to these works are also held in this collection. Kevin LaVine, May 2006
other finding aids: http://lccn.loc.gov/2011570507
type: Aggregation
type: Collection
has part: Manuscript Music Scores, 1899-1950
aggregates: Manuscript Music Scores, 1899-1950
has part: Annotated Material
aggregates: Annotated Material

collection
type: Level
type: Concept

146 items
type: Extent
item: 146
label: 4 containers
label: 3.0 linear feet

Schnabel, Artur, 1882-1951
type: Agent
is origination of: Artur Schnabel Collection 1899-1950

Biographical History for: Artur Schnabel Collection 1899-1950
type: BiographicalHistory
type: Document
type: DocumentPart
body: Biographical Note Artur Schnabel was one of the greatest pianists and pedagogues in the history of musical performance. As a performer, Schnabel eschewed virtuosity in favor of musicianship – indeed, he considered himself a musician foremost, and the piano simply his creative medium – and his sound recordings consistently demonstrate interpretations of sensitivity, commitment, and distinction. He was one of the first pianists to champion new and unfamiliar repertoire (such as the piano sonatas of Franz Schubert), and the first pianist to record the complete sonatas and concerti of Ludwig van Beethoven. As a pedagogue, Schnabel is probably best known for his meticulously annotated performing edition of Beethoven’s piano sonatas, through which countless pianists were introduced to these foundations of the piano repertoire; this edition is in common use even today. Lesser known are Schnabel’s original musical compositions – his uncompromising atonal musical language continues to pose formidable challenges to performers, conductors and listeners – and his contribution to musical scholarship through his autobiography (My Life and Music, 1961), his two books on the role of music in the twentieth century (Reflections on Music, 1934 and Music and the Line of Most Resistance, 1942), and through the several articles he contributed to musical journals throughout his life. Date Event 1882, April 17 Born, Lipnik, Carpathia, Austria 1888 Began piano studies with Hans Schmitt 1889 or 1890 Gave first public concert in Vienna 1891 Began piano studies with Leschetitzky in Vienna 1896 Won prizes for three of his works for solo piano in composition competition organized by Leschetitzky 1897 Graduated from Leschetitzky’s class; received first prize 1898 Moved to Berlin to begin his professional career Met contralto Therese Behr (b. 1876), a “lieder singer of repute” 1905 Married Therese Behr (died 1959), they give intermittent concerts together for the next twenty-five years, performing…
topic: Schnabel, Artur, 1882-1951
subject: Schnabel, Artur, 1882-1951
is biographical history for: Artur Schnabel Collection 1899-1950
is part of: Artur Schnabel Collection

Manuscript Music Scores, 1899-1950
type: ArchivalResource
is part of: Artur Schnabel Collection 1899-1950
is aggregated by: Artur Schnabel Collection 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: series
type: Aggregation
type: Collection
has part: One copy of the inventory/finding aid of the contents of this collection
aggregates: One copy of the inventory/finding aid of the contents of this collection
has part: Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
aggregates: Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
has part: Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
aggregates: Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
has part: Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
aggregates: Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
has part: Diabolique. Capriccio, for piano solo, 1949
aggregates: Diabolique. Capriccio, for piano solo, 1949
has part: Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
aggregates: Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
has part: Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
aggregates: Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
has part: Douce tristesse, for piano solo, undated
aggregates: Douce tristesse, for piano solo, undated
has part: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
aggregates: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
has part: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
aggregates: Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
has part: Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
aggregates: Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
has part: Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
aggregates: Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
has part: Klavierstück 1937, for piano solo, 1936-1937
aggregates: Klavierstück 1937, for piano solo, 1936-1937
has part: 3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
aggregates: 3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
has part: Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
aggregates: Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
has part: Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
aggregates: Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
has part: Quartet no. 3, for strings, 1922
aggregates: Quartet no. 3, for strings, 1922
has part: Quartet no. 4, for strings, 1930
aggregates: Quartet no. 4, for strings, 1930
has part: Quartet no. 5, for strings, 1940
aggregates: Quartet no. 5, for strings, 1940
has part: Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
aggregates: Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
has part: Sonata, for violin and piano, 1935
aggregates: Sonata, for violin and piano, 1935
has part: Sonata, for violoncello solo, 1931
aggregates: Sonata, for violoncello solo, 1931
has part: Symphony no. 1, for orchestra: movements I and II, 1939
aggregates: Symphony no. 1, for orchestra: movements I and II, 1939
has part: Symphony no. 1, for orchestra: movements III and IV, 1939
aggregates: Symphony no. 1, for orchestra: movements III and IV, 1939
has part: Symphony no. 1, for orchestra, 1942
aggregates: Symphony no. 1, for orchestra, 1942
has part: Symphony no. 1, for orchestra
aggregates: Symphony no. 1, for orchestra
has part: Symphony no. 2, for orchestra: movement I, 1943
aggregates: Symphony no. 2, for orchestra: movement I, 1943
has part: Symphony no. 2, for orchestra: movement II, 1943
aggregates: Symphony no. 2, for orchestra: movement II, 1943
has part: Symphony no. 2, for orchestra: movements III and IV, undated
aggregates: Symphony no. 2, for orchestra: movements III and IV, undated
has part: Symphony no. 2, for orchestra, 1942
aggregates: Symphony no. 2, for orchestra, 1942
has part: Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
aggregates: Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
has part: Symphony no. 3, for orchestra: movement II (“Dance”), 1949
aggregates: Symphony no. 3, for orchestra: movement II (“Dance”), 1949
has part: Symphony no. 3, for orchestra: movement III, 1949
aggregates: Symphony no. 3, for orchestra: movement III, 1949
has part: Symphony no. 3, for orchestra, 1948
aggregates: Symphony no. 3, for orchestra, 1948
has part: Tanzlied, op. 11, no. 10, for voice and piano (Otto Julius Bierbaum), 1901
aggregates: Tanzlied, op. 11, no. 10, for voice and piano (Otto Julius Bierbaum), 1901
has part: Tanzsuite [Erste Rast (Werbung). Walzer (Fühlung). Zeeite Rast (Schwebung). Auf Morgen (Bekräftizung)], for piano solo, 1921
aggregates: Tanzsuite [Erste Rast (Werbung). Walzer (Fühlung). Zeeite Rast (Schwebung). Auf Morgen (Bekräftizung)], for piano solo, 1921

Annotated Material
type: ArchivalResource
is part of: Artur Schnabel Collection 1899-1950
is aggregated by: Artur Schnabel Collection 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: series
type: Aggregation
type: Collection
has part: Beethoven, Ludwig van. Sonatas, for piano solo. Leipzig: Breitkopf & Härtel, n.d.
aggregates: Beethoven, Ludwig van. Sonatas, for piano solo. Leipzig: Breitkopf & Härtel, n.d.
has part: Performance notes related to Schnabel’s Beethoven Sonata edition (above, laid in Box 3/Folder 4), and laid in with the above
aggregates: Performance notes related to Schnabel’s Beethoven Sonata edition (above, laid in Box 3/Folder 4), and laid in with the above
has part: Original cardboard folder in which the above material (Box 3/Folders 5 and 6) was contained
aggregates: Original cardboard folder in which the above material (Box 3/Folders 5 and 6) was contained

series
type: Level
type: Concept

One copy of the inventory/finding aid of the contents of this collection
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: httphdllocgovlocmusiceadmusmu011013-1-1

Abendlandschaft, for voice and piano (Joseph von Eichendorff), 1902
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink; 1 p.
extent: holograph manuscript, in ink; 1 p.

Concerto [Intermezzo. Rondo], for piano and chamber orchestra, 1901
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in ink with pencil indications; 33 p.
extent: holograph manuscript full score, in ink with pencil indications; 33 p.

Dann, op. 11, no. 2, for voice and piano (Richard Dehmel), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil annotations; 2 p.
extent: holograph manuscript, in ink with pencil annotations; 2 p.

Diabolique. Capriccio, for piano solo, 1949
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil annotations; 5 p.
extent: holograph manuscript, in ink with pencil annotations; 5 p.

Dieses ist ein rechter Morgen, op. 11, no. 5, for voice and piano (Stefan George), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Copyist’s manuscript, in ink; 3 p.
extent: copyist’s manuscript, in ink; 3 p.

Duodecimet [Introduzione. Scherzo. Epilogue], for chamber ensemble (indications for violin I, violin II, viola, double bass, piccolo, clarinet, bass clarinet, trumpet, horn, percussion), 1950
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript sketches in short score, in pencil; 18 p.
extent: holograph manuscript sketches in short score, in pencil; 18 p.

Douce tristesse, for piano solo, undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink; 4 p.
extent: holograph manuscript, in ink; 4 p.

Frühlingsgruss, for voice and piano (Joseph von Eichendorff), 1902
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink; 2 p.
extent: holograph manuscript, in ink; 2 p.

Frühlingsgruss, for voice and piano (Joseph von Eichendorff), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink; 2 p.
extent: holograph manuscript, in ink; 2 p.

Heisst es viel dich bitten?, for voice and piano (Stefan George), 1903
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 2 p.
extent: holograph manuscript, in pencil; 2 p.

Hyazinthen, op. 14, no. 5, for voice and piano (Theodor Storm), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil annotations; 3 p.
extent: holograph manuscript, in ink with pencil annotations; 3 p.

Klavierstück 1937, for piano solo, 1936-1937
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 31 p.
extent: holograph manuscript, in pencil; 31 p.

3 Klavierstücke [Rhapsodie. Nachtbild. Walzer], for piano solo, 1906
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil indications; 16 p.
extent: holograph manuscript, in ink with pencil indications; 16 p.

Manche Nacht, op. 11, no. 6, for voice and piano (Richard Dehmel), 1901
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil annotations; 2 p.
extent: holograph manuscript, in ink with pencil annotations; 2 p.

Marienlied, op. 11, no. 4, for voice and piano (Novalis), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil annotations; 2 p.
extent: holograph manuscript, in ink with pencil annotations; 2 p.

Quartet no. 3, for strings, 1922
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 32 p.
extent: holograph manuscript, in pencil; 32 p.

Quartet no. 4, for strings, 1930
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 37 p.
extent: holograph manuscript, in pencil; 37 p.

Quartet no. 5, for strings, 1940
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript (spiral wire bound), in pencil with red ink indications; 37 p. (plus one unbound page of sketches, at end)
extent: holograph manuscript (spiral wire bound), in pencil with red ink indications; 37 p. (plus one unbound page of sketches, at end)

Sieh, mein Kind, ich gehe, op. 11, no. 7, for voice and piano (Stefan George), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil indications; 2 p.
extent: holograph manuscript, in ink with pencil indications; 2 p.

Sonata, for violin and piano, 1935
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 40 (13, 6, 5, 16) p.
extent: holograph manuscript, in pencil; 40 (13, 6, 5, 16) p.

Sonata, for violoncello solo, 1931
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil; 13 p.
extent: holograph manuscript, in pencil; 13 p.

Symphony no. 1, for orchestra: movements I and II, 1939
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil with indications in red and black inks and red pencil; ii, 46, 22 p.
extent: holograph manuscript full score, in pencil with indications in red and black inks and red pencil; ii, 46, 22 p.

Symphony no. 1, for orchestra: movements III and IV, 1939
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil with indications in red ink; ii, 13, 41 p.
extent: holograph manuscript full score, in pencil with indications in red ink; ii, 13, 41 p.

Symphony no. 1, for orchestra, 1942
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript in short score, in pencil; 47 (16, 8, 6, 17) p.
extent: holograph manuscript in short score, in pencil; 47 (16, 8, 6, 17) p.

Symphony no. 1, for orchestra
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: httphdllocgovlocmusiceadmusmu011013-1-26

Symphony no. 2, for orchestra: movement I, 1943
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil; 47 p.
extent: holograph manuscript full score, in pencil; 47 p.

Symphony no. 2, for orchestra: movement II, 1943
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil; 1, 28, 1 p.
extent: holograph manuscript full score, in pencil; 1, 28, 1 p.

Symphony no. 2, for orchestra: movements III and IV, undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil; 59 (2,19, 38) p.
extent: holograph manuscript full score, in pencil; 59 (2,19, 38) p.

Symphony no. 2, for orchestra, 1942
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript in short score, in pencil; 44 (12, 9, 6, 17) p.
extent: holograph manuscript in short score, in pencil; 44 (12, 9, 6, 17) p.

Symphony no. 3, for orchestra: movement I (“Fantasia”), 1949
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil with indications in red and blue pencil; 44 p.
extent: holograph manuscript full score, in pencil with indications in red and blue pencil; 44 p.

Symphony no. 3, for orchestra: movement II (“Dance”), 1949
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil with indications in red and blue pencil; 28 p. (numbered 45 through 72)
extent: holograph manuscript full score, in pencil with indications in red and blue pencil; 28 p. (numbered 45 through 72)

Symphony no. 3, for orchestra: movement III, 1949
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript full score, in pencil with indications in red and blue pencil; ii, 39 p. (numbered 73 through 112)
extent: holograph manuscript full score, in pencil with indications in red and blue pencil; ii, 39 p. (numbered 73 through 112)

Symphony no. 3, for orchestra, 1948
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript in short score, in pencil with red and black inks; 8, 4, 8 p.
extent: holograph manuscript in short score, in pencil with red and black inks; 8, 4, 8 p.

Tanzlied, op. 11, no. 10, for voice and piano (Otto Julius Bierbaum), 1901
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil indications; 3 p.
extent: holograph manuscript, in ink with pencil indications; 3 p.

Tanzsuite [Erste Rast (Werbung). Walzer (Fühlung). Zeeite Rast (Schwebung). Auf Morgen (Bekräftizung)], for piano solo, 1921
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in pencil (incomplete: movement I missing); 37 (5, 20, 3, 9) p.
extent: holograph manuscript, in pencil (incomplete: movement i missing); 37 (5, 20, 3, 9) p.

Das Veilchen an den spanischen Flieder, op. 11, no. 9, for voice and piano (Harms Sachs), 1899
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil indications; 2 p.
extent: holograph manuscript, in ink with pencil indications; 2 p.

Waldnacht, op. 11, no. 8, for voice and piano (Richard Dehmel), 1901
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink; 2 p.
extent: holograph manuscript, in ink; 2 p.

Waldnacht, op. 11, no. 8, for voice and piano (Richard Dehmel), undated
type: ArchivalResource
is part of: Manuscript Music Scores, 1899-1950
is aggregated by: Manuscript Music Scores, 1899-1950
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: Holograph manuscript, in ink with pencil indications; 2 p.
extent: holograph manuscript, in ink with pencil indications; 2 p.

file
type: Level
type: Concept

holograph manuscript, in ink; 1 p.
type: Extent

holograph manuscript full score, in ink with pencil indications; 33 p.
type: Extent

holograph manuscript, in ink with pencil annotations; 2 p.
type: Extent

holograph manuscript, in ink with pencil annotations; 5 p.
type: Extent

copyist’s manuscript, in ink; 3 p.
type: Extent

holograph manuscript sketches in short score, in pencil; 18 p.
type: Extent

holograph manuscript, in ink; 4 p.
type: Extent

holograph manuscript, in ink; 2 p.
type: Extent

holograph manuscript, in ink; 2 p.
type: Extent

holograph manuscript, in pencil; 2 p.
type: Extent

holograph manuscript, in ink with pencil annotations; 3 p.
type: Extent

holograph manuscript, in pencil; 31 p.
type: Extent

holograph manuscript, in ink with pencil indications; 16 p.
type: Extent

holograph manuscript, in ink with pencil annotations; 2 p.
type: Extent

holograph manuscript, in ink with pencil annotations; 2 p.
type: Extent

holograph manuscript, in pencil; 32 p.
type: Extent

holograph manuscript, in pencil; 37 p.
type: Extent

holograph manuscript (spiral wire bound), in pencil with red ink indications; 37 p. (plus one unbound page of sketches, at end)
type: Extent

holograph manuscript, in ink with pencil indications; 2 p.
type: Extent

holograph manuscript, in pencil; 40 (13, 6, 5, 16) p.
type: Extent

holograph manuscript, in pencil; 13 p.
type: Extent

holograph manuscript full score, in pencil with indications in red and black inks and red pencil; ii, 46, 22 p.
type: Extent

holograph manuscript full score, in pencil with indications in red ink; ii, 13, 41 p.
type: Extent

holograph manuscript in short score, in pencil; 47 (16, 8, 6, 17) p.
type: Extent

holograph manuscript full score, in pencil; 47 p.
type: Extent

holograph manuscript full score, in pencil; 1, 28, 1 p.
type: Extent

holograph manuscript full score, in pencil; 59 (2,19, 38) p.
type: Extent

holograph manuscript in short score, in pencil; 44 (12, 9, 6, 17) p.
type: Extent

holograph manuscript full score, in pencil with indications in red and blue pencil; 44 p.
type: Extent

holograph manuscript full score, in pencil with indications in red and blue pencil; 28 p. (numbered 45 through 72)
type: Extent

holograph manuscript full score, in pencil with indications in red and blue pencil; ii, 39 p. (numbered 73 through 112)
type: Extent

holograph manuscript in short score, in pencil with red and black inks; 8, 4, 8 p.
type: Extent

holograph manuscript, in ink with pencil indications; 3 p.
type: Extent

holograph manuscript, in pencil (incomplete: movement i missing); 37 (5, 20, 3, 9) p.
type: Extent

holograph manuscript, in ink with pencil indications; 2 p.
type: Extent

holograph manuscript, in ink; 2 p.
type: Extent

holograph manuscript, in ink with pencil indications; 2 p.
type: Extent

Beethoven, Ludwig van. Sonatas, for piano solo. Leipzig: Breitkopf & Härtel, n.d.
type: ArchivalResource
is part of: Annotated Material
is aggregated by: Annotated Material
access provided by: Music Division Library of Congress Washington, D.C.
level: file

Performance notes related to Schnabel’s Beethoven Sonata edition (above, laid in Box 3/Folder 4), and laid in with the above
type: ArchivalResource
is part of: Annotated Material
is aggregated by: Annotated Material
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: httphdllocgovlocmusiceadmusmu011013-2-2

Original cardboard folder in which the above material (Box 3/Folders 5 and 6) was contained
type: ArchivalResource
is part of: Annotated Material
is aggregated by: Annotated Material
access provided by: Music Division Library of Congress Washington, D.C.
level: file
extent: httphdllocgovlocmusiceadmusmu011013-2-3